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Author: Claude Anet
Publisher: New York Review of Books
ISBN: 168137711X
Category : Fiction
Languages : en
Pages : 177
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Book Description
“Men speak freely of the women they’ve had, and we’re condemned to silence. Why? Aren’t we as free as you? Don’t we, like you, have the right to take pleasure wherever we find it? . . . They praise seducers in art, poetry, and literature and put a mask of infamy on any woman who’s had many lovers. This is the point where the fight must be fought. Women’s morality must triumph, and that’s what I’m working at . . .” Thus Ariane, unconventional, irrepressible, and irre-sistible, at seventeen the queen bee of the provincial Russian town where, after her mother’s early demise, she lives with her freethinking aunt. But Ariane is tired of breaking hearts in the sticks. Her father may wish to marry her off, but she means to go to the university in Moscow, and she will do whatever it takes to make her way the way she likes. In Moscow, Ariane is in her element. She loves the glamour of the big city. She’s undaunted by its dangers. Before long, she meets Constantin Michel, businessman, man of the world, man-about-town. A new struggle begins.The inspiration for Billy Wilder’s Love in the Afternoon, Ariane has the perverse glitter of Nabokov and the disabused curiosity and keen emotional intelligence of Colette. It is a brilliant exploration—engrossing, unnerving, comic, and cunning—of the matchless cruelty of desire.
Author: Claude Anet
Publisher: New York Review of Books
ISBN: 168137711X
Category : Fiction
Languages : en
Pages : 177
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Book Description
“Men speak freely of the women they’ve had, and we’re condemned to silence. Why? Aren’t we as free as you? Don’t we, like you, have the right to take pleasure wherever we find it? . . . They praise seducers in art, poetry, and literature and put a mask of infamy on any woman who’s had many lovers. This is the point where the fight must be fought. Women’s morality must triumph, and that’s what I’m working at . . .” Thus Ariane, unconventional, irrepressible, and irre-sistible, at seventeen the queen bee of the provincial Russian town where, after her mother’s early demise, she lives with her freethinking aunt. But Ariane is tired of breaking hearts in the sticks. Her father may wish to marry her off, but she means to go to the university in Moscow, and she will do whatever it takes to make her way the way she likes. In Moscow, Ariane is in her element. She loves the glamour of the big city. She’s undaunted by its dangers. Before long, she meets Constantin Michel, businessman, man of the world, man-about-town. A new struggle begins.The inspiration for Billy Wilder’s Love in the Afternoon, Ariane has the perverse glitter of Nabokov and the disabused curiosity and keen emotional intelligence of Colette. It is a brilliant exploration—engrossing, unnerving, comic, and cunning—of the matchless cruelty of desire.
Author: Claude Anet
Publisher: Createspace Independent Publishing Platform
ISBN: 9781530753888
Category :
Languages : en
Pages : 162
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Book Description
Notice: This Book is published by Historical Books Limited (www.publicdomain.org.uk) as a Public Domain Book, if you have any inquiries, requests or need any help you can just send an email to
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Author: J. -C. B
Publisher:
ISBN: 9781724020369
Category :
Languages : en
Pages : 421
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Book Description
In Russia, Ariane, 17, no longer has her mother and lives with her aunt Varvara who finds her with her own lover. She tells Ariane to go to college. Ariane agrees, but she refuses Varvara's help and goes to Moscow. She falls in love with the rich Constantine. At the end of the lessons, he takes him to Crimea for 15 days and then leaves for 3 months in New York. When he returns, she will live at home. She confesses that she sleeps with a man during the holidays and that he pays for his studies. He leaves her but at the last moment, takes him with him.
Author: Rosalind Belben
Publisher: New York Review of Books
ISBN: 1681377535
Category : Fiction
Languages : en
Pages : 113
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Book Description
A brief, potent, and audaciously written novel about a husband caring for his dying wife, and the shifting nature of their relationship as the end approaches. Anna, an Englishwoman, has married, quite late in life, a merchant marine officer, an Italian. Beginning—and ending—at a point shortly before her death, the story told in The Limit focuses attention on her past and his future along lines of narrowing perspective. In the ten years of this odd couple’s life together, the limits of devotion have somehow been reached. And yet, when Anna can no longer speak and appears to understand nothing, Ilario feels closer to her than ever. But Anna, so old, ill, and wasted, is a child again. This altogether singular, remarkable novel has been as good as unobtainable for decades. Its reissue has been long awaited by Rosalind Belben’s admirers.
