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Author: Margarita Tupitsyn
Publisher:
ISBN: 9783960980230
Category : Alternative spaces (Arts facilities)
Languages : en
Pages : 256
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Book Description
"A collective of artists, a gallery and a movement, APTART was a series of self-organised 'anti-shows' that took place in a private apartment and outdoor spaces in Moscow between 1982 and 1984.These covert and anarchic actions, which soon came into conflict with the Soviet authorities, represent a collective attempt to rethink the politics of exhibition-making and the practice of making public in the absence of a public sphere.The first comprehensive publication on APTART, this book presents extensive photographic documentation of their activities alongside archival texts from contributing artists and documents from the time.Main essays by Margarita Tupitsyn and Victor Tupitsyn offer a detailed elucidation of the movement's history and guiding concepts; and further contexts and analysis are provided through contributions by Manuel Alcayde, Alexandra Danilova and Elena Kuprina-Lyakhovich, Richard Goldstein, Sven Gundlakh, Ilya Kabakov, David Morris and Valerie Smith.Including an introduction by David Morris and interviews with participating artists such as Natalia Abalakova and Anatoly Zhigalov, Nikita Alekseev and Victor Skersis.Published with Afterall Books in association with the Center for Curatorial Studies, Bard College.Part of the Exhibition Histories series."
Author: Margarita Tupitsyn
Publisher:
ISBN: 9783960980230
Category : Alternative spaces (Arts facilities)
Languages : en
Pages : 256
Get Book Here
Book Description
"A collective of artists, a gallery and a movement, APTART was a series of self-organised 'anti-shows' that took place in a private apartment and outdoor spaces in Moscow between 1982 and 1984.These covert and anarchic actions, which soon came into conflict with the Soviet authorities, represent a collective attempt to rethink the politics of exhibition-making and the practice of making public in the absence of a public sphere.The first comprehensive publication on APTART, this book presents extensive photographic documentation of their activities alongside archival texts from contributing artists and documents from the time.Main essays by Margarita Tupitsyn and Victor Tupitsyn offer a detailed elucidation of the movement's history and guiding concepts; and further contexts and analysis are provided through contributions by Manuel Alcayde, Alexandra Danilova and Elena Kuprina-Lyakhovich, Richard Goldstein, Sven Gundlakh, Ilya Kabakov, David Morris and Valerie Smith.Including an introduction by David Morris and interviews with participating artists such as Natalia Abalakova and Anatoly Zhigalov, Nikita Alekseev and Victor Skersis.Published with Afterall Books in association with the Center for Curatorial Studies, Bard College.Part of the Exhibition Histories series."
Author: Corrie Beth Hogg
Publisher: Timber Press
ISBN: 1604698918
Category : Crafts & Hobbies
Languages : en
Pages : 301
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Book Description
One of Library Journal’s Best Books of 2018 In Handmade Houseplants, expert crafter and tastemaker Corrie Beth Hogg offers a no-water option for your urban jungle: plants made from paper! This stylish guide includes step-by-step instructions and templates for making 30 of the most popular houseplants, from monstera and peperomia to fiddle leaf fig and philodendron. Additional projects show how to use paper plants for home décor, wall art, holiday decorations, gift giving, and more. The projects are simple enough to be made in few hours and the materials are affordable and easy to find. Packed with colorful photos and filled with inspiration, Handmade Houseplants shows how paper plants can provide a modern, light-hearted touch to a well-designed home.
Author: Mary M. Lane
Publisher: PublicAffairs
ISBN: 1610397371
Category : History
Languages : en
Pages : 336
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Book Description
Adolf Hitler's obsession with art not only fueled his vision of a purified Nazi state--it was the core of his fascist ideology. Its aftermath lives on to this day. Nazism ascended by brute force and by cultural tyranny. Weimar Germany was a society in turmoil, and Hitler's rise was achieved not only by harnessing the military but also by restricting artistic expression. Hitler, an artist himself, promised the dejected citizens of postwar Germany a purified Reich, purged of "degenerate" influences. When Hitler came to power in 1933, he removed so-called "degenerate" art from German society and promoted artists whom he considered the embodiment of the "Aryan ideal." Artists who had produced challenging and provocative work fled the country. Curators and art dealers organized their stock. Thousands of great artworks disappeared--and only a fraction of them were rediscovered after World War II. In 2013, the German government confiscated roughly 1,300 works by Henri Matisse, George Grosz, Claude Monet, and other masters from the apartment of Cornelius Gurlitt, the reclusive son of one of Hitler's primary art dealers. For two years, the government kept the discovery a secret. In Hitler's Last Hostages, Mary M. Lane reveals the fate of those works and tells the definitive story of art in the Third Reich and Germany's ongoing struggle to right the wrongs of the past.
