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Author: Eli Franco
Publisher: LIT Verlag Münster
ISBN: 3643906978
Category : History
Languages : en
Pages : 684
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Book Description
Abhinavagupta is undoubtedly the most famous Kashmirian medieval intellectual: his decisive contributions to Indian aesthetics, Saiva theology, and metaphysics, and to the philosophy of the subtle and original Pratyabhijna system, are well known. Yet so far his works have often been studied without fully taking into account the specific historical, social, artistic, religious, and philosophical context in which they are embedded. The purpose of this book is to show that this intellectual background is no less exceptional than Abhinavagupta himself. (Series: Leipzig Studies on the Culture and History of South and Central Asia / Leipziger Studien zu Kultur und Geschichte Sud- und Zentralasiens, Vol. 6) [Subject: History, Abhinavagupta, India Studies, Religious Studies]
Author: Eli Franco
Publisher: LIT Verlag Münster
ISBN: 3643906978
Category : History
Languages : en
Pages : 684
Get Book Here
Book Description
Abhinavagupta is undoubtedly the most famous Kashmirian medieval intellectual: his decisive contributions to Indian aesthetics, Saiva theology, and metaphysics, and to the philosophy of the subtle and original Pratyabhijna system, are well known. Yet so far his works have often been studied without fully taking into account the specific historical, social, artistic, religious, and philosophical context in which they are embedded. The purpose of this book is to show that this intellectual background is no less exceptional than Abhinavagupta himself. (Series: Leipzig Studies on the Culture and History of South and Central Asia / Leipziger Studien zu Kultur und Geschichte Sud- und Zentralasiens, Vol. 6) [Subject: History, Abhinavagupta, India Studies, Religious Studies]
Author: Gavin Flood
Publisher: Oxford University Press, USA
ISBN: 0199684561
Category : Religion
Languages : en
Pages : 329
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Book Description
Explores the metaphor of inwardness and the idea of truth within, along with the methods developed in three religions to attain it, such as prayer and meditation.
Author: Loriliai Biernacki
Publisher: Oxford University Press
ISBN: 0197643078
Category : Religion
Languages : en
Pages : 265
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Book Description
"The current discourse of New Materialism seeks to chart a way of addressing our contemporary predicament around environmental destruction through reassessing our relationship and attitudes to matter. This book argues that the panentheism of the 11th century Indian Hindu thinker Abhinavagupta offers a cogent philosophical model that gives us new ways of thinking about matter, which can help a contemporary New Materialist thought. What makes panentheism an attractive model for Abhinavagupta's philosophy is its Tantric impetus towards both the materiality of the world and the transcendence of divinity, proposing a philosophy that finds consciousness-a subjectivity as, and at the very core of matter. With this, Abhinavagupta's articulation of a foundational and encompassing subjectivity proposes a panentheist solution to a familiar conundrum, one we still grapple with today-that is: how does consciousness, which is so unlike matter, how does it actually connect to the materiality of our world? In familar 21st century terms, how does mind connect to body? This book brings this question to bear in comparative fashion on contemporary issues: our current concerns around what is sentient-animals? viruses? artificial intelligence?-set in relation to Abhinavagupta's articulation of what gives rise to sentience via his use of the term vimarśa; our current conceptions of information as data-articulated in juxtaposition to Abhinavagupta's theology of mantra, mystic sound; examining Abhinavagupta's use of wonder (camatkāra) as as a philosophical concept, and how his cosmological system (tattva) underwrites his understanding of a foundational subjectivity"--
Author: Jürgen Hanneder
Publisher: BRILL
ISBN: 9004454632
Category : History
Languages : en
Pages : 303
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Book Description
The first part of the ‘Versified Commentary on the Mālinītantra’ (Mālinīślokvārttika) by the tenth-century theologian Abhinavagupta, which is translated here for the first time, presents a philosophy of Śaiva revelation, conceived of as a descent of the highest non-dual form of knowledge, through the different levels of speech, into the knowledge embodied in the canon of Tantras or Agamas on which the Śaiva religion is based. The aim of the text is to demonstrate the logic behind the claim of the monistic Tantric schools on which Abhinavagupta bases his philosophy. The present volume deals in its introduction with the scriptural background of the Śaiva religion because that is a prerequisite for understanding many of the arguments in the text. The translation is accompanied by a re-edition of the Sanskrit text with the help of two manuscripts not consulted before, and a running commentary. A fragment of the Śrīkaṇṭī, which is probably the source for some of Abhinavaguptas theories of the Śaiva canon, is transcribed in an appendix.
