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Author: Laila Shereen Sakr
Publisher: Stanford University Press
ISBN: 1503635899
Category : Social Science
Languages : en
Pages : 206
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Book Description
Arabic Glitch explores an alternative origin story of twenty-first century technological innovation in digital politics—one centered on the Middle East and the 2011 Arab uprisings. Developed from an archive of social media data collected over the decades following the 2003 U.S. invasion of Iraq, this book interrogates how the logic of programming technology influences and shapes social movements. Engaging revolutionary politics, Arab media, and digital practice in form, method, and content, Laila Shereen Sakr formulates a media theory that advances the concept of the glitch as a disruptive media affordance. She employs data analytics to analyze tweets, posts, and blogs to describe the political culture of social media, and performs the results under the guise of the Arabic-speaking cyborg VJ Um Amel. Playing with multiple voices that span across the virtual and the real, Sakr argues that there is no longer a divide between the virtual and embodied: both bodies and data are physically, socially, and energetically actual. Are we cyborgs or citizens—or both? This book teaches us how a region under transformation became a vanguard for new thinking about digital systems: the records they keep, the lives they impact, and how to create change from within.
Author: Laila Shereen Sakr
Publisher: Stanford University Press
ISBN: 1503635899
Category : Social Science
Languages : en
Pages : 206
Get Book Here
Book Description
Arabic Glitch explores an alternative origin story of twenty-first century technological innovation in digital politics—one centered on the Middle East and the 2011 Arab uprisings. Developed from an archive of social media data collected over the decades following the 2003 U.S. invasion of Iraq, this book interrogates how the logic of programming technology influences and shapes social movements. Engaging revolutionary politics, Arab media, and digital practice in form, method, and content, Laila Shereen Sakr formulates a media theory that advances the concept of the glitch as a disruptive media affordance. She employs data analytics to analyze tweets, posts, and blogs to describe the political culture of social media, and performs the results under the guise of the Arabic-speaking cyborg VJ Um Amel. Playing with multiple voices that span across the virtual and the real, Sakr argues that there is no longer a divide between the virtual and embodied: both bodies and data are physically, socially, and energetically actual. Are we cyborgs or citizens—or both? This book teaches us how a region under transformation became a vanguard for new thinking about digital systems: the records they keep, the lives they impact, and how to create change from within.
Author: Siobhan Shilton
Publisher: Cambridge University Press
ISBN: 1108905226
Category : Political Science
Languages : en
Pages : 263
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Book Description
Examining a diverse body of art by over twenty-five artists including photography, sculpture, graffiti, performance, video and installation, in galleries, online and in the street, this book reveals a new way of understanding the Arab Uprisings, their profound cultural impact, and of the meaning of the term 'revolution' itself.
Author: Nathan J. Citino
Publisher: Cambridge University Press
ISBN: 1108107559
Category : History
Languages : en
Pages : 345
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Book Description
Decades before 9/11 and the 'Arab Spring', US and Arab elites contended over the future of the Middle East. Through unprecedented research in Arabic and English, Envisioning the Arab Future details how Americans and Arabs - nationalists, Islamists, and communists - disputed the meaning of modernization within a shared set of Cold War-era concepts. Faith in linear progress, the idea that society functioned as a 'system', and a fascination with speed united officials and intellectuals who were otherwise divided by language and politics. This book assesses the regional implications of US power while examining a range of topics that transcends the Arab-Israeli conflict, including travel, communities, gender, oil, agriculture, Iraqi nationalism, Nasser's Arab Socialism, and hijackings in both the United States and the Middle East. By uncovering a shared history of modernization between Arabs and Americans, Envisioning the Arab Future challenges assumptions about a 'clash of civilizations' and profoundly reinterprets the antecedents of today's crises.
Author: Anthony Downey
Publisher: Bloomsbury Publishing
ISBN: 0857724266
Category : Art
Languages : en
Pages : 362
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Book Description
In this groundbreaking book, a range of internationally renowned and emerging academics, writers, artists, curators, activists and filmmakers critically reflect on the ways in which visual culture has appropriated and developed new media across North Africa and the Middle East. Examining the opportunities presented by the real-time generation of new, relatively unregulated content online, Uncommon Grounds evaluates the prominent role that new media has come to play in artistic practices - and social movements - in the Arab world today. Analysing alternative forms of creating, broadcasting, publishing, distributing and consuming digital images, this book also enquires into a broader global concern: does new media offer a 'democratisation' of - and a productive engagement with - visual culture, or merely capitalise upon the effect of immediacy at the expense of depth?Featuring full-colour artists' inserts, this is the first book to extensively explore the degree to which the grassroots popularity of Twitter and Facebook has been co-opted into mainstream media, institutional and curatorial characterisations of 'revolution' - and whether artists should be wary of perpetuating the rhetoric and spectacle surrounding political events. In the process, Uncommon Grounds reveals how contemporary art practices actively negotiate present-day notions of community-based activism, artistic agency and political engagement.
Author: Nabil Matar
Publisher: BRILL
ISBN: 9004440259
Category : History
Languages : en
Pages : 305
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Book Description
The post-Lepanto Mediterranean was the scene of “small wars,” to use Fernand Braudel’s phrase, which resulted in acts of piracy and captivity. Thousands upon thousands of Europeans, Arabs, and Turks were seized into bagnios stretching from Cadiz to Valletta and from Salé to Tripoli. After returning to their homelands, dozens from England and France, Germany and Spain, Malta and Italy wrote about their captivities. Their accounts were printed, distributed, translated, and plagiarized, making captivity a key subject in Europe’s Mediterranean history. While Europeans wrote extensively about their ordeals, the Arabs wrote little because their religious culture militated against such writings, which would be construed as expressing disaffection with the will of God. Nor were there detailed records and registers of captives – their names, places of origin, and ransom prices – similar to what was kept in the European archives. Contrary, however, to what some historians have claimed, there was a distinct Arabic narrative of captivity that survives in anecdotes, recollections, reports, miracles, letters, fatawa, exempla and short biographies in both verse and prose. Cumulatively, these sources constitute the Arabic qiṣṣas al-asrā, or stories of the captives, in the native language and idiom of the men and women of the early modern Mediterranean.
