Author: Crawford Howie
Publisher: Routledge
ISBN: 1351554433
Category : Music
Languages : en
Pages : 419
Book Description
A century after his death Anton Bruckner still remains one of the most complex and enigmatic creative personalities of the nineteenth century. A leading avant-garde figure of his generation, he was an accomplished performer and teacher in addition to being a great composer; few people in the history of western music can boast his level of achievement in all these areas combined. This book, a collection of essays written by an international group of scholars, offers diverse theoretical and musicological perspectives on Bruckner the composer-teacher-performer. Facets of his formidable theoretical training and his application of it as part of the compositional process are explored. A variety of analytical methodologies is used to examine the Second through to the Ninth Symphonies, the heart of the composer?s mature repertoire. Finally, aspects of Bruckner?s career as a teacher and performer, his complex personality, his influence and dissemination of his music are considered.
Perspectives on Anton Bruckner
Author: Crawford Howie
Publisher: Routledge
ISBN: 1351554433
Category : Music
Languages : en
Pages : 419
Book Description
A century after his death Anton Bruckner still remains one of the most complex and enigmatic creative personalities of the nineteenth century. A leading avant-garde figure of his generation, he was an accomplished performer and teacher in addition to being a great composer; few people in the history of western music can boast his level of achievement in all these areas combined. This book, a collection of essays written by an international group of scholars, offers diverse theoretical and musicological perspectives on Bruckner the composer-teacher-performer. Facets of his formidable theoretical training and his application of it as part of the compositional process are explored. A variety of analytical methodologies is used to examine the Second through to the Ninth Symphonies, the heart of the composer?s mature repertoire. Finally, aspects of Bruckner?s career as a teacher and performer, his complex personality, his influence and dissemination of his music are considered.
Publisher: Routledge
ISBN: 1351554433
Category : Music
Languages : en
Pages : 419
Book Description
A century after his death Anton Bruckner still remains one of the most complex and enigmatic creative personalities of the nineteenth century. A leading avant-garde figure of his generation, he was an accomplished performer and teacher in addition to being a great composer; few people in the history of western music can boast his level of achievement in all these areas combined. This book, a collection of essays written by an international group of scholars, offers diverse theoretical and musicological perspectives on Bruckner the composer-teacher-performer. Facets of his formidable theoretical training and his application of it as part of the compositional process are explored. A variety of analytical methodologies is used to examine the Second through to the Ninth Symphonies, the heart of the composer?s mature repertoire. Finally, aspects of Bruckner?s career as a teacher and performer, his complex personality, his influence and dissemination of his music are considered.
Bruckner: Symphony No. 8
Author: Benjamin M. Korstvedt
Publisher: Cambridge University Press
ISBN: 9780521635370
Category : Music
Languages : en
Pages : 156
Book Description
This book explores Bruckner's Eighth Symphony (1890) from several angles, offering an accessible guide to its musical design.
Publisher: Cambridge University Press
ISBN: 9780521635370
Category : Music
Languages : en
Pages : 156
Book Description
This book explores Bruckner's Eighth Symphony (1890) from several angles, offering an accessible guide to its musical design.
The Cambridge Companion to Bruckner
Author: John Williamson
Publisher: Cambridge University Press
ISBN: 9780521008785
Category : Biography & Autobiography
Languages : en
Pages : 340
Book Description
This Companion provides an overview of the composer Anton Bruckner (1824-1896). Sixteen chapters by leading scholars investigate aspects of his life and works and consider the manner in which critical appreciation has changed in the twentieth century. The first section deals with Bruckner's Austrian background, investigating the historical circumstances in which he worked, his upbringing in Upper Austria, and his career in Vienna. A number of misunderstandings are dealt with in the light of recent research. The remainder of the book covers Bruckner's career as church musician and symphonist, with a chapter on the neglected secular vocal music. Religious, aesthetic, formal, harmonic, and instrumental aspects are considered, while one chapter confronts the problem of the editions of the symphonies. Two concluding chapters discuss the symphonies in performance, and the history of Bruckner-reception with particular reference to German Nationalism, the Third Reich and the appropriation of Bruckner by the Nazis.
Publisher: Cambridge University Press
ISBN: 9780521008785
Category : Biography & Autobiography
Languages : en
Pages : 340
Book Description
This Companion provides an overview of the composer Anton Bruckner (1824-1896). Sixteen chapters by leading scholars investigate aspects of his life and works and consider the manner in which critical appreciation has changed in the twentieth century. The first section deals with Bruckner's Austrian background, investigating the historical circumstances in which he worked, his upbringing in Upper Austria, and his career in Vienna. A number of misunderstandings are dealt with in the light of recent research. The remainder of the book covers Bruckner's career as church musician and symphonist, with a chapter on the neglected secular vocal music. Religious, aesthetic, formal, harmonic, and instrumental aspects are considered, while one chapter confronts the problem of the editions of the symphonies. Two concluding chapters discuss the symphonies in performance, and the history of Bruckner-reception with particular reference to German Nationalism, the Third Reich and the appropriation of Bruckner by the Nazis.
