Anthotypes – Explore the darkroom in your garden and make photographs using plants PDF Download
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Author: Malin Fabbri
Publisher: AlternativePhotography.com
ISBN:
Category : Photography
Languages : en
Pages : 102
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Book Description
Learn to make prints using plants – an environmentally safe process in this book dedicated to anthotypes. Includes a comprehensive reference section on plants. About the anthotype book It is possible to print photographs using nothing but juice extracted from the petals of flowers, the peel from fruits and pigments from plants. This book will show you how it is done, and expand your creative horizons with plenty of examples from artists working with anthotypes today. Anthotypes will simply make you look at plants in a whole new light. And, if that is not enough, anthotype is a totally environmentally friendly photographic process. From Malin Fabbri, author Anthotypes will make you look at plants in a whole new light. It will show you how to make photographs from the juice of flowers, fruits and plants, using a totally environmentally friendly photographic process. Anthotype is a very delicate photographic process and an environmentally friendly way of making prints using nothing other than the photosensitive material of plants found in the garden, the flower market or in the wild. All you need to add is water, sunshine, inspiration and patience – a lot of patience! The process is very basic and simple. Utilizing nature’s own coloring pigments from flower petals, berries, plants, vegetables or even spices, images are produced using the action of light. The natural pigment is used to create a photographic image. What could be better? Your impact on the natural environment is virtually non-existent, and you can carry out your art with a clear conscience. Anthotyping is the ultimate environmentally friendly photo process.
Author: Malin Fabbri
Publisher: AlternativePhotography.com
ISBN:
Category : Photography
Languages : en
Pages : 102
Get Book Here
Book Description
Learn to make prints using plants – an environmentally safe process in this book dedicated to anthotypes. Includes a comprehensive reference section on plants. About the anthotype book It is possible to print photographs using nothing but juice extracted from the petals of flowers, the peel from fruits and pigments from plants. This book will show you how it is done, and expand your creative horizons with plenty of examples from artists working with anthotypes today. Anthotypes will simply make you look at plants in a whole new light. And, if that is not enough, anthotype is a totally environmentally friendly photographic process. From Malin Fabbri, author Anthotypes will make you look at plants in a whole new light. It will show you how to make photographs from the juice of flowers, fruits and plants, using a totally environmentally friendly photographic process. Anthotype is a very delicate photographic process and an environmentally friendly way of making prints using nothing other than the photosensitive material of plants found in the garden, the flower market or in the wild. All you need to add is water, sunshine, inspiration and patience – a lot of patience! The process is very basic and simple. Utilizing nature’s own coloring pigments from flower petals, berries, plants, vegetables or even spices, images are produced using the action of light. The natural pigment is used to create a photographic image. What could be better? Your impact on the natural environment is virtually non-existent, and you can carry out your art with a clear conscience. Anthotyping is the ultimate environmentally friendly photo process.
Author: Malin Fabbri
Publisher: AlternativePhotography.com
ISBN:
Category : Photography
Languages : en
Pages : 97
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Book Description
Can you really use black beans to print a photograph? What about moss or mushrooms? Discover the anthotype process and follow artists who explore plants or pigments to create colourful eco-friendly prints. Every August, during World Anthotype Day, artists surpass the boundaries of what is possible. For a third year, artists from all over the world came together and extended our knowledge and stretched the limits to discover unusual emulsions from plants, powders and pigments to make photographic emulsions, and then print their images using the sun. The artists documented their process, research and observations and their notes are collected in this book.