Author: Boris Groys
Publisher: National Geographic Books
ISBN: 1846380049
Category : Art
Languages : en
Pages : 0
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Book Description
An illustrated study of one of Ilya Kabakov's most fantastic installations. The fictitious hero of this 1984 installation is a lonely dreamer who develops an impossible project: to fly alone in cosmic space. But this dream is also an individual appropriation of a collective Soviet project and the official Soviet propaganda connected to it. Having built a makeshift slingshot, the hero apparently flies through the ceiling of his shabby room and vanishes into space. The miserable room and the primitive slingshot suggest the reality behind the Soviet utopia, in which where cosmic vision and the political project of the Communist revolution are seen as indissoluble. The Man who Flew into Space from His Apartment also raises questions of authorship in modernity. All of Kabakov's work is made in the name of other, fictitious artists. This reveals a hidden rule of the modern art system: only an artist who doesn't want to be an artist or who doesn't even know that he is an artist is a real artist—just as only an artwork that does not look like an artwork is a real artwork. The installation is a narrative, the documentation of a fictitious event. Afterall Books are distributed by The MIT Press.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 320
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Book Description
Author: Robert Klanten
Publisher: Die Gestalten Verlag-DGV
ISBN:
Category : Art
Languages : en
Pages : 282
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Book Description
Turn-around book with one side focusing on cover art and the other revealing experimentation with the creation of book design as artistic objects.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 998
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Book Description
Author: Adrian Tchaikovsky
Publisher: Pan Macmillan
ISBN: 0230770053
Category : Fiction
Languages : en
Pages : 673
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Book Description
Guns of the Dawn is a pacey, gripping fantasy of war and magic, from Arthur C. Clarke Award-winning author, Adrian Tchaikovsky. ‘One of the best books I've ever read’ – Peter Newman, author of The Vagrant The first casualty of war is truth . . . First, Denland’s revolutionaries assassinated their king, launching a wave of bloodshed after generations of peace. Next they clashed with Lascanne, their royalist neighbour, pitching war-machines against warlocks in a fiercely fought conflict. Genteel Emily Marshwic watched as the hostilities stole her family’s young men. But then came the call for yet more Lascanne soldiers in a ravaged kingdom with none left to give. Emily must join the ranks of conscripted women and march toward the front lines. With barely enough training to hold a musket, Emily braves the savage reality of warfare. But she begins to doubt her country's cause, and those doubts become critical. For her choices will determine her own future and that of two nations locked in battle. ‘An engrossing story, beautifully told’ – SFX ‘Moving, gripping and wonderfully paced’ – The Bookbag
Author: Jonathan Gilmore
Publisher: Oxford University Press
ISBN: 0190096365
Category : Philosophy
Languages : en
Pages : 273
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Book Description
How do our engagements with fictions and other products of the imagination compare to our experiences of the real world? Are the feelings we have about a novel's characters modelled on our thoughts about actual people? If it is wrong to feel pleasure over certain situations in real life, can it nonetheless be right to take pleasure in analogous scenarios represented in a fantasy or film? Should the desires we have for what goes on in a make-believe story cohere with what we want to happen in the actual world? Such queries have animated philosophical and psychological theorizing about art and life from Plato's Republic and Aristotle's Poetics to contemporary debates over freedom of expression, ethics and aesthetics, the cognitive value of thought experiments, and the effects on audiences of exposure to violent entertainment. In Apt Imaginings, Jonathan Gilmore develops a new framework to pursue these questions, marshalling a wide range of research in aesthetics, the science of the emotions, moral philosophy, neuroscience, cognitive psychology, and film and literary theory. Gilmore argues that, while there is a substantial empirical continuity in our feelings across art and life, the norms that govern the appropriateness of those responses across the divide are discontinuous. In this view, the evaluative criteria that determine the fit, correctness, or rationality of our emotions and desires for what is internal to a fiction can be contrary to those that govern our affective attitudes toward analogous things in the real world. In short, it can be right to embrace within a story what one would condemn in real life. The theory Gilmore defends in this volume helps to explain our complex and sometimes conflicted attitudes toward works of the imagination; challenges the popular view that fictions serve to refine our moral sensibilities; and exposes a kind of autonomy of the imagination that can render our responses to art immune to standard real-world epistemic, practical, and affective kinds of criticism.
Author: Cathy Malchiodi
Publisher: Routledge
ISBN: 1317772008
Category : Psychology
Languages : en
Pages : 230
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Book Description
Children of violence need to be heard. Unable or unwilling to verbalize their suffering, abused children are often immobilized by fear, rage, guilt, and pain. In the second edition of Breaking the Silence: Art Therapy with Children from Violent Homes , Cathy Malchiodi demonstrates the unique power of art therapy as a tool for intervening with children from violent backgrounds. In this new edition, she describes the intervention process from intake to termination, noting the complex issues involved at various levels of evaluation and interpretation. Bringing her years of experience in working at battered women's shelters to bear on the subject, Ms. Malchiodi brings the language of art therapy to life--a language of art that gives children a voice and those who work with them, a way of listening. The emphasis here is on the short-term setting where time is at a premium and circumstances are unpredictable. It is within this setting that mental health practitioners often experience frustration and a sense of helplessness in their work with the youngest victims of abusive families. Since the first edition of this book was published, research has led to some new ideas related to sexual abuse. The author analyzes several issues concerning the treatment of sexually abused children and art expressions of sexually abused children. In addition, Ms. Malchiodi launches a discussion about the ethical issues in the use of children's art as a whole. Featured throughout the book are 95 drawings by abused children. These drawings are at once poignant and hopeful, clearly representing the extraordinary suffering that abused children experience at, at the same time, showing that they can be reached. Because the practice of art therapy methods has been integrated into many disciplines, the final chapter covers development of art therapy programs for children. The author shares information on art supplied, space, and storage ideas. For art therapists, social workers, and other practitioners who work with children in crisis, this book presents a practical methodology for intervention that fosters the compassion and insight necessary to reveal what words cannot.
