Anthropological Papers of the American Museum of Natural History PDF Download
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Author:
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Category : Anthropology
Languages : en
Pages : 398
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Author:
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Category : Anthropology
Languages : en
Pages : 744
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Author: Harlan I. Smith
Publisher:
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Category :
Languages : en
Pages : 820
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Author:
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Category : Anthropology
Languages : en
Pages : 232
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Category :
Languages : en
Pages : 558
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Author: New Jersey. Bureau of Geology and Topography
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Category : Geology
Languages : en
Pages : 508
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Author: Clark Wissler
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Category : Human geography
Languages : en
Pages : 294
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Author:
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Category : Bench-marks
Languages : en
Pages : 372
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Author: Andrew R. Graybill
Publisher: W. W. Norton & Company
ISBN: 0871404451
Category : Biography & Autobiography
Languages : en
Pages : 368
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Book Description
Winner of the Labriola Center American Indian National Book Award One of the American West’s bloodiest—and least-known—massacres is searingly re-created in this generation-spanning history of native-white intermarriage. National Book Award–winning histories such as The Hemingses of Monticello and Slaves in the Family have raised our awareness about America’s intimately mixed black and white past. Award-winning western historian Andrew R. Graybill now sheds light on the overlooked interracial Native-white relationships critical in the development of the trans-Mississippi West in this multigenerational saga. Beginning in 1844 with the marriage of Montana fur trader Malcolm Clarke and his Piegan Blackfeet bride, Coth-co-co-na, Graybill traces the family from the mid-nineteenth century, when such mixed marriages proliferated, to the first half of the twentieth, when Clarke ’s children and grandchildren often encountered virulent prejudice. At the center of Graybill’s history is the virtually unexamined 1870 Marias Massacre, on a par with the more infamous slaughters at Sand Creek and Wounded Knee, an episode set in motion by the murder of Malcolm Clarke and in which Clarke ’s two sons rode with the Second U.S. Cavalry to kill their own blood relatives.
Author: Arni Brownstone
Publisher: University of Oklahoma Press
ISBN: 0806194286
Category : Art
Languages : en
Pages : 299
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Book Description
In the nineteenth and early twentieth centuries, the Indigenous peoples of the Great Plains practiced an archival art—narrating war exploits in large-scale paintings executed on animal hide robes, shirts, tipi covers, and tipi liners. Essentially autobiographical, the paintings were worn and lived in by the men whose war exploits they portrayed, and were made to be “read” by the public at large. Executed in a pictorial narrative style and documenting actual events, these paintings blend visual art and history. Indigenous War Painting of the Plains is the first comprehensive look at this important North American art form, covering the full corpus of war paintings from fourteen tribes across the plains. Two impediments have previously made such a book impractical: photography alone falls short of rendering war paintings for the printed page, and only about half of the surviving works have reliable documentation on their cultural origins. Arni Brownstone surmounts these difficulties by producing precise electronic redrawings and by using well-documented paintings to inform poorly documented examples, bolstered by a careful examination of collection histories. Featuring some 300 photographs and electronic redrawings, the book focuses on 83 paintings organized into four chapters covering the paintings of tribes associated with a specific geographical sphere of artistic influence. Four appendixes feature paintings combined with “translations” by Indigenous collaborators who had intimate knowledge of the depicted events. Offering vivid access to the key works of war painting preserved in 37 museums throughout North America and Europe, Indigenous War Painting of the Plains illuminates distinctions between painting styles of different tribes, reveals how they influenced one another and changed over time, and conveys a deep understanding of how war painting developed in relation to profound social changes in Plains Indian cultures.
Author: Frank Raymond Secoy
Publisher: U of Nebraska Press
ISBN: 9780803292093
Category : History
Languages : en
Pages : 136
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Book Description
Frank Raymond Secoy wrote this classic work while at Columbia University in the early 1950s. In his introduction, John C. Ewers considers the influence of Secoy's book on scholars since its original publication in 1953. Ethnologist emeritus at the Smithsonian Institution, Ewers is the author of The Horse in Blackfoot Indian Culture (1955), Blackfeet: Their Art and Culture (1987), and other works.
