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Author: Irina Sedowa
Publisher:
ISBN: 9783944899008
Category : Sovjetunionen
Languages : de
Pages : 248
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Book Description
The history of Russian architecture in the first half of the twentieth century is riddled with contradictions. This is already evident in its origins. Whilst avant-garde Constructivism, radically daring even today, was mainly rooted in Moscow, the defenders of Neoclassicism were bound to the traditional architecture of St. Petersburg. Yet both currents strove to represent the architecture of the Revolution. As the two schools crossed paths in the 1920s, a widening rift revealed not only artistic but ideological differences. Neoclassicism was adopted by the Bolsheviks to embody their cultural agenda and was established during the following decades as the leading national style of the Soviet Union. The modernist current, in contrast, was drastically marginalised or at best, combined in a kind of synthesis comparable to western Art Déco. The exhibition comprising the extensive Sergei Tchoban Collection of architectural drawings, throws light on the ideological and artistic conflict between the two main architectural styles from the turn of the century to Stalin's death in 1953. Selected examples offer a view on the fraught arena between tradition and progress, art and technology, history and contemporary visions and not least on the cultural competition between the two Russian cities, Leningrad/ St. Petersburg and Moscow.
Author: Irina Sedowa
Publisher:
ISBN: 9783944899008
Category : Sovjetunionen
Languages : de
Pages : 248
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Book Description
The history of Russian architecture in the first half of the twentieth century is riddled with contradictions. This is already evident in its origins. Whilst avant-garde Constructivism, radically daring even today, was mainly rooted in Moscow, the defenders of Neoclassicism were bound to the traditional architecture of St. Petersburg. Yet both currents strove to represent the architecture of the Revolution. As the two schools crossed paths in the 1920s, a widening rift revealed not only artistic but ideological differences. Neoclassicism was adopted by the Bolsheviks to embody their cultural agenda and was established during the following decades as the leading national style of the Soviet Union. The modernist current, in contrast, was drastically marginalised or at best, combined in a kind of synthesis comparable to western Art Déco. The exhibition comprising the extensive Sergei Tchoban Collection of architectural drawings, throws light on the ideological and artistic conflict between the two main architectural styles from the turn of the century to Stalin's death in 1953. Selected examples offer a view on the fraught arena between tradition and progress, art and technology, history and contemporary visions and not least on the cultural competition between the two Russian cities, Leningrad/ St. Petersburg and Moscow.
Author: Gwendolyn Wright
Publisher:
ISBN: 9780226908359
Category : Architecture
Languages : en
Pages : 382
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Book Description
Author: Gwendolyn Wright
Publisher:
ISBN: 9780608095608
Category : Architecture
Languages : en
Pages : 390
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Book Description
Author: JoAnne Mancini
Publisher: Routledge
ISBN: 1317659775
Category : Architecture
Languages : en
Pages : 233
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Book Description
Architecture and Armed Conflict is the first multi-authored scholarly book to address this theme from a comparative, interdisciplinary perspective. By bringing together specialists from a range of relevant fields, and with knowledge of case studies across time and space, it provides the first synthetic body of research on the complex, multifaceted subject of architectural destruction in the context of conflict. The book addresses several specific research questions: How has the destruction of buildings and landscapes figured in recent historical conflicts, and how have people and states responded to it? How has the destruction of architecture been represented in different historical periods, and to what ends? What are the relationships between the destruction of architecture and the destruction of art, particularly iconoclasm? If architectural destruction is a salient feature of many armed conflicts, how does it feature in post-conflict environments? What are the relationships between architectural destruction and processes of restoration, recreation or replacement? Considering multiple conflicts, multiple time periods, and multiple locations allows this international cohort of authors to provide an essential primer for this crucial topic.
Author: Monika Platzer
Publisher: Park Publishing (WI)
ISBN: 9783038601753
Category : Architecture
Languages : en
Pages : 0
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Book Description
This book was published on the occasion of the exhibition "Cold war and architecture. Contributions to Austria's democratization after 1945", october 17, 2019-february 24, 2020 at Architekturzentrum Wien.
