The Connoisseur

The Connoisseur PDF Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 612

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The Connoisseur

The Connoisseur PDF Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 612

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Book Description


The Burlington Magazine for Connoisseurs

The Burlington Magazine for Connoisseurs PDF Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 520

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The Emergence of the Antique and Curiosity Dealer in Britain 1815-1850

The Emergence of the Antique and Curiosity Dealer in Britain 1815-1850 PDF Author: Mark Westgarth
Publisher: Routledge
ISBN: 1000050629
Category : Art
Languages : en
Pages : 171

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Book Description
Rather than the customary focus on the activities of individual collectors, The Emergence of the Antique and Curiosity Dealer in Britain 1815–1850: The Commodification of Historical Objects illuminates the less-studied roles played by dealers in the nineteenthcentury antique and curiosity markets. Set against the recent ‘art market turn’ in scholarly literature, this volume examines the role, activities, agency and influence of antique and curiosity dealers as they emerged in the opening decades of the nineteenth century. This study begins at the end of the Napoleonic Wars, when dealers began their wholesale importations of historical objects; it closes during the 1850s, after which the trade became increasingly specialised, reflecting the rise of historical museums such as the South Kensington Museum (V&A). Focusing on the archive of the early nineteenth-century London dealer John Coleman Isaac (c.1803–1887), as well as drawing on a wide range of other archival and contextual material, Mark Westgarth considers the emergence of the dealer in relation to a broad historical and cultural landscape. The emergence of the antique and curiosity dealer was part of the rapid economic, social, political and cultural change of early nineteenth-century Britain, centred around ideas of antiquarianism, the commercialisation of culture and a distinctive and evolving interest in historical objects. This book will be of interest to scholars in art history, histories of collecting, museum and heritage studies and nineteenth-century culture.

The National Union Catalog, Pre-1956 Imprints

The National Union Catalog, Pre-1956 Imprints PDF Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 764

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The Athenæum

The Athenæum PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 748

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Library Catalog of the Metropolitan Museum of Art, New York

Library Catalog of the Metropolitan Museum of Art, New York PDF Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1060

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Art and Auctions

Art and Auctions PDF Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 606

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The Athenaeum

The Athenaeum PDF Author:
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 916

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Athenaeum

Athenaeum PDF Author: James Silk Buckingham
Publisher:
ISBN:
Category :
Languages : en
Pages : 856

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Luxury Arts of the Renaissance

Luxury Arts of the Renaissance PDF Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292

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Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.