Apichatpong Weerasethakul: Photophobia PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Apichatpong Weerasethakul: Photophobia PDF full book. Access full book title Apichatpong Weerasethakul: Photophobia by Apichatpong Weerasethakul. Download full books in PDF and EPUB format.
Author: Apichatpong Weerasethakul
Publisher:
ISBN: 9788299720595
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
Best known for his Palme d'Or prize-winning film, Uncle Boonmee Who Can Recall His Past Lives (2010), Apichatpong Weerasethakul (born 1970) is a Thai filmmaker and video artist. Photophobia captures his creative process as he prepares his new film, Cemetery of Kings.
Author: Apichatpong Weerasethakul
Publisher:
ISBN: 9788299720595
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
Best known for his Palme d'Or prize-winning film, Uncle Boonmee Who Can Recall His Past Lives (2010), Apichatpong Weerasethakul (born 1970) is a Thai filmmaker and video artist. Photophobia captures his creative process as he prepares his new film, Cemetery of Kings.
Author: Anik Sarkar
Publisher: Liverpool University Press
ISBN: 183764487X
Category : Performing Arts
Languages : en
Pages : 297
Get Book Here
Book Description
Delving into Apichatpong Weerasethakul’s films, this book uncovers a plethora of conceptual paradigms. Apichatpong's films frequently utilize rural Thailand as a backdrop, showcasing daily life, interactions, rituals, and customs, all infused with a Southeast Asian essence. This utilization of local imagery provides a national quality to his works, allowing a global audience to explore both urban and rural aspects of Thai society, along with discourses on history, culture, politics, and practices. Beyond the surface, the films also address universal and intricate themes, transcending cultural boundaries. The book delves into a range of lesser-explored aspects regarding the films and filmmaking of Apichatpong, developing fresh perspectives on the representation of nonhumans, hybrid forms, transmedia plot, technique, production among others. With meticulous analyses of his key works this interdisciplinary study unveils the threads that bind Apichatpong’s creative practice, innovative techniques, and philosophical insights. An essential read for cinephiles, scholars, and seekers of cinematic depth, this book uncovers the vibrant tapestry of meaning within Apichatpong’s enigmatic film-worlds.
Author: Apichatpong Weerasethakul
Publisher:
ISBN: 9780916365912
Category : Apichatpong Weerasethakul
Languages : en
Pages : 0
Get Book Here
Book Description
Offering a fresh perspective on the work of internationally acclaimed filmmaker Apichatpong Weerasethakul (born 1970), the Apitchapong Weerasethakul Sourcebook moves between scientific documents and personal documentary, interviews and epistolary dialogue, the cinematic and the poetic. In its multimodal approach the Sourcebook reflects Weerasethakul's artistic practice in which he portrays the everyday alongside supernatural elements while suggesting a distortion between fact and folklore, history and storytelling. Weerasethakul's personal writings and interviews, much of which is translated here for the first time, draw out his deep commitment to stories often excluded in history in and out of Thailand: voices of the poor and the ill, marginalized beings and those silenced and censored for personal and political reasons. The Sourcebook includes materials on such topics as implanted memories in mice, caves in Laos left over from the Indochina wars, new methods for listening underwater and meditations on light and darkness, plus interviews between Weerasethakul and leading art historians as well as texts drawn from his personal library. The Sourcebook invites readers into Weerasethakul's intimate exploration of his influences--in his words, "like [a] stream of consciousness, suffocated by the data."
Author: Apichatpong Weerasethakul
Publisher: Irish Museum Of Modern Art
ISBN: 9781907020674
Category : Art, Modern
Languages : en
Pages : 0
Get Book Here
Book Description
Working outside the strict confines of the Thai film studio system, renowned Thai film director Apichatpong Weerasethakul (born 1970) has directed several acclaimed features and dozens of short films, including Uncle Boonmee Who Can Recall His Past Lives, winner of the prestigious 2010 Palme d'Or prize at Cannes; Tropical Malady, winner of a 2004 Cannes jury prize; and Syndromes and a Century, which premiered at the 63rd Venice Film Festival. Themes in Weerasethakul's films include dreams, nature, sexuality and Western perceptions of Thailand and Asia; the director also shows a preference for unconventional narrative structures, like placing titles/credits at the middle of a film, and for working with those who have no previous experience of acting. For Tomorrow For Tonight features new work exploring the theme of night through video, photographs and installation.
Author: Jean Ma
Publisher: Univ of California Press
ISBN: 0520384520
Category : Performing Arts
Languages : en
Pages : 280
Get Book Here
Book Description
A free open access ebook is available upon publication. Learn more at www.luminosoa.org. Many recent works of contemporary art, performance, and film turn a spotlight on sleep, wresting it from the hidden, private spaces to which it is commonly relegated. At the Edges of Sleep considers sleep in film and moving image art as both a subject matter to explore onscreen and a state to induce in the audience. Far from negating action or meaning, sleep extends into new territories as it designates ways of existing in the world, in relation to people, places, and the past. Defined positively, sleep also expands our understanding of reception beyond the binary of concentration and distraction. These possibilities converge in the work of Thai filmmaker and artist Apichatpong Weerasethakul, who has explored the subject of sleep systematically throughout his career. In examining Apichatpong’s work, Jean Ma brings together an array of interlocutors—from Freud to Proust, George Méliès to Tsai Ming-liang, Weegee to Warhol—to rethink moving images through the lens of sleep. Ma exposes an affinity between cinema, spectatorship, and sleep that dates to the earliest years of filmmaking, and sheds light upon the shifting cultural valences of sleep in the present moment.