Author: Wolfgang Müller-Funk
Publisher: Walter de Gruyter
ISBN: 3110283050
Category : Literary Criticism
Languages : en
Pages : 292
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Book Description
These collected essays contain fundamental contributions to contemporary cultural analysis and theory as well as exemplary interpretations of film, literature and other media. Central issues of current cultural studies are addressed: cultural narratives, cultural identity, collective memory and post-colonial thinking. The oeuvre of cultural and literary critic Wolfgang Müller-Funk encompasses historic analyses such as readings of Broch, Canetti and Musil, and the heritage they passed on. Other essays move from the beginning of the 20th to the 21st century and address questions of space, time and globalization discussing, for example, Walter Benjamin and 9/11.
Author: Heather Hyde Minor
Publisher: Penn State University Press
ISBN:
Category : Architecture
Languages : en
Pages : 328
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Book Description
Examines the nexus of learned culture and architecture in the 1730s to 1750s, including major building projects in Rome undertaken by the popes.
Author: Lawrence Vale
Publisher: Routledge
ISBN: 1134729219
Category : Architecture
Languages : en
Pages : 401
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Book Description
The first edition of Architecture, Power, and National Identity, published in 1992, has become a classic, winning the prestigious Spiro Kostof award for the best book in architecture and urbanism. Lawrence Vale fully has fully updated the book, which focuses on the relationship between the design of national capitals across the world and the formation of national identity in modernity. Tied to this, it explains the role that architecture and planning play in the forceful assertion of state power. The book is truly international in scope, looking at capital cities in the United States, India, Brazil, Sri Lanka, Kuwait, Bangladesh, and Papua New Guinea.
Author: Robert Bevan
Publisher: Reaktion Books
ISBN: 1861896387
Category : History
Languages : en
Pages : 252
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Book Description
Crumbled shells of mosques in Iraq, the bombing of British cathedrals in World War II, the fall of the World Trade Center towers on September 11: when architectural totems such as these are destroyed by conflicts and the ravages of war, more than mere buildings are at stake. The Destruction of Memory reveals the extent to which a nation weds itself to its landscape; Robert Bevan argues that such destruction not only shatters a nation’s culture and morale but is also a deliberate act of eradicating a culture’s memory and, ultimately, its existence. Bevan combs through world history to highlight a range of wars and conflicts in which the destruction of architecture was pivotal. From Cortez’s razing of Aztec cities to the carpet bombings of Dresden and Tokyo in World War II to the war in the former Yugoslavia, The Destruction of Memory exposes the cultural war that rages behind architectural annihilation, revealing that in this subliminal assault lies the complex aim of exterminating a people. He provocatively argues for “the fatally intertwined experience of genocide and cultural genocide,” ultimately proposing the elevation of cultural genocide to a crime punishable by international law. In an age in which Frank Gehry, I. M. Pei, and Frank Lloyd Wright are revered and yet museums and temples of priceless value are destroyed in wars around the world, Bevan challenges the notion of “collateral damage,” arguing that it is in fact a deliberate act of war.
Author: Koç, Gül?ah
Publisher: IGI Global
ISBN: 1522517456
Category : Architecture
Languages : en
Pages : 371
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Book Description
A society’s culture is a contributing factor to the structure and design of its architecture. As contemporary globalism brings about the evolution of the world, architectural style evolves along with it, which can be observed on an international scale. Cultural Influences on Architecture is a pivotal reference source for the latest research on the impact of culture on architecture through the aspects of planning and production, and highlights the importance of communicative dimension in design. Featuring exhaustive coverage on a variety of relevant perspectives and topics, such as the evolution of construction systems, benefits of nature-based architecture, and fundamentals of social capital, this publication is ideally designed for researchers, scholars, and students seeking current research on the connection between culture and architecture on a global level.