Author: Thomas Burkhalter
Publisher: Wesleyan University Press
ISBN: 0819573876
Category : Literary Criticism
Languages : en
Pages : 297
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Book Description
The first in-depth study of diverse and radical innovation in Arab music From jazz trumpeters drawing on the noises of warfare in Beirut to female heavy metallers in Alexandria, the Arab culture offers a wealth of exciting, challenging, and diverse musics. The essays in this collection investigate the plethora of compositional and improvisational techniques, performance styles, political motivations, professional trainings, and inter-continental collaborations that claim the mantle of "innovation" within Arab and Arab diaspora music. While most books on Middle Eastern music-making focus on notions of tradition and regionally specific genres, The Arab Avant Garde presents a radically hybrid and globally dialectic set of practices. Engaging the "avant-garde"—a term with Eurocentric resonances—this anthology disturbs that presumed exclusivity, drawing on and challenging a growing body of literature about alternative modernities. Chapters delve into genres and modes as diverse as jazz, musical theatre, improvisation, hip hop, and heavy metal as performed in countries like Iraq, Egypt, Lebanon, Syria, Palestine, and the United States. Focusing on multiple ways in which the "Arab avant-garde" becomes manifest, this anthology brings together international writers with eclectic disciplinary trainings—practicing musicians, area studies specialists, ethnomusicologists, and scholars of popular culture and media. Contributors include Sami W. Asmar, Michael Khoury, Saed Muhssin, Marina Peterson, Kamran Rastegar, Caroline Rooney, and Shayna Silverstein, as well as the editors.
Author: Helen Westgeest
Publisher: Bloomsbury Publishing USA
ISBN: 1501353071
Category : Art
Languages : en
Pages : 243
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Book Description
The abundance of images in our everyday lives-and the speed at which they are consumed-seems to have left us unable to critique them. To rectify this situation, artists such as Daniel Richter, Jaune Quick-to-See Smith, and Artur Zmijewski have demonstrated that painting is brilliantly equipped to produce 'slow images' that enable, encourage and reward reflection. In this book, Helen Westgeest attempts to understand how various forms of slow painting can be used as tools to interrogate the visual mediations we encounter daily. Painting was expected to disappear in the digital age but, through interactive painting performances and painting-like manipulated photographs and videos, Westgeest shows how photography, video and new media art have themselves developed the visual strategies that painting had already mastered. Moreover, the fleeting nature of digital mass media appears to have unlocked a desire for more physically stable and enduring pictures, like paintings. Slow Painting charts how, in a world where the constant quest for speed can leave us exhausted, the appeal of this 'slower medium' has only grown.
Author: Nadia Yaqub
Publisher: University of Texas Press
ISBN: 1477313389
Category : Social Science
Languages : en
Pages : 256
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Book Description
Women’s transgressive behaviors and perspectives are challenging societal norms in the Arab world, giving rise to anxiety and public debate. Simultaneously, however, other Arab women are unwillingly finding themselves labeled “bad” as authority figures attempt to redirect scrutiny from serious social ills such as patriarchy and economic exploitation, or as they impose new restrictions on women’s behavior in response to uncertainty and change in society. Bad Girls of the Arab World elucidates how both intentional and unintentional transgressions make manifest the social and cultural constructs that define proper and improper behavior, as well as the social and political policing of gender, racial, and class divisions. The works collected here address the experiences of women from a range of ages, classes, and educational backgrounds who live in the Arab world and beyond. They include short pieces in which the women themselves reflect on their experiences with transgression; academic articles about performance, representation, activism, history, and social conditions; an artistic intervention; and afterwords by the acclaimed novelists Laila al-Atrash and Miral al-Tahawy. The book demonstrates that women’s transgression is both an agent and a symptom of change, a site of both resistance and repression. Showing how transnational forces such as media discourses, mobility and confinement, globalization, and neoliberalism, as well as the legacy of colonialism, shape women’s badness, Bad Girls of the Arab World offers a rich portrait of women’s varied experiences at the boundaries of propriety in the twenty-first century.
Author: Adeed Dawisha
Publisher: W. W. Norton & Company
ISBN: 0393240126
Category : History
Languages : en
Pages : 289
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Book Description
Discusses the recent uprisings in the Arab world and offers a historical perspective on the movement, citing the demands for regime change in 1950s and 1960s that ultimately lead to today's ruling tyrants.
Author: Robert Mason
Publisher: Manchester University Press
ISBN: 152614848X
Category : Political Science
Languages : en
Pages : 210
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Book Description
The year 1973 is usually considered the great equaliser among major oil producers. But the 'Visions' strategies of Saudi Arabia and the United Arab Emirates, a so-called middle power and small state in the Middle East regional system, point to broadening economic relations as a great enhancer of economic power. This book explores the impact of regime type and leadership style on the two countries' foreign policies. It reveals how autonomy and influence, threat perception and alliance patterns are folded into the complex and personal riyal politik and economic statecraft that sit at the core of their international relations.
