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Author:
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Category : Archaeology
Languages : en
Pages : 466
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Author:
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 466
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Author:
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 166
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Author: Thomas Johnston Homer
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ISBN:
Category : Boston (Mass.)
Languages : en
Pages : 868
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Author: Thomas J. Homer
Publisher:
ISBN:
Category : Learned institutions and societies
Languages : en
Pages : 536
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Author: Thomas Sergeant Hall
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages : 392
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Author: Free Library of Philadelphia
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ISBN:
Category : Bibliography
Languages : en
Pages : 350
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Author: Public Library, Museums, and National Gallery (Vic.)
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Category : Australian periodicals
Languages : en
Pages : 352
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Author: Vesa Kurkela
Publisher: Routledge
ISBN: 1317157214
Category : Music
Languages : en
Pages : 332
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Book Description
During the past two decades, there has emerged a growing need to reconsider the objects, axioms and perspectives of writing music history. A certain suspicion towards Francois Lyotard’s grand narratives, as a sign of what he diagnosed as our ’postmodern condition’, has become more or less an established and unquestioned point of departure among historians. This suspicion, at its most extreme, has led to a radical conclusion of the ’end of history’ in the work of postmodern scholars such as Jean Baudrillard and Francis Fukuyama. The contributors to Critical Music Historiography take a step back and argue that the radical view of the ’impossibility of history’, as well as the unavoidable ideology of any history, are counter-productive points of departure for historical scholarship. It is argued that metanarratives in history are still possible and welcome, even if their limitations are acknowledged. Foucault, Lyotard and others should be taken into account but systematized viewpoints and methods for a more critical and multi-faceted re-evaluation of the past through research are needed. As to the metanarratives of music history, they must avoid the pitfalls of evolutionism, hagiography, and teleology, all hallmarks of traditional historiography. In this volume the contributors put these methods and principles into practice. The chapters tackle under-researched and non-conventional domains of music history as well as rethinking older historiographical concepts such as orientalism and nationalism, and consequently introduce new concepts such as occidentalism and transnationalism. The volume is a challenging collection of work that stakes out a unique territory for itself among the growing body of work on critical music history.
Author: Gerrit Knaap
Publisher: BRILL
ISBN: 9004652302
Category : Art
Languages : en
Pages : 144
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During the nineteenth century the art of photography in the Netherlands Indies, now Indonesia, was mainly in European hands. Gradually, members of other ethnic groups moved into the field. Among indigenous ethnic groups, the pioneer was the Javanese Kassian Cephas (1845-1912). From the early 1870s Kassian Cephas was photographer to the court of the Sultans of Yogyakarta. As such he was responsible for many portraits of the royal family, in particular during the reign of Sultan Hamengkubuwana VII. Besides portraits of the royal family, Kassian Cephas documented theatrical performances and ceremonies at court. Apart from a biography of Kassian Cephas and his son and successor Sem Cephas (1870-1918), this book offers a selection of 98 pictures of the exquisite work of these photographers, drawn mainly from the photographic collection of the Koninklijk Instituut voor Taal-, Land- en Volkenkunde (KITLV). This selection introduces the reader to a world of royal dignity, gracious dancers, shadowy town views, impressive temple ruins and the mysterious Indian Ocean coast.
Author: Cambridge University Library
Publisher:
ISBN:
Category : Catalogs
Languages : en
Pages : 412
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