Author: James R Russo
Publisher: Liverpool University Press
ISBN: 1782847502
Category : Art
Languages : en
Pages : 229
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Book Description
Notable writers on literature and culture who occasionally penned opinion pieces on the movies prior to World War II include Clifton Fadiman, Mark Van Doren, Lincoln Kirstein, Edmund Wilson, Louise Bogan, and Paul Goodman. All of these critics wrote seriously about things other than the movies. Indeed, the early decades of film criticism drew many moonlighters who tried their hand at it for a few years, then moved on to their preferred metier. And such was the case with William Troy (1903-1961). Troy, a distinguished literary critic whose posthumous Selected Essays won a National Book Award in 1968, was also a much-loved professor at Bennington College, the New School, and New York University. Troy was the film critic of The Nation from 1933 to 1935. To that post he brought an educated, almost professional tone, which he sometimes used for comic effect. He approached each piece of film criticism as an occasion for some larger essayistic rumination. Indeed, his feeling for the carpentry of the short review is superb, as the reader will detect in his pieces on such important films as Buñuel's L'age d'Or, Lang's M, Duvivier's Poil de Carotte, Eisenstein's Que Viva México!, Dreyer's The Passion of Joan of Arc, Cocteau's Blood of a Poet, Pudovkin's Mother, Flaherty's Man of Aran, Renoir's Madame Bovary, and Ford's The Informer. William Troy was thus one of Americas first full-time professional film critics, if not the best of the lot. He deserves some of the attention heretofore reserved for another important early critic, James Agee, who himself began writing movie reviews for The Nation in 1942. Published in conjunction with The Bookman: William Troy on Literature and Criticism, 1927-1950 (ISBN 978-1-78976-172-6), Film Nation is essential reading for cinephiles. Inclusion of a substantive index makes the work highly attractive for classroom adoption in the field of cinema studies.
Author: Lisa Tuttle
Publisher: New York Review of Books
ISBN: 1681377721
Category : Fiction
Languages : en
Pages : 121
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Book Description
A widowed writer begins to work on a biography of a novelist and artist—and soon uncovers bizarre parallels between her life and her subject’s—in this chilling and singularly strange novella by a contemporary master of horror and fantasy. The narrator of Lisa Tuttle’s uncanny novella is a recent widow, a writer adrift. Not only has she lost her husband but her muse seems to have deserted her altogether. Her agent summons her to Edinburgh to discuss her next book. What will she tell him? At once the answer comes to her: she will write the biography of Helen Ralston, best known, if at all, as the subject of W.E. Logan’s much-reproduced painting Circe, and the inspiration for his classic children’s book, Hermine in Cloud-Land. But Ralston was a novelist and artist in her own right, though her writing is no longer in print and her most radical painting, My Death, deemed too unsettling—malevolent even—to be shown in public. Over the months that follow, Ralston proves an astonishingly cooperative subject, even as her biographer uncovers eerie resonances between the older woman’s history and her own. Whose biography is she writing—really?
Author: Pierre Drieu La Rochelle
Publisher: New York Review of Books
ISBN: 1681376229
Category : Fiction
Languages : en
Pages : 145
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Book Description
Adapted to film by both Louis Malle and Joachim Trier, this heart-rending and tenderly wrought novel narrates the decline of an artist and heroin addict in 1920s Paris. Pierre Drieu la Rochelle might be said to be both the Hemingway and the Fitzgerald of twentieth-century French literature, a battle-scarred veteran of the First World War whose work chronicles the trials and tribulations of a lost generation, a man about town, a heartbreaker with a broken heart, a literary stylist whose work is as tough as it is lyrical and polished. Politically compromised as Drieu came to be by his affiliation with the fascist right and collaboration under Nazi occupation—Drieu committed suicide at the end of the war—his novels remain vivid reflections of a broken spiritual and political world of the interwar years and as works of art, and to this day they are widely read and greatly admired in France. The Fire Within, which has been successfully adapted to the screen by Louis Malle and more recently Joachim Trier, is the lacerating tale of Alain Leroy, a war veteran and beautiful young man of whom the world is expected but who has taken refuge from the world in drugs. After being institutionalized, Alain emerges to try to put his life together again, but in spite of the attentions of friends and lovers, he struggles to find his way.
