Author: Massimiliano Gioni
Publisher: Phaidon Press
ISBN: 9780714878690
Category : Art
Languages : en
Pages : 0
Book Description
The first book to explore two of the biggest names in modern and contemporary art side by side, Marcel Duchamp and Jeff Koons In the first half of the 20th century, Marcel Duchamp redefined what we consider art and what it means to be an artist. Many of his ideas return, transformed, in the work of Jeff Koons, born when Duchamp was 68 years old and whose own career lit up the art world of the late 20th and early 21st centuries. This is the first book to explore the affinities between these two highly influential artists, whose creative universes similarly question the function of objects and the allure of commodities. International art historians, writers, and curators contribute their expertise on topics such as each artist’s persona, as well as reflecting on the influence of technology and sexuality on their work. The publication of this intriguing book coincides with an exhibition at the Museo Jumex in Mexico City, opening in May 2019. This book is a copublication with Fundación Jumex Arte Contemporáneo.
Appearance Stripped Bare
Author: Massimiliano Gioni
Publisher: Phaidon Press
ISBN: 9780714878690
Category : Art
Languages : en
Pages : 0
Book Description
The first book to explore two of the biggest names in modern and contemporary art side by side, Marcel Duchamp and Jeff Koons In the first half of the 20th century, Marcel Duchamp redefined what we consider art and what it means to be an artist. Many of his ideas return, transformed, in the work of Jeff Koons, born when Duchamp was 68 years old and whose own career lit up the art world of the late 20th and early 21st centuries. This is the first book to explore the affinities between these two highly influential artists, whose creative universes similarly question the function of objects and the allure of commodities. International art historians, writers, and curators contribute their expertise on topics such as each artist’s persona, as well as reflecting on the influence of technology and sexuality on their work. The publication of this intriguing book coincides with an exhibition at the Museo Jumex in Mexico City, opening in May 2019. This book is a copublication with Fundación Jumex Arte Contemporáneo.
Publisher: Phaidon Press
ISBN: 9780714878690
Category : Art
Languages : en
Pages : 0
Book Description
The first book to explore two of the biggest names in modern and contemporary art side by side, Marcel Duchamp and Jeff Koons In the first half of the 20th century, Marcel Duchamp redefined what we consider art and what it means to be an artist. Many of his ideas return, transformed, in the work of Jeff Koons, born when Duchamp was 68 years old and whose own career lit up the art world of the late 20th and early 21st centuries. This is the first book to explore the affinities between these two highly influential artists, whose creative universes similarly question the function of objects and the allure of commodities. International art historians, writers, and curators contribute their expertise on topics such as each artist’s persona, as well as reflecting on the influence of technology and sexuality on their work. The publication of this intriguing book coincides with an exhibition at the Museo Jumex in Mexico City, opening in May 2019. This book is a copublication with Fundación Jumex Arte Contemporáneo.
Marcel Duchamp
Author: Octavio Paz
Publisher: Skyhorse
ISBN: 1628722266
Category : Art
Languages : en
Pages : 170
Book Description
Octavio Paz conveying “his awareness of Duchamp as a great cautionary figure in our culture, warning us with jest and quiet scandals of the menacing encroachment of criticism, science and even art.” —New York Times Book Review
Publisher: Skyhorse
ISBN: 1628722266
Category : Art
Languages : en
Pages : 170
Book Description
Octavio Paz conveying “his awareness of Duchamp as a great cautionary figure in our culture, warning us with jest and quiet scandals of the menacing encroachment of criticism, science and even art.” —New York Times Book Review
The Unfeathered Bird
Author: Katrina van Grouw
Publisher: Princeton University Press
ISBN: 0691151342
Category : Art
Languages : en
Pages : 304
Book Description
There is more to a bird than simply feathers. And just because birds evolved from a single flying ancestor doesn't mean they are structurally the same. With 385 stunning drawings depicting 200 species, The Unfeathered bird is a richly illustrated book on bird anatomy that offers refreshingly original insights into what goes on beneath the feathered surface.
Publisher: Princeton University Press
ISBN: 0691151342
Category : Art
Languages : en
Pages : 304
Book Description
There is more to a bird than simply feathers. And just because birds evolved from a single flying ancestor doesn't mean they are structurally the same. With 385 stunning drawings depicting 200 species, The Unfeathered bird is a richly illustrated book on bird anatomy that offers refreshingly original insights into what goes on beneath the feathered surface.
