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Author: Cornelius Clarkson Vermeule
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 564
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Book Description
Preface Greek and Roman Portraits in North American Collections An Etruscan Zoo Revisited Aphrodisiaca: Satyr, Maenad and Eros Four Important Roman Imperial Sestertii: Trajan, Hadrian and Septimius Severus The Statue of the Damaskenos at the American School at Athens A Greek Theme and its Survivals: The Ruler's Shield in Tomb and Temple Cappadocia on the Eve of the Byzantine Empire Young Man on Horseback (500 B.C.) Classical Bronzes in Three American Museums Graeco-Roman Statues: I. Purpose and Setting; II. Literary and Archaeological Evidence for the Display and Grouping of Graeco-Roman Sculpture Greek and Roman Art at the Wadsworth Athenaeum Greek Sculpture and Roman Taste The Basel Dog: A Vindication Lions: Attic and Related An Archaic Terra-cotta Rider A Greek Hero of Alexander the Great's Age Priapos and Maenad in the Boston Museum of Fine Arts Three Imperial Portraits in America: Nero, Britannicus and Faustina II from Asia Minor Collectors of Greek Art: Edward Perry Warren and his Successors An Aegean Gold Hoard and the Court of Egypt Aphrodite Unveiled Greek, Etruscan, Roman Gold and Silver in the Museum of Fine Arts, Boston: I. Archaic to Hellenistic Gold II. Hellenistic to Late Antique Gold and Silver Ancient Whips Dated Monuments of Hellenistic and Graeco-Roman Popular Art in Asia Minor: Pontus through Mysia Greek Funerary Animals, 450-300 B.C. Adventures of a Graeco-Roman Marble Herm A Greek Heroic Statue in Dallas Antiquities at Wellesley America's neoclassic sculptors: fallen angels resurrected Additional Notes Index.
Author: Cornelius Clarkson Vermeule
Publisher:
ISBN:
Category : Art, Ancient
Languages : en
Pages : 496
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Book Description
The third part of the four volume set which aims to make available the most important studies of Cornelius Vermeule, the formercurator of Classical Art at the Boston Museum of Fine Art. This volume contains studies published between 1974 and 1984 which cover a wide range of broad topics as well as including studies of specific artworks, mostly held in American collections. The many subjects include Graeco-Roman artworks in the East, the ram cults of Cyprus, numismatic art, Graeco-Roman sculpture, monuments and memorials, painting and mosaic, the Ara Pacis and Nero, Roman imperial art, crime and punishment and Alexander the Great's souvenirs. Contents: Preface Dated Monuments of Hellenistic and Graeco-Roman Popular Art in Asia Minor: Ionia, Lydia and Phrygia Recent Acquisitions. Aphrodite or a Nymph Ten Greek and Roman Portraits in Kansas City Cypriote Sculpture, the Late Archaic and Early Classical Periods: Towards a More Precise Understanding Greek, Roman and Etruscan Sculptures: The Benjamin and Lucy Rowland Collection The Ram Cults of Cyprus: Pastoral to Paphian at Morphou Medallions best reflect Renaissance creativity Neoclassic Sculpture in America: Greco-Roman sources and their results Numismatic Art in America Numismatic Art in America to 1796 Numismatics in Antiquity The Weary Herakles of Lysippos The Westmacott Jupiter Commodus, Caracalla and the Tetrarchs: Roman Emperors as Hercules Dated Monumens of Hellenistic and Greco-Roman Art in Asia Minor: Caria, Pamphylia, Pisidia and Lycaonia Greek and Roman Sculpture from the Northern Coasts of the Black Sea The Ancient Marbles at Petworth The Heroic Graeco-Roman Zeus from the Villa d'Este amd Marbury Hall Vita: Berenike II. Liberated Queen An Imperial Commemorative Monument Never Finished: A Possible Memorial of Trajan's Eastern "Conquests" at Salamis on Cyprus Athenian Eternity. Attic Funerary Stele, about 340 BC Ideal "Portraiture" at the Outset of the Hellenistic Age Interactions and Reflections of Painting, Mosaic and Sculpture. Complex Mythological Scenes in Greek and Roman Imperial Numismatic Art Roman Pictorial Mirrors The Imperial Shield as a Mirror of Roman Art on Medallions and Coins The Late Antonine and Severan Bronze Portraits from Southwest Asia Minor A Silver Cup of the Augustans or Julio-Claudian Period Bench and Table Supports: Roman Egypt and Beyond Greek and Roman Sculpture in the Holy Land The Ara Pacis and the Child Nero: Julio-Claudian Commemorative Reliefs in Italy and Elsewhere The Basis from Puteoli: Cities of Asia Minor in Julio-Claudian Italy Transmissions of Roman Historical Relief throughout the Empire, with Special Reference to Southern Italy and Sicily Alexander the Great, the Emperor Severus Alexander and the Aboukir Medallions The Mosaic from Montebello near Rome: An Early Manifestation of the Seasons in Roman Imperial Art Crime and Punishment in Antiquity From Halicarnassus to Alexandria in the Hellenistic Age: the Ares of Halicarnassus by Leochares The Horse and Groom Relief in Athens Souvenirs of Alexander the Great's March through Persia to India Victory in Death: Roman Triumphal Art and Private Life Index.
Author: William R. Biers
Publisher: Psychology Press
ISBN: 0415063191
Category : Archaeological dating
Languages : en
Pages : 122
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Book Description
An introduction to the ways scholars date the archaeological remains of classical antiquity. Specific examples from architecture, sculpture and painting are presented and the different methods of dating them are explained.
