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Author: Venetia Porter
Publisher: British Museum Press
ISBN: 9780861591602
Category : Amulets
Languages : en
Pages : 0
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Book Description
This catalogue is the first on the outstanding collection of Arabic and Persian seals and amulets in the British Museum, by a specialist in the field. The first part focuses on the 638 Arabic, Persian and Indian seals covering material from the 8th to the 20th century. The introduction covers seal practice in different periods and levels of society; the role of the seal and the "alama" or motto, the use of figural representation on the seals, seal engravers, the forgery of seals and the importance of the stones used are described. The features of the seals themselves, in particular the palaeography and dating of early Islamic seals, some grammatical features of the inscriptions, and the range of designs present on the seals are analysed. The types and form of Islamic names, the range of phrases that commonly appear and the characteristics of later seals are also discussed. The second part focuses on 170 amulets in the collection preceded by an introduction to the subject. Research into the engraving techniques is presented with analysis of the stones used. This publication will be a standard work of reference for years to come.
Author: Venetia Porter
Publisher: British Museum Press
ISBN: 9780861591602
Category : Amulets
Languages : en
Pages : 0
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Book Description
This catalogue is the first on the outstanding collection of Arabic and Persian seals and amulets in the British Museum, by a specialist in the field. The first part focuses on the 638 Arabic, Persian and Indian seals covering material from the 8th to the 20th century. The introduction covers seal practice in different periods and levels of society; the role of the seal and the "alama" or motto, the use of figural representation on the seals, seal engravers, the forgery of seals and the importance of the stones used are described. The features of the seals themselves, in particular the palaeography and dating of early Islamic seals, some grammatical features of the inscriptions, and the range of designs present on the seals are analysed. The types and form of Islamic names, the range of phrases that commonly appear and the characteristics of later seals are also discussed. The second part focuses on 170 amulets in the collection preceded by an introduction to the subject. Research into the engraving techniques is presented with analysis of the stones used. This publication will be a standard work of reference for years to come.
Author: Marcela A. Garcia Probert
Publisher: BRILL
ISBN: 9004471480
Category : History
Languages : en
Pages : 318
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Book Description
In this volume amulets and talismans are studied within a broader system of meaning that shapes how they were manufactured, activated and used in different networks. Text, material features and the environments in which these artifacts circulated, are studied alongside each other, resulting in an innovative approach to understand the many different functions these objects could fulfil in pre-modern times. Produced and used by Muslims and non-Muslims alike, the case studies presented here include objects that differ in size, material, language and shape. What the articles share is an all-round, in-depth approach that helps the reader understand the complexity of the objects discussed and will improve one’s understanding of the role they played within pre-modern societies. Contributors Hazem Hussein Abbas Ali, Gideon Bohak, Ursula Hammed, Juan Campo, Jean-Charles Coulon, Venetia Porter, Marcela Garcia Probert, Anne Regourd, Yasmine al-Saleh, Karl Schaefer and Petra M. Sijpesteijn.
Author:
Publisher: BRILL
ISBN: 9004426973
Category : Philosophy
Languages : en
Pages : 721
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Book Description
Islamicate Occult Sciences in Theory and Practice brings together the latest research on Islamic occult sciences from a variety of disciplinary perspectives, namely intellectual history, manuscript studies and material culture. Its aim is not only to showcase the range of pioneering work that is currently being done in these areas, but also to provide a model for closer interaction amongst the disciplines constituting this burgeoning field of study. Furthermore, the book provides the rare opportunity to bridge the gap on an institutional level by bringing the academic and curatorial spheres into dialogue. Contributors include: Charles Burnett, Jean-Charles Coulon, Maryam Ekhtiar, Noah Gardiner, Christiane Gruber, Bink Hallum, Francesca Leoni, Matthew Melvin-Koushki, Michael Noble, Rachel Parikh, Liana Saif, Maria Subtelny, Farouk Yahya, and Travis Zadeh.
Author: Joseph Salvatore Ackley
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110637529
Category : Literary Criticism
Languages : en
Pages : 546
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Book Description
The presence of gold, silver, and other metals is a hallmark of decorated manuscripts, the very characteristic that makes them “illuminated.” Medieval artists often used metal pigment and leaf to depict metal objects both real and imagined, such as chalices, crosses, tableware, and even idols; the luminosity of these representations contrasted pointedly with the surrounding paints, enriching the page and dazzling the viewer. To elucidate this key artistic tradition, this volume represents the first in-depth scholarly assessment of the depiction of precious-metal objects in manuscripts and the media used to conjure them. From Paris to the Abbasid caliphate, and from Ethiopia to Bruges, the case studies gathered here forge novel approaches to the materiality and pictoriality of illumination. In exploring the semiotic, material, iconographic, and technical dimensions of these manuscripts, the authors reveal the canny ways in which painters generated metallic presence on the page. Illuminating Metalwork is a landmark contribution to the study of the medieval book and its visual and embodied reception, and is poised to be a staple of research in art history and manuscript studies, accessible to undergraduates and specialists alike.
