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Author: Ahmed Mukhtar
Publisher:
ISBN: 9781008945272
Category :
Languages : en
Pages : 208
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Book Description
Many books have been written on the subject of Arabic music, most of them by Western authors who presented the subject from a Western perspective with no knowledge of Arabic music other than from theories reported by authors relying mainly on other Western and often inaccurate sources. Ahmed Mukhtar's book is most important because, precisely, it narrates his account of Arabic music, and especially oud music, from the perspective of an accomplished oudist and composer who has received his knowledge principally from oral transmission which sometimes conflicted with historiography. However, oral transmission is a fundamental epistemological tool of Arabic culture of which the West is suspicious. I have often heard stories about early Arabic music by musicians from Damascus, to Baghdad, to Fez which I often disdained as tales but then, decades later, I found out that they were supported by manuscripts. In a land which commits its Holy Book to the memory of the Hafiz, is it not reasonable to assume that the history of music, too would have been committed to orality? Western musicology should revise their views about the transmission of Arabic theory and rely on probability rather than on subjectivity. Was it not Farmer who said that the Arabs had a lute twice the size of the normal type? I never heard such a story from the mouths of any Arab musicians...
Author: Ahmed Mukhtar
Publisher:
ISBN: 9781008945272
Category :
Languages : en
Pages : 208
Get Book Here
Book Description
Many books have been written on the subject of Arabic music, most of them by Western authors who presented the subject from a Western perspective with no knowledge of Arabic music other than from theories reported by authors relying mainly on other Western and often inaccurate sources. Ahmed Mukhtar's book is most important because, precisely, it narrates his account of Arabic music, and especially oud music, from the perspective of an accomplished oudist and composer who has received his knowledge principally from oral transmission which sometimes conflicted with historiography. However, oral transmission is a fundamental epistemological tool of Arabic culture of which the West is suspicious. I have often heard stories about early Arabic music by musicians from Damascus, to Baghdad, to Fez which I often disdained as tales but then, decades later, I found out that they were supported by manuscripts. In a land which commits its Holy Book to the memory of the Hafiz, is it not reasonable to assume that the history of music, too would have been committed to orality? Western musicology should revise their views about the transmission of Arabic theory and rely on probability rather than on subjectivity. Was it not Farmer who said that the Arabs had a lute twice the size of the normal type? I never heard such a story from the mouths of any Arab musicians...
Author: Ahmed Mukhtar
Publisher:
ISBN: 9781008950566
Category :
Languages : en
Pages : 208
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Book Description
Many books have been written on the subject of Arabic music, most of them by Western authors who presented the subject from a Western perspective with no knowledge of Arabic music other than from theories reported by authors relying mainly on other Western and often inaccurate sources. Ahmed Mukhtar's book is most important because, precisely, it narrates his account of Arabic music, and especially oud music, from the perspective of an accomplished oudist and composer who has received his knowledge principally from oral transmission which sometimes conflicted with historiography. However, oral transmission is a fundamental epistemological tool of Arabic culture of which the West is suspicious. I have often heard stories about early Arabic music by musicians from Damascus, to Baghdad, to Fez which I often disdained as tales but then, decades later, I found out that they were supported by manuscripts. In a land which commits its Holy Book to the memory of the Hafiz, is it not reasonable to assume that the history of music, too would have been committed to orality? Western musicology should revise their views about the transmission of Arabic theory and rely on probability rather than on subjectivity. Was it not Farmer who said that the Arabs had a lute twice the size of the normal type? I never heard such a story from the mouths of any Arab musicians...
Author: Marina Toschich
Publisher: Mel Bay Publications
ISBN: 1619115042
Category : Music
Languages : en
Pages : 105
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Book Description
An in-depth instruction manual for the Arabic oud, the ancestor of the lute and guitar. A companion instructional online video is included showing key points toplaying the Oud.. Contents include: Holding the oud, Plucking the Strings, Basic Plucking Rules in Arabic Tradition, Positions of Left Hand Fingers, Basic Notes on the oud, Advanced Left-Hand Techniques, Maqamat, and much more. Over 40 tunes are included in the book. Standard notation only
Author: John Bilezikjian
Publisher: Hal Leonard Corporation
ISBN: 9780634077869
Category : Music
Languages : en
Pages : 44
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Book Description
(Instructional). The purpose of this book and its accompanying audio is to give the student not only a method from which to learn the oud, but also an overview of the history, folklore and origins of this beloved ancient stringed instrument. This book teaches the fundamentals of standard Western music notation in the context of oud playing, and serves as an introduction for absolute beginners as well as those experienced on other instruments. The book covers: types of ouds, tuning the oud, playing position, how to string the oud, music notation, scales, chords, arpeggios, tremolo technique, studies and exercises, songs and rhythms from Armenia and the Middle East, and 25 audio tracks for demonstration and play along. The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.
