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Author: Charles Dickens
Publisher:
ISBN:
Category :
Languages : en
Pages : 392
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Author: Charles Dickens
Publisher:
ISBN:
Category :
Languages : en
Pages : 392
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Author: Tobias Smollett
Publisher: Lulu.com
ISBN: 1716126584
Category :
Languages : en
Pages : 448
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Author:
Publisher:
ISBN:
Category : Drawing, English
Languages : fr
Pages : 44
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Author: Roger Turner
Publisher: Rizzoli International Publications
ISBN:
Category : Architecture
Languages : en
Pages : 212
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Book Description
Turner, landscape architect and writer, begins with a good introduction of 18th-century England and its gardens. He follows with a biographical account of Lancelot "Capability'' Brown and his many contributions to landscape design, including the creation of numerous parks for the English nobility. In particular, 15 of Brown's landscapes (e.g., Blenheim) are covered in detail, with illustrations ranging from original plans to photographs of the maturation of the gardens. Turner describes the grooming of nature, the plants used, and the practical and technical aspects of the work that created the natural landscapes that have made Brown immortal. A handsome and well-written book, highly recommended for subject collections. Daniel S. Kalk, Enfield Central Lib., Ct. -Library Journal.
Author: Augustus John Cuthbert Hare
Publisher:
ISBN:
Category : Rome (Italy)
Languages : en
Pages : 492
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Author: Per Bäckström
Publisher: Rodopi
ISBN: 9401210373
Category : History
Languages : en
Pages : 328
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Decentring the Avant-Garde presents a collection of articles dealing with the topography of the avant-garde. The focus is on different responses to avant-garde aesthetics in regions traditionally depicted as cultural, geographical and linguistic peripheries. Avant-garde activities in the periphery have to date mostly been described in terms of a passive reception of new artistic trends and currents originating in cultural centres such as Paris or Berlin. Contesting this traditional view, Decentring the Avant-Garde highlights the importance of analysing the avant-garde in the periphery in terms of an active appropriation of avant-garde aesthetics within different cultural, ideological and historical settings. A broad collection of case studies discusses the activities of movements and artists in various regions in Europe and beyond. The result is a new topographical model of the international avant-garde and its cultural practices.
Author: Geeta Kapur
Publisher:
ISBN: 9788189487249
Category : Art, India
Languages : en
Pages : 439
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Book Description
A commitment to modernity is the underlying theme of this volume. Through essays that are interpretive and theoretical, the author seeks to situate the modern in contemporary cultural practice. She sets up an ideological vantage point to view modernism along its multiple tracks in India and the third world.The essays divide into three sections. The first two sections, Artists and ArtWork and Film/Narratives, raise questions of authorship, genre, and contemporary features of national culture that materialize into an aesthetic in the Indian context. The last section, Frames of Reference, formalizes the polemical options developed across the book. The essays here propose resistance to the depoliticization of narratives, and affirm an open-ended engagement with the avant-garde. They explore the possibility of art practice finding its own signifying space that is still a space for radical transformation.Geeta Kapur is an independent art critic and curator living in New Delhi. Her extensive publications on modern Indian art include the book Contemporary Indian Artists (Delhi, 1978), exhibition catalogues and monographs on artists. She is currently writing a monograph on Tyeb Mehta. Her essays on cultural criticism have been widely presented in forums of art history and cultural studies. Her curatorial work includes the show Bombay/Mumbai 1992 2001 in the multi-part exhibition titled Century City: Art and Culture in the Modern Metropolis , at Tate Modern, London, in 2001. Geeta Kapur is a founder-editor of the Journal of Arts & Ideas and advisory editor to Third Text. She has held research fellowships at Indian Institute of Advanced Study, Shimla, Nehru Memorial Museum and Library, New Delhi, and Clare Hall, Cambridge University. For the past three decades, [Geeta Kapur s] has been the singular dominant presence in the field to a point that her writings alone seem to have constituted the whole field of modern Indian art theory and criticism. Tapati Guha-Thakurta, Biblio (Delhi), May June 2001. Geeta Kapur is a magisterial presence in the sphere of modern Indian art. [The] insistence on the primacy of bearing witness to creative practice has been the leitmotif of Kapur s work. . . . Kapur s contribution . . . is best understood by reflection on the radical change that her activity has brought about in Indian art criticism. Ranjit Hoskote, Art India (Mumbai), Vol. VI, 1, 2001. When Was Modernism is a book of essays: imaginative, interpretive, argumentative, polemical, political and, in the combined sense of all these, historical. . . . [It] provides an instance of passionate engagement that, at its best moments, verges on the poetic. Chaitanya Sambrani, ART AsiaPacific (Australia), Issue 30, 2001.
Author: Janam Mukherjee
Publisher: Oxford University Press
ISBN: 0190209887
Category : History
Languages : en
Pages : 346
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Book Description
Examines the interconnected events including World War II, India's struggle for independence, and a period of acute scarcity that lead to mass starvation in colonial Bengal.
Author: Jessica Winegar
Publisher: Stanford University Press
ISBN: 9780804754774
Category : Social Science
Languages : en
Pages : 420
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Book Description
Ethnographic study of cultural politics in the contemporary Egyptian art world, examining how art-making is a crucial aspect of the transformation from socialism to neoliberalism in postcolonial countries.
Author: Edward Mitchell Bannister
Publisher: Whitney Museum of American Art
ISBN:
Category : African American art
Languages : en
Pages : 84
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