Author: Iris Haukamp
Publisher: Taylor & Francis
ISBN: 1000686884
Category : Music
Languages : en
Pages : 363
Get Book Here
Book Description
This book examines the meanings, uses, and agency of voice, noise, sound, and sound technologies across Asia. Including a series of wide-ranging and interdisciplinary case studies, the book reveals sound as central to the experience of modernity in Asia and as essential to the understanding of the historical processes of cultural, social, political, and economic transformation throughout the long twentieth century. Presenting a broad range of topics – from the changing sounds of the Kyoto kimono making industry to radio in late colonial India – the book explores how the study of Asian sound cultures offers greater insight into historical accounts of local and global transformation. Challenging us to rethink and reassemble important categories in sound studies, this book will be a vital resource for students and scholars of sound studies, Asian studies, history, postcolonial studies, and media studies.
Author: Apichatpong Weerasethakul
Publisher: Nai010 Publishers
ISBN: 9789462084155
Category : Art
Languages : en
Pages : 96
Get Book Here
Book Description
Apichatpong Weerasethakul navigates between feature film production and the assembly of spatial film installations in museums. He makes films that are specifically about his native soil Thailand and that actually take place there. In Weerasethakul's films he creates his own universe filled with stories, people, folklore, views and landscapes from their own surroundings. The themes he addresses are nevertheless global and link subjects such as trust, religion, connection to the landscape, magic, friendship, poverty and beauty with existential questions about, for example, reality or death.This publication shows works that sing the praises of the individuality and specificity of particular places. The images are at odds with a globalist world view and with the processes of global economic, political and cultural integration. Exhibition: EYE Filmmuseum, Amsterdam, The Netherlands (16.09.-03.12.2017).
Author: Érik Bordeleau
Publisher:
ISBN: 9781785420405
Category : Motion pictures
Languages : en
Pages : 270
Get Book Here
Book Description
This collective project by Erik Bordeleau, Toni Pape, Ronald Rose-Antoinette and Adam Szymanski is not simply 'about' Apichatpong Weerasethakul, though it does engage his work in detail. It is a book that deeply questions what else might be at stake in setting up the conditions for collaboration across two genres - cinema and writing.
Author: Katje de Geest
Publisher:
ISBN: 9783957324580
Category :
Languages : en
Pages : 320
Get Book Here
Book Description
Author: Glenn Frankel
Publisher: Farrar, Straus and Giroux
ISBN: 0374719217
Category : Performing Arts
Languages : en
Pages : 432
Get Book Here
Book Description
"Much more than a page-turner. It’s the first essential work of cultural history of the new decade." —Charles Kaiser, The Guardian One of The Washington Post's 50 best nonfiction books of 2021 | A Publishers Weekly best book of 2021 The Pulitzer Prize–winning journalist and New York Times–bestselling author of the behind-the-scenes explorations of the classic American Westerns High Noon and The Searchers now reveals the history of the controversial 1969 Oscar-winning film that signaled a dramatic shift in American popular culture. Director John Schlesinger’s Darling was nominated for five Academy Awards, and introduced the world to the transcendently talented Julie Christie. Suddenly the toast of Hollywood, Schlesinger used his newfound clout to film an expensive, Panavision adaptation of Far from the Madding Crowd. Expectations were huge, making the movie’s complete critical and commercial failure even more devastating, and Schlesinger suddenly found himself persona non grata in the Hollywood circles he had hoped to conquer. Given his recent travails, Schlesinger’s next project seemed doubly daring, bordering on foolish. James Leo Herlihy’s novel Midnight Cowboy, about a Texas hustler trying to survive on the mean streets of 1960’s New York, was dark and transgressive. Perhaps something about the book’s unsparing portrait of cultural alienation resonated with him. His decision to film it began one of the unlikelier convergences in cinematic history, centered around a city that seemed, at first glance, as unwelcoming as Herlihy’s novel itself. Glenn Frankel’s Shooting Midnight Cowboy tells the story of a modern classic that, by all accounts, should never have become one in the first place. The film’s boundary-pushing subject matter—homosexuality, prostitution, sexual assault—earned it an X rating when it first appeared in cinemas in 1969. For Midnight Cowboy, Schlesinger—who had never made a film in the United States—enlisted Jerome Hellman, a producer coming off his own recent flop and smarting from a failed marriage, and Waldo Salt, a formerly blacklisted screenwriter with a tortured past. The decision to shoot on location in New York, at a time when the city was approaching its gritty nadir, backfired when a sanitation strike filled Manhattan with garbage fires and fears of dysentery. Much more than a history of Schlesinger’s film, Shooting Midnight Cowboy is an arresting glimpse into the world from which it emerged: a troubled city that nurtured the talents and ambitions of the pioneering Polish cinematographer Adam Holender and legendary casting director Marion Dougherty, who discovered both Dustin Hoffman and Jon Voight and supported them for the roles of “Ratso” Rizzo and Joe Buck—leading to one of the most intensely moving joint performances ever to appear on screen. We follow Herlihy himself as he moves from the experimental confines of Black Mountain College to the theatres of Broadway, influenced by close relationships with Tennessee Williams and Anaïs Nin, and yet unable to find lasting literary success. By turns madcap and serious, and enriched by interviews with Hoffman, Voight, and others, Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic is not only the definitive account of the film that unleashed a new wave of innovation in American cinema, but also the story of a country—and an industry—beginning to break free from decades of cultural and sexual repression.