Author: Johnny Farraj
Publisher: Oxford University Press
ISBN: 019065838X
Category : Music
Languages : en
Pages : 272
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Book Description
What makes hundreds of listeners cheer ecstatically at the same instant during a live concert by Egyptian diva Umm Kulthum? What is the unspoken language behind a taqsim (traditional instrumental improvisation) that performers and listeners implicitly know? How can Arabic music be so rich and diverse without resorting to harmony? Why is it so challenging to transcribe Arabic music from a recording? Inside Arabic Music answers these and many other questions from the perspective of two "insiders" to the practice of Arabic music, by documenting a performance culture and a know-how that is largely passed on orally. Arabic music has spread across the globe, influencing music from Greece all the way to India in the mid-20th century through radio and musical cinema, and global popular culture through Raqs Sharqi, known as "Bellydance" in the West. Yet despite its popularity and influence, Arabic music, and the maqam scale system at its heart, remain widely misunderstood. Inside Arabic Music de-mystifies maqam with an approach that draws theory directly from practice, and presents theoretical insights that will be useful to practitioners, from the beginner to the expert - as well as those interested in the related Persian, Central Asian, and Turkish makam traditions. Inside Arabic Music's discussion of maqam and improvisation widens general understanding of music as well, by bringing in ideas from Saussurean linguistics, network theory, and Lakoff and Johnson's theory of cognition as metaphor, with an approach parallel to Gjerdingen's analysis of Galant-period music - offering a lens into the deeper relationships among music, culture, and human community.
Author: Ruth Frances Davis
Publisher: Scarecrow Press
ISBN: 9780810851382
Category : Music
Languages : en
Pages : 172
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Book Description
This is the only book in the English language on Tunisian music, or on any national tradition of Arab Andalusian music, and it is the only book in any language to survey changes in the ma'luf since its modern revival in the early 20th Century within the framework of social, political, and musical developments in Tunisia and the wider Middle East. The author explores topics such as Arab music theory, modernization, westernization, and Egyptianization; the use of notation in oral tradition; and cultural policy. The relations between traditional music and the mass media are also considered, and the conclusions of this study have a significance that will extend beyond Tunisian and Middle Eastern music to ethnomusicology as a whole.
Author: Ahmed Mukhtar
Publisher: Lulu.com
ISBN: 0244745536
Category : Art
Languages : en
Pages : 97
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Book Description
"The Arabic Music Theory I book guides students through the basics of music literacy. Students will have acquired the essential skills needed to read musical scores and use solfege exercises. Topics covered will include basic rhythms, note names, time value, key signatures, and accidental notes. Music Theory II is designed to guide students through learning the basic elements of the maqam system. Students will learn to fine-tune their ear to recognize each of the main maqamaat and understand the ways in which each of them is constructed, transposed, and intertwine with one another. Complex and syncopated rhythms will also be explored"--Publisher marketing.
Author: Habib Hassan Touma
Publisher: Hal Leonard Corporation
ISBN: 9781574670813
Category : Music
Languages : en
Pages : 264
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Book Description
(Amadeus). Encompassing a history of more than 2000 years, the music of the Arabs is unique among the world's various musical cultures. This book presents an overview of Arabic music throughout history and examines the artistic output of contemporary musicians, covering secular and sacred, instrumental and vocal, improvised and composed music. Typical musical structures are elucidated, and a detailed bibliography, a discography (mainly covering the last 50 years) and a guide to the Arabic alphabet for English speakers are also provided. The paperback edition (00331635) includes a CD of seven traditional Arabic pieces performed by contemporary Arab musicians.
Author: Ahmed Mukhtar
Publisher: Lulu.com
ISBN: 0244443912
Category :
Languages : en
Pages : 78
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Book Description
"This book has been written for beginner oud students with no experience playing the oud. The objective of the course is to acquire the basic techniques used to play the oud and understand the characteristics of the maqam music system by studying the eight fundamental maqamaat together with popular traditional repertoire. No previous musical knowledge is required to begin this course, as most music is notated as tablature, a visual representation which does not require understanding of music notation. However, it helps to have basic knowledge of music theory, rhythm, note names, and notation"--Publisher marketing.
Author: Ahmed Mukhtar
Publisher: Lulu.com
ISBN: 0244444196
Category : Oud
Languages : en
Pages : 98
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Book Description
This book "provides students with the opportunity to progress their performance skills while adding ornamentation to popular pieces of music. Maqamaat covered are Maqam Ajam, Nahawand, Rast and Bayat. The ornamentation skills applied to the repertoire provided are the tremolo, trill, and the use of qarar and jawab. The Oud Ensemble II book covers Maqam Kurd, Hijaz, Saba, and Segah. Learners are guided through the application of musical ornamentations that have been previously covered on a new set of maqamaat and pieces as well as adding more complex skills such as the glissando and vibrato. Learners will also be expected to practice playing more than one ornamentation simultaneously within a maqam scale and musical piece"--Publisher marketing.