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Author: Ema Sullivan-Bissett
Publisher: Oxford University Press
ISBN: 0198805403
Category : Art
Languages : en
Pages : 267
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Book Description
Art and Belief presents new work at the intersection of philosophy of mind and philosophy of art. Topics include the cognitive contributions artworks can make, the phenomenon of fictional persuasion, and the nature of aesthetic testimony, and the relation between belief and truth in our experience of art.
Author: Ema Sullivan-Bissett
Publisher: Oxford University Press
ISBN: 0198805403
Category : Art
Languages : en
Pages : 267
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Book Description
Art and Belief presents new work at the intersection of philosophy of mind and philosophy of art. Topics include the cognitive contributions artworks can make, the phenomenon of fictional persuasion, and the nature of aesthetic testimony, and the relation between belief and truth in our experience of art.
Author: Indianapolis Museum of Art
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 368
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Book Description
An exhibition catalogue that examines the cultural role of the Church in the seventeenth-century religious art of Spain and Spanish America, illustrated with numerous color and black-and-white reproductions of paintings, sculptures, metalwork, and books.
Author: Bryan Rennie
Publisher: Routledge
ISBN: 1000046796
Category : Art
Languages : en
Pages : 310
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Book Description
Drawing from sources including the ethology of art and the cognitive science of religion this book proposes an improved understanding of both art and religion as behaviors developed in the process of human evolution. Looking at both art and religion as closely related, but not identical, behaviors a more coherent definition of religion can be formed that avoids pitfalls such as the Eurocentric characterization of religion as belief or the dismissal of the category as nothing more than false belief or the product of scholarly invention. The book integrates highly relevant insights from the ethology and anthropology of art, particularly the identification of "the special" by Ellen Dissanayake and art as agency by Alfred Gell, with insights from, among others, Ann Taves, who similarly identified "specialness" as characteristic of religion. It integrates these insights into a useful and accurate understanding and explanation of the relationship of art and religion and of religion as a human behavior. This in turn is used to suggest how art can contribute to the development and maintenance of religions. The innovative combination of art, science, and religion in this book makes it a vital resource for scholars of Religion and the Arts, Aesthetics, Religious Studies, Religion and Science and Religious Anthropology.
Author: Roger Lundin
Publisher: Wm. B. Eerdmans Publishing
ISBN: 9780802821270
Category : Biography & Autobiography
Languages : en
Pages : 340
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Book Description
Paying special attention to her experience of faith, Lundin relates Dickinson's life -- as it can be charted through her poems and letters -- to nineteenth-century American political, social, religious, and intellectual history. --From publisher description.
Author: Graham Howes
Publisher: Bloomsbury Publishing
ISBN: 0857710613
Category : Art
Languages : en
Pages : 203
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Book Description
The field of 'art and religion' is fast becoming one of the most dynamic areas of religious studies. Uniquely, "The Art of the Sacred" explores the relationship between religion and the visual arts - and vice versa - within Christianity and other major religious traditions. It identifies and describes the main historical, theological, sociological and aesthetic dimensions of 'religious' art, with particular attention to 'popular' as well as 'high' culture, and within societies of the developing world. It also attempts to locate, and predict, the forms and functions of such art in a changing contemporary context of obligation, modernity, secularism and fundamentalism. The author concentrates on four chief dimensions where religious art and religious belief converge: the iconographic; the didactic; the institutional; and the aesthetic. This clear, well-organised and imaginative treatment of the subject should prove especially attractive to students of religion and visual culture, as well as to artists and art historians.
