Anton Chekhov and American Theater in the Fifties PDF Download
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Author: Mary Ann Walters
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 462
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Book Description
Author: Mary Ann Walters
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 462
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Book Description
Author: Paola S. Hernández
Publisher: Routledge
ISBN: 1000522490
Category : Performing Arts
Languages : en
Pages : 232
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Book Description
Fifty Key Figures in Latinx and Latin American Theatre is a critical introduction to the most influential and innovative theatre practitioners in the Americas, all of whom have been pioneers in changing the field. The chosen artists work through political, racial, gender, class, and geographical divides to expand our understanding of Latin American and Latinx theatre while at the same time offering a space to discuss contested nationalities and histories. Each entry considers the artist’s or collective’s body of work in its historical, cultural, and political context and provides a brief biography and suggestions for further reading. The volume covers artists from the present day to the 1960s—the emergence of a modern theatre that was concerned with Latinx and Latin American themes distancing themselves from an European approach. A deep and enriching resource for the classroom and individual study, this is the first book that any student of Latinx and Latin American theatre should read.
Author: James Fisher
Publisher: Rowman & Littlefield
ISBN: 1538123029
Category : Performing Arts
Languages : en
Pages : 1233
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Book Description
Historical Dictionary of Contemporary American Theater. Second Edition covers theatrical practice and practitioners as well as the dramatic literature of the United States of America from 1930 to the present. The 90 years covered by this volume features the triumph of Broadway as the center of American drama from 1930 to the early 1960s through a Golden Age exemplified by the plays of Eugene O’Neill, Elmer Rice, Thornton Wilder, Lillian Hellman, Tennessee Williams, Arthur Miller, William Inge, Lorraine Hansberry, and Edward Albee, among others. The impact of the previous modernist era contributed greatly to this period of prodigious creativity on American stages. This volume will continue through an exploration of the decline of Broadway as the center of U.S. theater in the 1960s and the evolution of regional theaters, as well as fringe and university theaters that spawned a second Golden Age at the millennium that produced another – and significantly more diverse – generation of significant dramatists including such figures as Sam Shepard, David Mamet, Maria Irené Fornes, Beth Henley, Terrence McNally, Tony Kushner, Paula Vogel, Lynn Nottage, Suzan-Lori Parks, Sarah Ruhl, and numerous others. The impact of the Great Depression and World War II profoundly influenced the development of the American stage, as did the conformist 1950s and the revolutionary 1960s on in to the complex times in which we currently live. Historical Dictionary of the Contemporary American Theater, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 1.000 cross-referenced entries on plays, playwrights, directors, designers, actors, critics, producers, theaters, and terminology. This book is an excellent resource for students, researchers, and anyone wanting to know more about American theater.
Author: Laurence Senelick
Publisher: Cambridge University Press
ISBN: 9780521783958
Category : Drama
Languages : en
Pages : 468
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Book Description
Many now consider Chekhov a playwright equal to Shakespeare. Senelick studies how his reputation evolved, and how the presentation of his plays varied and altered from their initial productions in Russia to recent postmodern deconstructions.
Author: Jane House
Publisher: Columbia University Press
ISBN: 9780231071185
Category : Drama
Languages : en
Pages : 648
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Book Description
This volume of Twentieth-Century Italian Drama covers the period spanning from the end of the nineteenth century to that immediately following World War II, displaying the rich breadth of Italian theater in the modern age, from the comedic legacy carried on by such writers as Eduardo De Filippo to the delicate tragedy of playwrights like Federigo Tozzi.Included are seven full-length plays, five one-act plays, one variety sketch, and three futurist sintesi (sketches). Brief introductions preceding each play contextualize the piece within the various movements in Italian theater, and biographies of the editors and translators appear at the end of the volume. An extensive bibliography offers many suggestions for further reading in English.The playwrights included are Gabriele D'Annunzio, Filippo Tommaso Marinetti, Ettore Petrolini, Raffaele Viviani, Pier Maria Rosso di San Secondo, Federigo Tozzi, Massimo Bontempelli, Achille Campanile, Italo Svevo, Luigi Pirandello, Eduardo De Filippo, and Ugo Betti.
Author: Henry Hewes
Publisher: Laurel Press
ISBN: 9780440324904
Category : Drama
Languages : en
Pages : 447
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Book Description
The 6 plays in this collection include The Skin of Our Teeth, All My Sons, and Member of the Wedding.
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 702
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Book Description
Author: Arthur Bartow
Publisher: Theatre Communications Group
ISBN: 1559366192
Category : Performing Arts
Languages : en
Pages : 355
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Book Description
Successful acting must reflect a society’s current beliefs. The men and women who developed each new technique were convinced that previous methods were not equal to the full challenges of their time and place, and the techniques in this book have been adapted to current needs in order to continue to be successful methods for training actors. The actor’s journey is an individual one, and the actor seeks a form, or a variety of forms, of training that will assist in unlocking his own creative gifts of expression.—from the introduction The first comprehensive survey and study of the major techniques developed by and for the American actor over the past 60 years. Each of the 10 disciplines included is described in detail by one of today’s foremost practitioners. Presented in this volume are: • Lee Strasberg’s Method by Anna Strasberg, Lee’s former student, widow, and current director of The Lee Strasberg Theatre Institute • Stella Adler Technique by Tom Oppenheim, Stella’s grandson and artistic director of the Stella Adler Institute in New York • Sanford Meisner Technique by Victoria Hart, director of the Meisner Extension at New York University • Michael Chekhov Technique and The Mask by Per Brahe, a Danish teacher inspired by Balinese dance and introduced to the Chekhov technique in Russia • Uta Hagen Technique by Carol Rosenfeld, who taught under Hagen’s tutelage at the Herbert Berghof (HB) Studio • Physical Acting Inspired by Grotowski by Stephen Wangh, who studied with Jerzy Grotowski himself • The Viewpoints by Mary Overlie, the creator of Viewpoints theory • Practical Aesthetics by Robert Bella of the David Mamet-inspired Atlantic Theatre Company school • Interdisciplinary Training by Fritz Ertl, who teaches at the Playwrights Horizons Theatre School • Neoclassical Training by Louis Scheeder, director of the Classical Studio of New York University Arthur Bartow is the artistic director of the Department of Drama at New York University’s Tisch School of the Arts. A former associate director of Theatre Communications Group, he is the author of the landmark book The Director’s Voice.
Author: Don B. Wilmeth
Publisher: Cambridge University Press
ISBN: 9780521669597
Category : Drama
Languages : en
Pages : 608
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Book Description
Volume three of a unique three-volume history covering all aspects of American theatre.
Author: Anton Chekhov
Publisher: Harper Collins
ISBN: 0060928751
Category : Drama
Languages : en
Pages : 404
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Book Description
These critically hailed translations of The Seagull, Uncle Vanya, The Three Sisters and the other Chekhov plays are the only ones in English by a Russian-language scholar who is also a veteran Chekhovian actor. Without compromising the spirit of the text, Paul Schmidt accurately translates Chekhov's entire theatrical canon, rescuing the humor "lost" in most academic translations while respecting the historical context and original social climate. Schmidt's translations of Chekhov have been successfully staged all over the U.S. by such theatrical directors as Lee Strasberg, Elizabeth Swados, Peter Sellars and Robert Wilson. Critics have hailed these translations as making Chekhov fully accessible to American audiences. They are also accurate -- Schmidt has been described as "the gold standard in Russian-English translation" by Michael Holquist of the Russian department at Yale University.
