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Author: Edward Milton Anderson
Publisher: Ad Ilissum
ISBN: 9788822265012
Category : Literary Criticism
Languages : en
Pages : 278
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Book Description
The success of Orlando furioso in Italian musical theatre is vast and complex. This book examines the main phases of the circulation and influence of Orlando furioso on the seventeenth-century music scene by reconstructing an overall historical and critical profile, but also through the recovery and philologically verified transcription of about forty dramatic texts derived from Ariosto's main narrative currents.
Author: Edward Milton Anderson
Publisher: Ad Ilissum
ISBN: 9788822265012
Category : Literary Criticism
Languages : en
Pages : 278
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Book Description
The success of Orlando furioso in Italian musical theatre is vast and complex. This book examines the main phases of the circulation and influence of Orlando furioso on the seventeenth-century music scene by reconstructing an overall historical and critical profile, but also through the recovery and philologically verified transcription of about forty dramatic texts derived from Ariosto's main narrative currents.
Author: Michael Collins
Publisher: University of Texas Press
ISBN: 147730066X
Category : Music
Languages : en
Pages : 409
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Book Description
From the New York Times review of the Dallas Opera's performance of Orlando furioso and the international symposium on Baroque opera: ". . . it was a serious, thoughtful, consistent and imaginative realization of a beautiful, long-neglected work, one that fully deserved all the loving attention it received. As such, the production and its attendant symposium made a positive contribution to the cause of Baroque opera . . . . " Baroque opera experienced a revival in the late twentieth century. Its popularity, however, has given rise to a number of perplexing and exciting questions regarding literary sources, librettos, theater design, set design, stage movement, and costumes—even the editing of the operas. In 1980, the Dallas Opera produced the American premier of Vivaldi's Orlando furioso, which met with much acclaim. Concurrently an international symposium on the subject of Baroque opera was held at Southern Methodist University. Authorities from around the world met to discuss the operatic works of Vivaldi, Handel, and other Baroque composers as well as the characteristics of the genre. Michael Collins and Elise Kirk, deputy chair and chair of the symposium, edited the papers to produce this groundbreaking study, which will be of great interest to music scholars and opera lovers throughout the world. Contributors to Opera and Vivaldi include Shirley Wynne, John Walter Hill, Andrew Porter, Eleanor Selfridge-Field, Howard Mayer Brown, William Holmes, Ellen Rosand, and the editors.
Author:
Publisher: Cambridge University Press
ISBN: 0521823595
Category :
Languages : en
Pages : 379
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Book Description
Author: Simon Banks
Publisher: Troubador Publishing Ltd
ISBN: 1803131934
Category : Music
Languages : en
Pages : 352
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Book Description
Since the first performance of the first opera in 1600, operas have been telling stories from myth and history. This book - beginning with the Creation and ending in the present day - is a chronology of myth and history as told in opera. Over 260 paintings and photographs, most in colour, accompany the narrative. Why were particular myths and historical events important at particular times? Why were the same myths and historical events told in radically different ways? In seeking answers to these questions, this book charts how the modern West migrated from autocracy towards liberal democracy, from theocratic absolutism towards tolerant pluralism, from sexism towards gender equality. It traces growing scepticism about religiously inspired warfare and colonial empire building. Unlike anything previously published, this is a book for lovers of history and the arts, and for anyone interested in how the western world of today came into being. By exploring a bewitchingly beautiful art form, it chronicles a sequence of extraordinary transformations: the political, religious and social revolutions that created the modern West.
Author: Ellen Rosand
Publisher: Univ of California Press
ISBN: 0520254260
Category : Art
Languages : en
Pages : 712
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Book Description
"In this elegantly constructed study of the early decades of public opera, the conflicts and cooperation of poets, composers, managers, designers, and singers—producing the art form that was soon to sweep the world and that has been dominant ever since—are revealed in their first freshness."—Andrew Porter "This will be a standard work on the subject of the rise of Venetian opera for decades. Rosand has provided a decisive contribution to the reshaping of the entire subject. . . . She offers a profoundly new view of baroque opera based on a solid documentary and historical-critical foundation. The treatment of the artistic self-consciousness and professional activities of the librettists, impresarios, singers, and composers is exemplary, as is the examination of their reciprocal relations. This work will have a positive effect not only on studies of 17th-century, but on the history of opera in general."—Lorenzo Bianconi
Author:
Publisher: BRILL
ISBN: 9004386408
Category : History
Languages : en
Pages : 265
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Book Description
The early modern world was profoundly bilingual: alongside the emerging vernaculars, Latin continued to be pervasively used well into the 18th century. Authors were often active in and conversant with both vernacular and Latin discourses. The language they chose for their writings depended on various factors, be they social, cultural, or merely aesthetic, and had an impact on how and by whom these texts were received. Due to the increasing interest in Neo-Latin studies, early modern bilingualism has recently been attracting attention. This volumes provides a series of case studies focusing on key aspects of early modern bilingualism, such as language choice, translations/rewritings, and the interferences between vernacular and Neo-Latin discourses. Contributors are Giacomo Comiati, Ronny Kaiser, Teodoro Katinis, Francesco Lucioli, Giuseppe Marcellino, Marianne Pade, Maxim Rigaux, Florian Schaffenrath, Claudia Schindler, Federica Signoriello, Thomas Velle, Alexander Winkler.