Anton Bruckner and the Reception of His Music
Author: Miguel J. Ramirez
Publisher: Boydell & Brewer
ISBN: 1648250998
Category : Biography & Autobiography
Languages : en
Pages : 337
Book Description
A bold, deeply researched, and long-needed debunking of the platitudes and prejudices that have long clouded our view of the personality and compositional habits of Anton Bruckner. Bruckner was, and continues to be, among the most divisive figures in the history of nineteenth-century music, in large part owing to the complexities and contradictions of his personality and the amalgam of differing stylistic features that characterize his musical language. Miguel J. Ramirez's insightful book scrutinizes the stereotypes about Bruckner's personality that loom large in the public imagination, the controversial editorial policies behind the publication of his collected works, and the trends in the reception of his music that were set early on by a handful of Viennese journalists. Working to undo the platitudes and prejudices that cloud our view of Bruckner's true personality and compositional habits, this study debunks the entrenched misconception that he was a helpless victim of "the Viennese press"-a notion contradicted by the pugnacious exchange in which pro- and anti-Bruckner critics invariably engaged after the premiere of each of his works. Ramirez demonstrates that, from the mid 1880s onward, only Eduard Hanslick, Max Kalbeck, and a few other critics persisted in their opposition to the Brucknerian symphonic oeuvre and that their caustic and denigrating reviews were vastly outnumbered by those of more appreciative critics who heard what performers and listeners cherish now: the music's coherence, grandeur, and emotional sweep.adicted by the pugnacious exchange in which pro- and anti-Bruckner critics invariably engaged after the premiere of each of his works. Ramirez demonstrates that, from the mid 1880s onward, only Eduard Hanslick, Max Kalbeck, and a few other critics persisted in their opposition to the Brucknerian symphonic oeuvre and that their caustic and denigrating reviews were vastly outnumbered by those of more appreciative critics who heard what performers and listeners cherish now: the music's coherence, grandeur, and emotional sweep.adicted by the pugnacious exchange in which pro- and anti-Bruckner critics invariably engaged after the premiere of each of his works. Ramirez demonstrates that, from the mid 1880s onward, only Eduard Hanslick, Max Kalbeck, and a few other critics persisted in their opposition to the Brucknerian symphonic oeuvre and that their caustic and denigrating reviews were vastly outnumbered by those of more appreciative critics who heard what performers and listeners cherish now: the music's coherence, grandeur, and emotional sweep.adicted by the pugnacious exchange in which pro- and anti-Bruckner critics invariably engaged after the premiere of each of his works. Ramirez demonstrates that, from the mid 1880s onward, only Eduard Hanslick, Max Kalbeck, and a few other critics persisted in their opposition to the Brucknerian symphonic oeuvre and that their caustic and denigrating reviews were vastly outnumbered by those of more appreciative critics who heard what performers and listeners cherish now: the music's coherence, grandeur, and emotional sweep.ence, grandeur, and emotional sweep.
Publisher: Boydell & Brewer
ISBN: 1648250998
Category : Biography & Autobiography
Languages : en
Pages : 337
Book Description
A bold, deeply researched, and long-needed debunking of the platitudes and prejudices that have long clouded our view of the personality and compositional habits of Anton Bruckner. Bruckner was, and continues to be, among the most divisive figures in the history of nineteenth-century music, in large part owing to the complexities and contradictions of his personality and the amalgam of differing stylistic features that characterize his musical language. Miguel J. Ramirez's insightful book scrutinizes the stereotypes about Bruckner's personality that loom large in the public imagination, the controversial editorial policies behind the publication of his collected works, and the trends in the reception of his music that were set early on by a handful of Viennese journalists. Working to undo the platitudes and prejudices that cloud our view of Bruckner's true personality and compositional habits, this study debunks the entrenched misconception that he was a helpless victim of "the Viennese press"-a notion contradicted by the pugnacious exchange in which pro- and anti-Bruckner critics invariably engaged after the premiere of each of his works. Ramirez demonstrates that, from the mid 1880s onward, only Eduard Hanslick, Max Kalbeck, and a few other critics persisted in their opposition to the Brucknerian symphonic oeuvre and that their caustic and denigrating reviews were vastly outnumbered by those of more appreciative critics who heard what performers and listeners cherish now: the music's coherence, grandeur, and emotional sweep.adicted by the pugnacious exchange in which pro- and anti-Bruckner critics invariably engaged after the premiere of each of his works. Ramirez demonstrates that, from the mid 1880s onward, only Eduard Hanslick, Max Kalbeck, and a few other critics persisted in their opposition to the Brucknerian symphonic oeuvre and that their caustic and denigrating reviews were vastly outnumbered by those of more appreciative critics who heard what performers and listeners cherish now: the music's coherence, grandeur, and emotional sweep.adicted by the pugnacious exchange in which pro- and anti-Bruckner critics invariably engaged after the premiere of each of his works. Ramirez demonstrates that, from the mid 1880s onward, only Eduard Hanslick, Max Kalbeck, and a few other critics persisted in their opposition to the Brucknerian symphonic oeuvre and that their caustic and denigrating reviews were vastly outnumbered by those of more appreciative critics who heard what performers and listeners cherish now: the music's coherence, grandeur, and emotional sweep.adicted by the pugnacious exchange in which pro- and anti-Bruckner critics invariably engaged after the premiere of each of his works. Ramirez demonstrates that, from the mid 1880s onward, only Eduard Hanslick, Max Kalbeck, and a few other critics persisted in their opposition to the Brucknerian symphonic oeuvre and that their caustic and denigrating reviews were vastly outnumbered by those of more appreciative critics who heard what performers and listeners cherish now: the music's coherence, grandeur, and emotional sweep.ence, grandeur, and emotional sweep.