Author: Shonaleeka Kaul
Publisher: Taylor & Francis
ISBN: 1000439747
Category : History
Languages : en
Pages : 209
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Book Description
Retelling Time challenges the hegemony of colonial modernity over academic disciplines and over ways in which we think about something as fundamental as time. It reclaims a bouquet of alternative practices of time from premodern South Asia, which stem from worldviews that have been marginalized. These practices relate to a range of classical and vernacular genres including alaṃkāra, theravāda, yoga, rāmakathā, tasawwuf, āyāraṃga, purāṇa, trikā-tantra, navya-nyāya, pratyabhijñā, carita, kūṭīyāṭṭam and maṅgala kāvya. These represent multiple languages such as Sanskrit, Persian, Pali, Prakrit, Awadhi, Malayalam, Kannada, and Bengali, as well as diverse streams, from Hinduism, Jainism, Buddhism, and Sufi Islam to logic, yoga, tantra, theatre, and poetics. Retelling Time questions the modern Eurocentric belief in an empty, homogenous, abbreviated, secular and irreversible time. It proposes instead that that premodern South Asia invested time with cultural function and value, which ranged from the contingent to the transcendent, the quotidian to the cosmic, the fleeting to the eternal, and the social to the spiritual. Accordingly, time was reworked --- stretched, melded, collapsed, recursed, rolled over, and even extinguished. Sacred, social, aesthetic, scientific, fictional, historical, and performative South Asian traditions are seen here in conversation with one other, mediated by an ethical paradigm. Their collective challenge is to decolonize our ways of knowing and being. This book will be of interest to scholars of South Asian history, philosophy of history, anthropology, literature, Sanskrit, post colonial studies, cultural studies, studies of temporality and of the Global South.
Author: Andrea Acri
Publisher: ISEAS-Yusof Ishak Institute
ISBN: 9814951498
Category : Religion
Languages : en
Pages : 375
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Book Description
This edited volume programmatically reconsiders the creative contribution of the littoral and insular regions of Maritime Asia to shaping new paradigms in the Buddhist and Hindu art and architecture of the mediaeval Asian world. Far from being a mere southern conduit for the maritime circulation of Indic religions, in the period from ca. the 7th to the 14th century those regions transformed across mainland and island polities the rituals, icons, and architecture that embodied these religious insights with a dynamism that often eclipsed the established cultural centres in Northern India, Central Asia, and mainland China. This collective body of work brings together new research aiming to recalibrate the importance of these innovations in art and architecture, thereby highlighting the cultural creativity of the monsoon-influenced Southern rim of the Asian landmass. "Although Maritime Asia in mediaeval times was not as densely populated as the agrarian hinterland, Asia’s coasts were highly urbanized. The region from southern India to south China was a heterogeneous blend of cultures, leavened with a strong interest in trade. This cosmopolitan society afforded plentiful opportunities for artists to find patrons and develop individual styles and aesthetic sensibilities. In the bustling ports of Asia’s south coast, rulers sought to embellish their prestige and attract foreign merchants by sponsoring the development of monumental complexes and centres of learning and debate. These educational institutions attracted teachers from all over Asia, and in their cloisters they developed new intellectual frameworks which were reflected in works of art and architecture. Scholars moved frequently by sea, influencing and being influenced by other foreigners such as Japanese and central Asians who were also attracted to these places. This very variety has hindered scholarly research in the past. This volume contributes to the endeavour to show how Maritime Asia was not an incoherent jumble of misunderstood influences from better-known civilizations; there was a pattern to this creativity, which the authors in this collection clarify for us. The maritime world of Asia may have lain on the margins of the land, but it provided a physical and intellectual medium through which artistic ideas from east and west flowed freely. Maritime Asia also made significant original contributions which hold their own with those of the hinterland of the Asian continent. Unconstrained by the burden of static hierarchical courts, the peoples of Maritime Asia built on the inspiration provided by a hybrid society to demonstrate a high degree of artistic originality while testing but not breaking the link with conventional iconography."-- Professor John Miksic, Department of Southeast Asian Studies, Faculty of Arts and Social Sciences, National University of Singapore (NUS) "The collective objective of this two-volume work is to give substance to the oft cited mantra that mediaeval maritime Southeast Asia was as much an innovative contributor to, as a recipient, in the cultural conversations that took place across the Bay of Bengal and South China Sea. In bracketing these studies between the 7th and 14th centuries, the editors have drawn into focus two key traditions that are explicated in texts, ritual art and architecture and religious landscapes of this period: tantric Buddhism and esoteric Shaivism. A great strength of these studies is this focus, for which the editors are to be commended. The chapters contain much that represents significant milestones in building new understanding in the field, including overdue recognition of the importance of Southeast Asian esoteric Buddhist practice in shaping Chinese Buddhism. Nowhere did the architects of the religious landscape of early Southeast Asia think of themselves as being on the periphery, or as outsiders, looking in. Rather, they knowingly imbued their