Author: Valeria Finucci
Publisher: Duke University Press
ISBN: 9780822322955
Category : Literary Criticism
Languages : en
Pages : 340
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Book Description
Edited collection discusses the first historically important debate on what constitutes modern literature, which focused on two 16th century works: ORLANDO FURIOSO and GERUSALEMME LIBERATA.
Author: Kelley Harness
Publisher: Oxford University Press
ISBN: 0197761615
Category : Music
Languages : en
Pages : 345
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Book Description
Equestrian ballets (balletti a cavallo), although little known today, emerged as valued dramatic entertainments in early modern Europe, capable of demonstrating the wealth and magnificence of the patrons who commissioned them as well as the horsemanship and military skills of the noblemen who rode in them. Although the horse ballet did not originate in Florence, that city--and its ruling grand dukes, the Medici--acquired a reputation for excellence in the genre. Between 1608 and 1686, the court commissioned horse ballets to commemorate important state events such as Medici weddings or visits by foreign visitors. In Singing of Arms and Men, author Kelley Harness undertakes the first comprehensive study of the seventeenth-century Florentine horse ballets. She demonstrates how these works communicated messages relevant to the occasions for which they were performed, delivered by means of texts sung in styles similar to contemporary opera and punctuated by choreography and dramatic structure. Mock battles fought with swords and pistols animated audiences but also provided visible instances of conflict, which were then interrupted by the sudden arrival of a deus ex machina, who commanded the combatants to instead join forces to defeat a common enemy. The knights then demonstrated newfound cooperation through their creation of choreographed figures danced on horseback in time to music. Documentary evidence confirms that the Medici family expended significant financial and human resources on these one-time events, revealing just how much work it took to appear effortless. Ultimately, Harness shows how the balletto a cavallo played a crucial role in Medici self-fashioning during the period, and that the 250 noblemen invited to lend their equestrian skills both confirmed their family's relationship to the Medici and were provided a venue for demonstrating critical markers of masculine nobility.
Author: Wendy Heller
Publisher: Routledge
ISBN: 1317082419
Category : Music
Languages : en
Pages : 168
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Book Description
The epic poems the Iliad and the Odyssey, attributed to Homer, are among the oldest surviving works of literature derived from oral performance. Deeply embedded in these works is the notion that they were intended to be heard: there is something musical about Homer's use of language and a vivid quality to his images that transcends the written page to create a theatrical experience for the listener. Indeed, it is precisely the theatrical quality of the poems that would inspire later interpreters to cast the Odyssey and the Iliad in a host of other media-novels, plays, poems, paintings, and even that most elaborate of all art forms, opera, exemplified by no less a work than Monteverdi's Il ritorno di Ulisse in patria. In Performing Homer: The Voyage of Ulysses from Epic to Opera, scholars in classics, drama, Italian literature, art history, and musicology explore the journey of Homer's Odyssey from ancient to modern times. The book traces the reception of the Odyssey though the Italian humanist sources—from Dante, Petrarch, and Ariosto—to the treatment of the tale not only by Monteverdi but also such composers as Elizabeth Jacquet de la Guerre, Gluck, and Alessandro Scarlatti, and the dramatic and poetic traditions thereafter by such modern writers as Derek Walcott and Margaret Atwood.
Author: Islam Issa
Publisher: Oxford University Press
ISBN: 0192844741
Category : Literary Criticism
Languages : en
Pages : 465
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Book Description
This edited volume explores the combination of cultural phenomena that have established and canonized the work of John Milton in a global context, from interlingual translations to representations of Milton's work in verbal media, painting, stained glass, dance, opera, and symphony.