Anton Bruckner
Author: Crawford Howie
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 448
Book Description
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 448
Book Description
Bruckner's Fourth
Author: Benjamin M Korstvedt
Publisher: Oxford University Press
ISBN: 0197765661
Category : Music
Languages : en
Pages : 356
Book Description
Bruckner's Fourth: The Biography of a Symphony is a detailed account of the music and history of the most well-known symphony by the great Austrian composer Anton Bruckner (1824-1896). This book presents the first accurate, complete account of the history of this symphony based on extensive new research and critical analysis.
Publisher: Oxford University Press
ISBN: 0197765661
Category : Music
Languages : en
Pages : 356
Book Description
Bruckner's Fourth: The Biography of a Symphony is a detailed account of the music and history of the most well-known symphony by the great Austrian composer Anton Bruckner (1824-1896). This book presents the first accurate, complete account of the history of this symphony based on extensive new research and critical analysis.
Bruckner
Author: Derek Watson
Publisher: Schirmer G Books
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 192
Book Description
First published in 1975, Derek Watson's biography of Bruckner has been thoroughly revised and the discussion of the music significantly expanded in this new edition.
Publisher: Schirmer G Books
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 192
Book Description
First published in 1975, Derek Watson's biography of Bruckner has been thoroughly revised and the discussion of the music significantly expanded in this new edition.
Authority and Upheaval in Leipzig, 1910-1920
Author: Sean Dobson
Publisher: Columbia University Press
ISBN: 9780231504706
Category : Political Science
Languages : en
Pages : 522
Book Description
In the fall of 1918, after it had become clear that the Great War was lost, revolution broke out in Germany. In the area around Leipzig, workers supported the revolution with unusual determination, in many cases seeking to socialize their companies on their own authority. In the first book to devote serious scholarly attention to Leipzig's turbulent transition from authoritarian monarchy to democratic republic, Sean Dobson offers a cogent history of political change in what was one of Germany's most industrialized and politically radical districts. During most of the post–WWII period, only Leninist historians—following the strict ideological guidelines dictated by the Socialist Unity Party of the German Democratic Republic—were permitted access to the relevant archives. With the fall of the Berlin Wall, Dobson gained unprecedented access to those archives. His study tells the real story of what happened in one of the revolution's storm centers and enriches the larger theoretical discussion of class and identity formation. Because the turmoil in and around Leipzig is incomprehensible without an understanding of the region before 1914, Dobson details the antecedents of the revolution. In the process, he challenges common historiographical assumptions about prewar and wartime Germany.
Publisher: Columbia University Press
ISBN: 9780231504706
Category : Political Science
Languages : en
Pages : 522
Book Description
In the fall of 1918, after it had become clear that the Great War was lost, revolution broke out in Germany. In the area around Leipzig, workers supported the revolution with unusual determination, in many cases seeking to socialize their companies on their own authority. In the first book to devote serious scholarly attention to Leipzig's turbulent transition from authoritarian monarchy to democratic republic, Sean Dobson offers a cogent history of political change in what was one of Germany's most industrialized and politically radical districts. During most of the post–WWII period, only Leninist historians—following the strict ideological guidelines dictated by the Socialist Unity Party of the German Democratic Republic—were permitted access to the relevant archives. With the fall of the Berlin Wall, Dobson gained unprecedented access to those archives. His study tells the real story of what happened in one of the revolution's storm centers and enriches the larger theoretical discussion of class and identity formation. Because the turmoil in and around Leipzig is incomprehensible without an understanding of the region before 1914, Dobson details the antecedents of the revolution. In the process, he challenges common historiographical assumptions about prewar and wartime Germany.
The First Edition of Anton Bruckner's Fourth Symphony
Author: Benjamin Marcus Korstvedt
Publisher:
ISBN:
Category :
Languages : en
Pages : 446
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 446
Book Description
Bruckner Studies
Author: Timothy L. Jackson
Publisher: Cambridge University Press
ISBN: 9780521570145
Category : Music
Languages : en
Pages : 332
Book Description
This 1997 book presents musicological and theoretical research on the life and music of Anton Bruckner.
Publisher: Cambridge University Press
ISBN: 9780521570145
Category : Music
Languages : en
Pages : 332
Book Description
This 1997 book presents musicological and theoretical research on the life and music of Anton Bruckner.