tirthas and sacred centres with the same authority as those in India and created religious edifices that were on occasions beyond India’s experience. I highly commend this publication to anyone with an interest in bringing a wider lens to the study of Indian esoteric religious practices and to understanding the relationship of early Hindu-Buddhist Southeast Asia to the wider Asian world." -- John Guy, Senior Curator of South and Southeast Asian Art, The Metropolitan Museum of Art, New York "The Creative South is a rich compendium of scholarship concerning the religious art of Southeast Asia and its ties to India in the period beginning in the 8th century. It was a time when merchants were crisscrossing the seas from India to China and when advocates of innovative doctrines and rituals were finding ready support among the rulers of the varied kingdoms. From the identification of images embraced by the seafarers to the mysteries of the fire shrines in Cambodian temples, from the funerary beliefs of Odisha to the unique character of the Javanese Ramayana, these eighteen studies provide fresh understandings of the patterns of reception and innovation." -- Hiram Woodward, Mr. and Mrs. Thomas Quincy Scott Curator of Asian Art Emeritus, The Walters Art Museum
Author: Shilpa Ashok Pandit
Publisher: Taylor & Francis
ISBN: 1000857425
Category : Psychology
Languages : en
Pages : 200
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Book Description
The book intertwines several strands of scholarship in Indian Philosophy, contemporary psychology and the lived Indian psychological practice inclusive of Yoga, advaita, tantra and bhakti to engage in an exploration of consciousness, cognitive science and philosophy. The book examines the characteristics of consciousness by situating it in the historical and cultural contexts of Euro-American as well as Asian, particularly Indian philosophical tradition specifically, the Bhakti tradition and creative living. The volume decolonizes the understanding of the ecology of consciousness while accounting for the diverse strands, which have given us a unique understanding of the mind, psychology, cognition and philosophy of the mind. This book will be of interest to students, teachers, and scholars of psychology, consciousness studies, cognitive science, philosophy, social psychology, Yoga studies, and Yoga psychology. It will also be useful for Yoga professionals, social workers, therapists, and anyone who is interested to learn about consciousness.
Author: Jacob P. Dalton
Publisher: Columbia University Press
ISBN: 0231556187
Category : Religion
Languages : en
Pages : 227
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Book Description
Ritual manuals are among the most common and most personal forms of Buddhist literature. Since at least the late fifth century, individual practitioners—including monks, nuns, teachers, disciples, and laypeople—have kept texts describing how to perform the daily rites. These manuals represent an intimate counterpart to the canonical sutras and the tantras, speaking to the lived experience of Buddhist practice. Conjuring the Buddha offers a history of early tantric Buddhist ritual through the lens of the Tibetan manuscripts discovered near Dunhuang on the ancient Silk Road. Jacob P. Dalton argues that the spread of ritual manuals offered Buddhists an extracanonical literary form through which to engage with their tradition in new and locally specific ways. He suggests that ritual manuals were the literary precursors to the tantras, crucial to the emergence of esoteric Buddhism. Examining a series of ninth- and tenth-century tantric manuals from Dunhuang, Dalton uncovers lost moments in the development of rituals such as consecration, possession, sexual yoga, the Great Perfection, and the subtle body practices of the winds and channels. He also traces the use of poetic language in ritual manuals, showing how at pivotal moments, metaphor, simile, rhythm, and rhyme were deployed to evoke carefully sculpted affective experiences. Offering an unprecedented glimpse into the personal practice of early tantric Buddhists, Conjuring the Buddha provides new insight into the origins and development of the tantric tradition.
Author:
Publisher: BRILL
ISBN: 9004432809
Category : Religion
Languages : en
Pages : 632
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Book Description
Academic study of the tantric traditions has blossomed in recent decades, in no small measure thanks to the magisterial contributions of Alexis G. J. S. Sanderson, until 2015 Spalding Professor of Eastern Religions and Ethics at Oxford University. This collection of essays honours him and touches several fields of Indology that he has helped to shape (or, in the case of the Śaiva religions, revolutionised): the history, ritual, and philosophies of tantric Buddhism, Śaivism and Vaiṣṇavism; religious art and architecture; and Sanskrit belles lettres. Grateful former students, joined by other experts influenced by his scholarship, here offer papers that make significant contributions to our understanding of the cultural, religious, political, and intellectual histories of premodern South and Southeast Asia. Contributors are: Peter Bisschop, Judit Törzsök, Alex Watson, Isabelle Ratié, Christopher Wallis, Péter-Dániel Szántó, Srilata Raman, Csaba Dezső, Gergely Hidas, Nina Mirnig, John Nemec, Bihani Sarkar, Jürgen Hanneder, Diwakar Acharya, James Mallinson, Csaba Kiss, Jason Birch, Elizabeth Mills, Ryugen Tanemura, Anthony Tribe, and Parul Dave-Mukherji.
Author: James D. Reich
Publisher: Oxford University Press
ISBN: 0197544835
Category : History
Languages : en
Pages : 281
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Book Description
Anandavardhana and the metaphysics of literature -- Abhinavagupta and the theology of literature -- Abhinavagupta's literary theory -- Mahimabhaṭṭa on literary knowing -- The will of objects -- Mahimabhaṭṭa on literary being : the pragmatic use of illusion.