The Bride Stripped Bare
Author: Nikki Gemmell
Publisher: Harper Collins
ISBN: 0062191470
Category : Fiction
Languages : en
Pages : 402
Book Description
THE RUNAWAY INTERNATIONAL BESTSELLER “The Bride Stripped Bare shows us the inside–out of marriage, infidelity, obsession and taxi drivers (I may never take a cab ride in London again). . . . Few books can be both dark and light. This one dances on the edge, and sometimes crosses it, with much satisfaction to be had on either side.”— Valerie Frankel, author of The Accidental Virgin An explosive novel of sex, secrecy, and escape. A woman disappears. Her car lies abandoned on a remote bluff; no body is found. Known by her family and friends as quiet and self-contained, she has left behind an incendiary diary chronicling a disturbing journey of sexual awakening. The diary opens on her honeymoon in Morocco: she believes herself to be happy—or happy enough, anyway. Swiftly, this security masquerading as love fractures in an act of massive betrayal, only to propel her into a world of desire and fantasy and recklessness. In need of guidance, she finds an unlikely heroine in the anonymous author of a dusty, rare manuscript. Written by a woman in the 1600s, it is a cry from the heart for women to live and love freely. Emboldened, she allows herself to discover the intoxicating power of knowing what she wants and how to get it. The question is, how long can her soul sustain a perilous double life? Coolly impassioned, Bride Stripped Bare tells shocking truths about love and sex. Couched in a deceptively simple style, its gorgeous, incantatory rhythms will make you question whether it is ever entirely possible to know another person.
Publisher: Harper Collins
ISBN: 0062191470
Category : Fiction
Languages : en
Pages : 402
Book Description
THE RUNAWAY INTERNATIONAL BESTSELLER “The Bride Stripped Bare shows us the inside–out of marriage, infidelity, obsession and taxi drivers (I may never take a cab ride in London again). . . . Few books can be both dark and light. This one dances on the edge, and sometimes crosses it, with much satisfaction to be had on either side.”— Valerie Frankel, author of The Accidental Virgin An explosive novel of sex, secrecy, and escape. A woman disappears. Her car lies abandoned on a remote bluff; no body is found. Known by her family and friends as quiet and self-contained, she has left behind an incendiary diary chronicling a disturbing journey of sexual awakening. The diary opens on her honeymoon in Morocco: she believes herself to be happy—or happy enough, anyway. Swiftly, this security masquerading as love fractures in an act of massive betrayal, only to propel her into a world of desire and fantasy and recklessness. In need of guidance, she finds an unlikely heroine in the anonymous author of a dusty, rare manuscript. Written by a woman in the 1600s, it is a cry from the heart for women to live and love freely. Emboldened, she allows herself to discover the intoxicating power of knowing what she wants and how to get it. The question is, how long can her soul sustain a perilous double life? Coolly impassioned, Bride Stripped Bare tells shocking truths about love and sex. Couched in a deceptively simple style, its gorgeous, incantatory rhythms will make you question whether it is ever entirely possible to know another person.
Marcel Duchamp: The Bride Stripped Bare by Her Bachelors, Even
Author: John Golding
Publisher: Viking
ISBN:
Category : Art
Languages : en
Pages : 130
Book Description
Each volume in series discusses a famous painting or sculpture in detail, as both image and idea, in its context--whether stylistic, technical, literary, religious, social, or political.
Publisher: Viking
ISBN:
Category : Art
Languages : en
Pages : 130
Book Description
Each volume in series discusses a famous painting or sculpture in detail, as both image and idea, in its context--whether stylistic, technical, literary, religious, social, or political.
Alternating Current
Author: Octavio Paz
Publisher: Skyhorse
ISBN: 1628721685
Category : Literary Collections
Languages : en
Pages : 220
Book Description
In its front-page review of Alternating Current, The New York Times Book Review called Octavio Paz “an intellectual literary one-man band” for his ability to write incisively and with dazzling originality about a wide range of subjects. This collection of his essays is divided into three parts. Part 1 sets forth his credo as an artist and poet, steeped in his knowledge of world literature and Mexican art and history and buttressed by readings of writers from Mexican poet Luis Cernuda to D. H. Lawrence, Malcolm Lowry, André Breton, and Carlos Fuentes. Part 2 deals with themes such as Western individualism versus plurality and flux in Eastern philosophy, atheism versus belief, nihilism, liberated man, and versions of paradise. In Part 3, Paz writes of politics and ethics in essays on revolt and revolution, existentialism, Marxism, the third world, and the new face of Latin America. A scintillating thinker and a prescient voice on emerging world culture, Paz reveals himself here as “a man of electrical passions, paradoxical visions, alternating currents of thoughts, and feeling that runs hot but never cold” (Christian Science Monitor).