Author: Judith M. Barringer
Publisher: Cambridge University Press
ISBN: 1139991744
Category : Art
Languages : en
Pages : 821
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Book Description
This richly illustrated, four-colour textbook introduces the art and archaeology of ancient Greece, from the Bronze Age through to the Roman conquest. Suitable for students with no prior knowledge of ancient art, this textbook reviews the main objects and monuments of the ancient Greek world, emphasizing the context and function of these artefacts in their particular place and time. Students are led to a rich understanding of how objects were meant to be perceived, what 'messages' they transmitted and how the surrounding environment shaped their meaning. The book contains nearly five hundred illustrations (with over four hundred in colour), including specially commissioned photographs, maps, floorplans and reconstructions. Judith M. Barringer examines a variety of media, including marble and bronze sculpture, public and domestic architecture, painted vases, coins, mosaics, terracotta figurines, reliefs, jewellery and wall paintings. Numerous text boxes, chapter summaries and timelines, complemented by a detailed glossary, support student learning.
Author: Oscar White Muscarella
Publisher: BRILL
ISBN: 9789056930417
Category : History
Languages : en
Pages : 564
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Book Description
A thrilling analysis of the world of plunderers, forgers, antiquity dealers, collectors, museums, auction houses with one thing in common: a vivid interest in the Ancient Near East.
Author: Johann Joachim Winckelmann
Publisher: Getty Publications
ISBN: 9780892366682
Category : Art
Languages : en
Pages : 452
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Book Description
"Translation of a foundational text for the disciplines of art history and archaeology. Offers a systematic history of art in ancient Egypt, Persia, Etruria, Rome, and, above all, Greece that synthesizes the visual and written evidence then available"--Provided by publisher.
Author: Elaine K. Gazda
Publisher: University of Michigan Press
ISBN: 9780472111893
Category : Art
Languages : en
Pages : 342
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Book Description
Are copies of Greek and Roman masterpieces as important as the originals they imitate?
Author: Karl Otfried Müller
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 560
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Book Description
Author: Johannes Siapkas
Publisher: Routledge
ISBN: 1136254013
Category : Art
Languages : en
Pages : 282
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Book Description
Displaying the Ideals of Antiquity investigates the study and display of ancient sculpture from archaeological, art historical, and museum studies perspectives. Ancient sculptures not only give us knowledge about ancient Greek and Roman pasts, but they also mediate ideals that inform modern perceptions of antiquity. This book analyzes how an art historical tradition establishes and preserves an idealized view of antiquity in classical archaeology and in museum exhibitions. The authors investigate how these ideals are kept alive today—an approach that often is neglected in studies on ancient reception.This book offers an international scope and illustrates how academic conceptual foundations influence museum exhibitions.This timely volume discusses contemporary museum exhibitions of ancient sculpture and clarifies how old discourses continue to affect museum exhibitions and conceptualizations of ancient sculptures. The authors analyze close to 100 museums around the world, and demonstrate the ways in which ancient sculptures are mediated across Europe and the West.
Author: James Cuno
Publisher: Princeton University Press
ISBN: 1400839246
Category : Art
Languages : en
Pages : 285
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Book Description
Whether antiquities should be returned to the countries where they were found is one of the most urgent and controversial issues in the art world today, and it has pitted museums, private collectors, and dealers against source countries, archaeologists, and academics. Maintaining that the acquisition of undocumented antiquities by museums encourages the looting of archaeological sites, countries such as Italy, Greece, Egypt, Turkey, and China have claimed ancient artifacts as state property, called for their return from museums around the world, and passed laws against their future export. But in Who Owns Antiquity?, one of the world's leading museum directors vigorously challenges this nationalistic position, arguing that it is damaging and often disingenuous. "Antiquities," James Cuno argues, "are the cultural property of all humankind," "evidence of the world's ancient past and not that of a particular modern nation. They comprise antiquity, and antiquity knows no borders." Cuno argues that nationalistic retention and reclamation policies impede common access to this common heritage and encourage a dubious and dangerous politicization of antiquities--and of culture itself. Antiquities need to be protected from looting but also from nationalistic identity politics. To do this, Cuno calls for measures to broaden rather than restrict international access to antiquities. He advocates restoration of the system under which source countries would share newly discovered artifacts in exchange for archaeological help, and he argues that museums should again be allowed reasonable ways to acquire undocumented antiquities. Cuno explains how partage broadened access to our ancient heritage and helped create national museums in Cairo, Baghdad, and Kabul. The first extended defense of the side of museums in the struggle over antiquities, Who Owns Antiquity? is sure to be as important as it is controversial. Some images inside the book are unavailable due to digital copyright restrictions.
Author: Erik Hornung
Publisher:
ISBN:
Category : Art, Ancient
Languages : en
Pages : 258
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Book Description
"This volume accompanies an exhibition of the same name, which includes artefacts from nearly 2000 years before the Christian era. Objects such as coffins, tombs, masks, jewellery, papyri, sarcophagi and monumental and small-scale sculpture reveal the reverence and awe with which the Egyptians considered the mystery of death. The essays in this book explore Egyptian art history, customs and worship, with specific focus on the Amduat, a book devoted to the pharaoh's 12-hour journey to the afterlife. Additional writings detail the background of the collection and focus upon the role of art in ancient Egypt."--Amazon.