Author: Daniel C. Swan
Publisher: Univ. Press of Mississippi
ISBN: 9781578060962
Category : Art
Languages : en
Pages : 136
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Book Description
An examination of the vibrant traditional and folk arts inspired by the sacramental use of peyote by members of the Native American Church
Author: David Levi Strauss
Publisher: David Zwirner Books
ISBN: 9781644230473
Category : Photography
Languages : en
Pages : 0
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Book Description
In this exploration of contemporary photography, David Levi Strauss questions the concept that “seeing is believing” Identifying a recent shift in the dominance of photography, David Levi Strauss looks at the power of the medium in the age of Photoshop, smart phones, and the internet, asking important questions about how we look and what we trust. In the first ekphrasis title on photography, Strauss challenges the aura of believability and highlights the potential dangers around this status. He examines how images produced on cameras gradually gained an inordinate power to influence public opinion, prompt action, comfort and assuage, and direct or even create desire. How and why do we believe technical images the way we do? Offering a poignant argument in the era of “fake news,” Strauss draws attention to new changes in the technology of seeing. Some uses of "technical images" are causing the connection between images and belief (between seeing and believing) to fray and pull apart. How is this shifting our relationship to images? Will this crisis in what we can believe come to threaten our very purchase on the real? This book is an inquiry into the history and future of our belief in images.
Author: Richard Wagner
Publisher: U of Nebraska Press
ISBN: 9780803297647
Category : Art
Languages : en
Pages : 416
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Book Description
"One might say that where Religion becomes artificial, it is reserved for Art to save the spirit of religion." With these words Richard Wagner began "Religion and Art" (1880), one of his most passionate essays. That passion made Wagner himself a central icon in the growing cult of art. Wagner felt that he lived in an age of spiritual crisis. "It can but rouse our apprehension, to see the progress of the art-of-war departing from the springs of moral force, and turning more and more to the mechanical," he wrote. In response to the frightening progress of dynamite and steel, Wagner adopted the role of the Tone Poet Seer, who reveals the inexpressible in concert halls and cleanses souls in waves of symhonic revelation. "Religion and Art" is the pivot of the works collected here. Also included are his defining essays "Public and Popularity" and "The Public in Time and Space"; his papers relating to the creation of the Bayreuth School; his complaint against publishers, "On Poetry and Composition" (1879); his article on the first production of Parsifal (1882); and other works that speak his mind about strengthening the spirit through music. These works participated in the duel between Wagner and Nietzsche that ensued after the breakup of their friendship in 1878. Nietzsche publicly called Wagner an incurable romantic, emphasizing how sick he thought both Wagner and his art were. Here Wagner counterattacks with arch innuendo and sarcasm. This edition includes the complete volume 6 of the 1897 translation of Wagner's works commissioned by the London Wagner Society. William Ashton Ellis is one of the most important translators of nineteenth-century musicology. In addition to his monumental translation of Wagner's prose works, he translated Wagner's correspondence with Franz Lizst, Mathilde Wesendonck, and Wagner's own family. Ellis died in 1919.
Author: Navid Kermani
Publisher: John Wiley & Sons
ISBN: 1509514872
Category : Art
Languages : en
Pages : 296
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Book Description
What happens when one of Germany’s most important writers, himself a Muslim, immerses himself in the world of Christian art? In this book, Navid Kermani is awestruck by a religion full of sacrifice and lamentation, love and wonder, the irrational and the unfathomable, the deeply human and the divine – a Christianity that today’s Christians rarely speak of so earnestly, boldly and enthusiastically. With the open-minded curiosity of a non-believer – or rather a believer in another faith – Kermani engages with Christian art in its great richness and diversity. The result is an enchanting reflection which reinvests in Christianity both its spectacular beauty and its terror. Kermani struggles with the cross, falls in love at the sight of Mary, experiences the Orthodox Mass and appreciates the greatness of St Francis. He teaches us to see the questions of our present-day lives in the pictures of old masters such as Botticelli, Caravaggio and Rembrandt – not with lectures on art history or theology, but with an intelligent eye for the essential details and the underlying relations to seemingly remote worlds, to literature and to mystical Islam. Kermani’s poetic school of seeing draws us in as we are carried along by his unique perspective on Christianity, rekindling our interest in great art at the same time. We are captivated by his unique and brilliant Islamic reading of the West.
Author: Birgit Meyer
Publisher: Berg Publishers
ISBN: 9781845206161
Category :
Languages : en
Pages : 128
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Book Description
From Shinto shrines to rosary beads, thangka paintings to missionary tracts, mass-produced posters to gravestones, religion is a material process. This book seeks to explore how religion happens in material culture - images, devotional and liturgical objects, architecture and sacred space, works of art and mass-produced artifacts.