Publisher: Skyhorse
ISBN: 1628721685
Category : Literary Collections
Languages : en
Pages : 220
Book Description
In its front-page review of Alternating Current, The New York Times Book Review called Octavio Paz “an intellectual literary one-man band” for his ability to write incisively and with dazzling originality about a wide range of subjects. This collection of his essays is divided into three parts. Part 1 sets forth his credo as an artist and poet, steeped in his knowledge of world literature and Mexican art and history and buttressed by readings of writers from Mexican poet Luis Cernuda to D. H. Lawrence, Malcolm Lowry, André Breton, and Carlos Fuentes. Part 2 deals with themes such as Western individualism versus plurality and flux in Eastern philosophy, atheism versus belief, nihilism, liberated man, and versions of paradise. In Part 3, Paz writes of politics and ethics in essays on revolt and revolution, existentialism, Marxism, the third world, and the new face of Latin America. A scintillating thinker and a prescient voice on emerging world culture, Paz reveals himself here as “a man of electrical passions, paradoxical visions, alternating currents of thoughts, and feeling that runs hot but never cold” (Christian Science Monitor).
The Writings of Marcel Duchamp
Author: Marcel Duchamp
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 0
Book Description
Appearance stripped bare : desire and the object in the work of Marcel Duchamp and Jeff Koons, Even
Author: Massimiliano Gioni
Publisher:
ISBN: 9786078335220
Category : Conceptual art
Languages : en
Pages : 261
Book Description
The first book to explore two of the biggest names in modern and contemporary art side by side, Marcel Duchamp and Jeff Koons. In the first half of the 20th century, Marcel Duchamp redefined what we consider art and what it means to be an artist. Many of his ideas return, transformed, in the work of Jeff Koons, born when Duchamp was 68 years old and whose own career lit up the art world of the late 20th and early 21st centuries. This is the first book to explore the affinities between these two highly influential artists, whose creative universes similarly question the function of objects and the allure of commodities. International art historians, writers, and curators contribute their expertise on topics such as each artist's persona, as well as reflecting on the influence of technology and sexuality on their work. Exhibition: Museo Jumex, Mexico City, Mexico (19.05.-29.09.2019).
Publisher:
ISBN: 9786078335220
Category : Conceptual art
Languages : en
Pages : 261
Book Description
The first book to explore two of the biggest names in modern and contemporary art side by side, Marcel Duchamp and Jeff Koons. In the first half of the 20th century, Marcel Duchamp redefined what we consider art and what it means to be an artist. Many of his ideas return, transformed, in the work of Jeff Koons, born when Duchamp was 68 years old and whose own career lit up the art world of the late 20th and early 21st centuries. This is the first book to explore the affinities between these two highly influential artists, whose creative universes similarly question the function of objects and the allure of commodities. International art historians, writers, and curators contribute their expertise on topics such as each artist's persona, as well as reflecting on the influence of technology and sexuality on their work. Exhibition: Museo Jumex, Mexico City, Mexico (19.05.-29.09.2019).
Forty-one False Starts
Author: Janet Malcolm
Publisher: Farrar, Straus and Giroux
ISBN: 0374709726
Category : Literary Collections
Languages : en
Pages : 318
Book Description
A National Book Critics Circle Finalist for Criticism A deeply Malcolmian volume on painters, photographers, writers, and critics. Janet Malcolm's In the Freud Archives and The Journalist and the Murderer, as well as her books about Sylvia Plath and Gertrude Stein, are canonical in the realm of nonfiction—as is the title essay of this collection, with its forty-one "false starts," or serial attempts to capture the essence of the painter David Salle, which becomes a dazzling portrait of an artist. Malcolm is "among the most intellectually provocative of authors," writes David Lehman in The Boston Globe, "able to turn epiphanies of perception into explosions of insight." Here, in Forty-one False Starts, Malcolm brings together essays published over the course of several decades (largely in The New Yorker and The New York Review of Books) that reflect her preoccupation with artists and their work. Her subjects are painters, photographers, writers, and critics. She explores Bloomsbury's obsessive desire to create things visual and literary; the "passionate collaborations" behind Edward Weston's nudes; and the character of the German art photographer Thomas Struth, who is "haunted by the Nazi past," yet whose photographs have "a lightness of spirit." In "The Woman Who Hated Women," Malcolm delves beneath the "onyx surface" of Edith Wharton's fiction, while in "Advanced Placement" she relishes the black comedy of the Gossip Girl novels of Cecily von Zeigesar. In "Salinger's Cigarettes," Malcolm writes that "the pettiness, vulgarity, banality, and vanity that few of us are free of, and thus can tolerate in others, are like ragweed for Salinger's helplessly uncontaminated heroes and heroines." "Over and over," as Ian Frazier writes in his introduction, "she has demonstrated that nonfiction—a book of reporting, an article in a magazine, something we see every day—can rise to the highest level of literature." One of Publishers Weekly's Best Nonfiction Books of 2013