Author: Venetia Porter
Publisher: Bloomsbury Publishing
ISBN: 0857721887
Category : Architecture
Languages : en
Pages : 544
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Book Description
The material and visual culture of the Islamic World casts vast arcs through space and time, and encompasses a huge range of artefacts and monuments from the minute to the grandiose, from ceramic pots to the great mosques. Here, Venetia Porter and Mariam Rosser-Owen assemble leading experts in the field to examine both the objects themselves and the ways in which they reflect their historical, cultural and economic contexts. With a focus on metalwork, this volume includes an important new study of Mosul metalwork and presents recent discoveries in the fields of Fatimid, Mamluk and Qajar metalwork. By examining architecture, ceramics, ivories and textiles, seventeenth-century Iranian painting and contemporary art, the book explores a wide range of artistic production and historical periods from the Umayyad caliphate to the modern Middle East. This rich and detailed volume makes a significant contribution to the fields of Art History, Architecture and Islamic Studies, bringing new objects to light, and shedding new light on old objects.
Author: Sheila S. Blair
Publisher: Edinburgh University Press
ISBN: 1474464475
Category : Architecture
Languages : en
Pages : 720
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Book Description
No detailed description available for "Islamic Calligraphy".
Author: Daniella J. Talmon-Heller
Publisher: BRILL
ISBN: 9004279660
Category : History
Languages : en
Pages : 410
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Book Description
This book is a collected volume that crosses traditional boundaries between methodologies. Each of its sixteen articles is based on imaginative combinations of data provided by excavations, artifacts, monuments, urban topography, rural layouts, historical narratives and/or archival records. The volume as a whole demonstrates the effectiveness of interdisciplinary research applied to historical, cultural and archaeological problems. Its five sections - Economics and Trade, Governmental Authority, Material Culture, Changing Landscapes, and Monuments – bring forth original studies of the medieval, Ottoman and modern Middle East, amongst others, of voiceless and silenced social groups. Contributors are: Nitzan Amitai-Preiss, Jere L. Bacharach, Simonetta Calderini, Delia Cortese, Katia Cytryn-Silverman, Miriam Frenkel, Haim Goldfus, Hani Hamza, Stefan Heidemann, Miriam Kühn, Ayala Lester, Nimrod Luz, Yoram Meital, Daphna Sharef-Davidovich, Oren Shmueli, Yasser Tabbaa, Daniella Talmon-Heller, and Bethany Walker.
Author: Antony Eastmond
Publisher: Cambridge University Press
ISBN: 1316739171
Category : History
Languages : en
Pages : 750
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Book Description
This book tells the compelling story of a Christian noblewoman named Tamta in the thirteenth century. Born to an Armenian family at the court of queen Tamar of Georgia, she was ransomed in marriage to nephews of Saladin after her father was captured during a siege. She was later raped and then married by the Khwarazmshah and held hostage by the Mongols, before being made an independent ruler under them in eastern Anatolia. Her tale stretches from the Mediterranean to Mongolia and reveals the extraordinary connections across continents and cultures that one woman could experience. Without a voice of her own, surviving monuments - monasteries and mosques, caravanserais and palaces - build up a picture of Tamta's world and the roles women played in it. The book explores how women's identities changed between different courts, with shifting languages, religions and cultures, and between their roles as daughters, wives, mothers and widows.
Author: Boris Liebrenz
Publisher: BRILL
ISBN: 900431489X
Category : History
Languages : en
Pages : 437
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Book Description
In Die Rifāʽīya spürt Boris Liebrenz der Buchkultur des Osmanischen Syrien (16. - 19. Jahrhundert) durch den Fokus der einzig überlebenden Privatbibliothek der Epoche nach. Er fragt nach der Produktion und Transmission von Wissen sowie dem sozialen Hintergrund der Leserschaft im Zeitalter der Handschrift. Studien der arabischen Bibliotheksgeschichte haben oft nur das Mittelalter in den Blick genommen und basierten fast ausschließlich auf literarischen Quellen. Dies ist die erste Monographie, die eine einzige Region während der Osmanischen Periode in den Fokus nimmt und deren auf uns gekommene Handschriften und Notizen ihrer Leser und Besitzer systematisch als dokumentarische Quelle benutzt. So erhellt sie die materiellen, rechtlichen und sozialen Voraussetzungen von Buchbesitz und Lesepraxis. In Die Rifāʽīya Boris Liebrenz explores the book culture of Ottoman Syria (16th to 19th century), using the only surviving Damascene private library of the time as a vantage point. He asks about the production and transmission of knowledge as well as the social background of the reading audience in a manuscript age. Scholarship on Arabic libraries has often focussed on the medieval period and relied nearly exclusively on literary accounts. This is the first book-length study that focuses on a single region in the Ottoman period and systematically uses the vast number of surviving manuscripts as a documentary source by means of the notes left by their readers and possessors. Thus, it sheds light on the material, juridical, and social basis of book-ownership and reading.
Author: Christoffer Theis
Publisher: Bloomsbury Publishing
ISBN: 135025455X
Category : Religion
Languages : en
Pages : 217
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Book Description
Comparing amulets over time and space, this volume focuses on the function of written words on these fascinating artefacts. Ranging from Roman Egypt to the Middle Ages and the Modern period, this book provides an overview on these artefacts in the Mediterranean world and beyond, including Europe, Iran, and Turkey. A deep analysis of the textuality of amulets provides comparative information on themes and structures of the religious traditions examined. A strong emphasis is placed on the material features of the amulets and their connections to ritual purposes. The textual content, as well as other characteristics, is examined systematically, in order to establish patterns of influence and diffusion. The question of production, which includes the relationships that linked professional magicians, artists and craftsmen to their clientele, is also discussed, as well as the sacred and cultural economies involved.