Author: Elsa Morante
Publisher: New York Review of Books
ISBN: 1681376849
Category : Fiction
Languages : en
Pages : 801
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Book Description
An Italian master's magnum opus about three generations of women, now in the first-ever unabridged English translation. Elsa Morante is one of the titans of twentieth-century literature—Natalia Ginzburg said she was the writer of her own generation that she most admired—and yet her work remains little known in the United States. Written during World War II, Morante’s celebrated first novel, Lies and Sorcery, is in the grand tradition of Stendhal, Tolstoy, and Proust, spanning the lives of three generations of wildly eccentric women. The story is set in Sicily and told by Elisa, orphaned young and raised by a “fallen woman.” For years Elisa has lived in an imaginary world of her own; now, however, her guardian has died, and the young woman feels that she must abandon her fantasy life to confront the truth of her family’s tortured and dramatic history. Elisa is a seductive, if less than reliable, spinner of stories, and the reader is drawn into a tale of secrets, intrigue, and treachery, which, as it proceeds, is increasingly revealed to be an exploration of a legacy of political and social injustice. Throughout, Morante’s elegant writing—and her drive to get at the heart of her characters’ complex relationships and all-too self-destructive behavior—holds us spellbound.
Author: John McGahern
Publisher: New York Review of Books
ISBN: 1681378809
Category : Fiction
Languages : en
Pages : 272
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Book Description
By “arguably the most important Irish writer since Samuel Beckett” (The Guardian), a character study of a young resident of Dublin who pens erotica for a living, making his money through fantasy while denying the realities of love and sex in his life. The Pornographer is the story of a writer down on his luck, not a Dubliner but a resident of Dublin penning far from erotic tales to make ends meet. These tales—revolving around the “delicious, unending revel” of Colonel Grimshaw and the typist Mavis Carmichael—form a mordant counterpoint to his own, much more complicated existence. Thirty years old, befogged by alcohol, sensitive yet indifferent to all emotional weather, he meets the slightly older Josephine, a clever, cautiously optimistic magazine editor who soon confesses her love, and though the feeling isn’t mutual (as he makes painfully clear) the affair goes on; Josephine becomes pregnant; and, this being Ireland in the seventies, the piper must be paid. Not cruel but callous, the pornographer reels through his days, paying regular visits to a beloved aunt from the country who now lies dying in Dublin, and to his publisher, a citified and cynical Polonius who advises him to “be careful not to let life in.” As the days turn into months, he begins to wonder what letting life in might look like. What would it mean, and where would it lead, to do right by others? First published in 1979, John McGahern’s fourth novel is a character study of rare and unsparing insight. In rhythmic, lyrical prose, McGahern gives voice to the longing and self-loathing of a soul caught between a traditional world he believes he has rejected and a brave new world of advertised freedoms, sexual and otherwise, which offers no guarantee of love.
Author: Gustave Flaubert
Publisher: New York Review of Books
ISBN: 1681377179
Category : Literary Collections
Languages : en
Pages : 729
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Book Description
“If there is one article of faith that dominates the Credo of Gustave Flaubert’s correspondence,” Francis Steegmuller writes in the introduction to this selection of Flaubert’s letters, “it is that the function of great art is not to provide ‘answers.’” The Letters of Gustave Flaubert is above all a record of the intransigent questions—personal, political, artistic—with which Flaubert struggled throughout his life. Here we have Flaubert’s youthful, sensual outpourings to his mistress, the poet Louise Colet, and, as he advances, still unknown, into his thirties, the wrestle to write Madame Bovary. We hear, too, of his life-changing trip to Egypt, as described to family and friends, and then there are lively exchanges with Baudelaire, with the influential critic Sainte-Beuve, and with Guy de Maupassant, his young protégé. Flaubert’s letters to George Sand reveal her as the great confidante of his later years. Steegmuller’s book, a classic in its own right, is both a splendid life of Flaubert in his own words and the ars poetica of the master who laid the foundations for modern writers from James Joyce to Lydia Davis. Originally issued in two volumes, the book appears here for the first time under a single cover.