Publisher: Farrar, Straus and Giroux
ISBN: 0374709726
Category : Literary Collections
Languages : en
Pages : 318
Book Description
A National Book Critics Circle Finalist for Criticism A deeply Malcolmian volume on painters, photographers, writers, and critics. Janet Malcolm's In the Freud Archives and The Journalist and the Murderer, as well as her books about Sylvia Plath and Gertrude Stein, are canonical in the realm of nonfiction—as is the title essay of this collection, with its forty-one "false starts," or serial attempts to capture the essence of the painter David Salle, which becomes a dazzling portrait of an artist. Malcolm is "among the most intellectually provocative of authors," writes David Lehman in The Boston Globe, "able to turn epiphanies of perception into explosions of insight." Here, in Forty-one False Starts, Malcolm brings together essays published over the course of several decades (largely in The New Yorker and The New York Review of Books) that reflect her preoccupation with artists and their work. Her subjects are painters, photographers, writers, and critics. She explores Bloomsbury's obsessive desire to create things visual and literary; the "passionate collaborations" behind Edward Weston's nudes; and the character of the German art photographer Thomas Struth, who is "haunted by the Nazi past," yet whose photographs have "a lightness of spirit." In "The Woman Who Hated Women," Malcolm delves beneath the "onyx surface" of Edith Wharton's fiction, while in "Advanced Placement" she relishes the black comedy of the Gossip Girl novels of Cecily von Zeigesar. In "Salinger's Cigarettes," Malcolm writes that "the pettiness, vulgarity, banality, and vanity that few of us are free of, and thus can tolerate in others, are like ragweed for Salinger's helplessly uncontaminated heroes and heroines." "Over and over," as Ian Frazier writes in his introduction, "she has demonstrated that nonfiction—a book of reporting, an article in a magazine, something we see every day—can rise to the highest level of literature." One of Publishers Weekly's Best Nonfiction Books of 2013
Hinge Pictures
Author: Andrea Andersson
Publisher: Siglio Press
ISBN: 9781938221224
Category : Art
Languages : en
Pages : 124
Book Description
In 1960 George Heard Hamilton published the first complete typographic translation of Duchamp's Green Box in English. This landmark publication translated Duchamp's notes and conceptual ambitions for his masterwork, The Bride Stripped Bare by Her Bachelors, Even. And as a book, designed to hinge at its binding, the work fulfilled Duchamp's conceptual proposal for art that would move from two- into three-dimensional space. Hinge Pictures is an artist's book in eight parts--a gorgeous, palimpsestual publication that layers the practices of Sarah Crowner, Julia Dault, Leslie Hewitt, Tomashi Jackson, Erin Shirreff, Ulla von Brandenburg, Adriana Varejão and Claudia Wieser over the pages of Duchamp's imagination. It is also a companion publication to an exhibition in eight parts, a confrontation with the patrimony of European modernism. A literal reading of Duchamp positions the Bride, a nude woman, suspended above a host of ogling bachelors. In his writing, Duchamp narrates both social and physical constraint ("The Bride accepts this stripping...") and formal liberation ("discover true form...develop the principle of the hinge."). The artists of Hinge Pictures use formal constraint--a commitment to abstraction--in a demonstration of social liberation. With a Swiss binding that unveils the spine of the book and multiple vellum overlays that create layered interlocutions, the book's physical qualities mirror its conceptual occupations.
Publisher: Siglio Press
ISBN: 9781938221224
Category : Art
Languages : en
Pages : 124
Book Description
In 1960 George Heard Hamilton published the first complete typographic translation of Duchamp's Green Box in English. This landmark publication translated Duchamp's notes and conceptual ambitions for his masterwork, The Bride Stripped Bare by Her Bachelors, Even. And as a book, designed to hinge at its binding, the work fulfilled Duchamp's conceptual proposal for art that would move from two- into three-dimensional space. Hinge Pictures is an artist's book in eight parts--a gorgeous, palimpsestual publication that layers the practices of Sarah Crowner, Julia Dault, Leslie Hewitt, Tomashi Jackson, Erin Shirreff, Ulla von Brandenburg, Adriana Varejão and Claudia Wieser over the pages of Duchamp's imagination. It is also a companion publication to an exhibition in eight parts, a confrontation with the patrimony of European modernism. A literal reading of Duchamp positions the Bride, a nude woman, suspended above a host of ogling bachelors. In his writing, Duchamp narrates both social and physical constraint ("The Bride accepts this stripping...") and formal liberation ("discover true form...develop the principle of the hinge."). The artists of Hinge Pictures use formal constraint--a commitment to abstraction--in a demonstration of social liberation. With a Swiss binding that unveils the spine of the book and multiple vellum overlays that create layered interlocutions, the book's physical qualities mirror its conceptual occupations.