Author: Malin Fabbri
Publisher: AlternativePhotography.com
ISBN:
Category : Photography
Languages : en
Pages : 102
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Book Description
For the second year running, anthotype and alternative photographic process artists from all over the world came together. On Saturday, the 19th of August 2023, anthotypes were created and photographic prints were made from plants and pigments. The second World Anthotype Day was celebrated by artists creating vibrant and colourful photographs from homemade emulsions made from plants, powders or dyes, and then exposing the prints in the sun. World Anthotype Day was facilitated by a small team at AlternativePhotography.com and this book is a collection of the artists’ research, process and notes to learn and draw inspiration from. The collective research of almost 140 artists from 31 countries has been compiled in this book, covering emulsions made by: Annatto, Avocado, Bahraini almond, Balloon flower, Beach rose, Beetroot, Begonia, Bellflowers, Birch, Black elder, Black swallow wort, Blackcap raspberry, Bloodroot, Blueberry, Bougainvillea, Bracken, Brown-eyed Susan, Calendula, Chard, Chokeberries, Clematis, Cocoa, Cosmos, Costa Rican pitahaya, Crown lime, Dandelion, Fennel, Fern, Fireweed, Flame vine, Genipap, Geranium, Grape, Greater celandine, Hibiscus, Hollyhock, Hosta, Indian shot, Indigo, Iris, Jaboticaba, Jamaica flower, Juneberry, Kale, Lamb’s quarter, Lamb’s-ear, Lily of the valley, Lupine, Mallow, Mango, Mangosteen, Morning glory, Mulberry, Mustard, Nasturtium, Nettle, Oak, Onion, Paprika / Pepper, Peony, Peregrina, Persimmon, Plum shiso, Pokeweed, Poppy, Pumpkin, Red cabbage, Rocket, Rose, Saffron crocus, Saint George’s sword, Service berry, Silk floss tree, Sour cherry, Spinach, Squill, Strawberry, Sweet pea, Syngonium, Tayoba, Tea, Tomato, Tulip, Tulip tree, Turmeric, Walnut, Wine, Wineberry, Wonga-wonga vine and Yerba mate. Whether you are a beginner at the anthotype process or an experienced anthotypist, this book is invaluable and will save time in finding the next plant or pigment to use in your printing, or simply give you inspiration.
Author: Malin Fabbri
Publisher: AlternativePhotography.com
ISBN:
Category : Photography
Languages : en
Pages : 84
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Book Description
On Saturday the 20th of August 2022 the World’s FIRST EVER Anthotype Day took place, initiated and facilitated by a small team at AlternativePhotography.com. Over 100 artists from all over the globe sent in their anthotypes and research notes of prints made from plants, powders or dyes. The collective research gathered on the day has been compiled in this book covering 60 plants: African Lily, Algae / Spirulina, Amaranth, Arjuna tree, Basil, Beach Rose, Beech, Beetroot, Black Grape, Black Raspberry, Blackberry, Blackcurrant, Blueberry, Bougainvillea, Butterfly Pea, Celadine Poppy, Chard, Cherry, Chocolate Cosmos, Christmas Cactus, Coffee, Cootamundra Wattle, Dahlia, Eastern Red Columbine, English Cucumber, Geranium, Hardy Hibiscus, Hierbamora / Black Nightshade, Kembang Telang, Marigold, Matcha, Moss-Rose Purslane, Northern White Cedar, Oak Apple, Onion, Ora-pro-nóbis, Paprika, Pau Brasil, Petunia, Phasey bean, Pokeberry, Poppy, Raspberry, Red cabbage, Red Pepper, Rose Madder or Dyer’s Madder, Rowanberry, Royal Grape, Skunk Cabbage, Spinach, Strawberry, Sunflower, Sweet Paprika, Turmeric, Violet, Walnut, Watercress, Winter Purslane, Woad and Yerba Mate. Next time you want to know if a plant can be used to make an anthotype, just look it up – or use the book as inspiration to try something new.
Author: Malin Fabbri
Publisher: AlternativePhotography.com
ISBN:
Category : Photography
Languages : en
Pages : 70
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Book Description
An excellent beginners’ guide to cyanotypes – all you need to get started, and some goodies for more advanced cyanotypers too. About the book The cyanotype is often the first alternative process that people try. It is relatively easy and safe enough to nurture a child’s interest in photography. It can also be seen as a gateway to further exploration of historic photographic methods. In addition, it gives experienced photographers and artists a great excuse to take their eyes off the computer screen and get their hands dirty. Blueprint to cyanotypes is all you will need to get started with cyanotypes. It offers the beginner a step-by-step guide, from choosing material to making the final print. It is full of information and tips. Even the experienced cyanotypist may learn a thing or two. Blueprint to cyanotypes is published by AlternativePhotography.com – a website and information center dedicated to alternative photographic processes. From Malin Fabbri, the author: Why a book on cyanotypes? Of all the alternative processes the cyanotype is the one closest to my heart. I made my first cyanotype in 1999. I was intrigued by the blue images and wanted to test the cyanotype process to see what it had to offer. I bought chemicals and spent an evening coating paper and cloth. The results of the next day’s printing surprised me. Although the alchemy of the darkroom had always captivated me, developing a print in the sun was like a liberation. One of the things I found most refreshing about the process was the unpredictability of the results. Some of my best prints were the product of ‘happy accidents’. The developing process is straightforward. The chemicals are cheap, and most of the other items used can be found around the house. Pre-coated paper is available, but one of the benefits of working with cyanotypes is the great flexibility of material and paper available to you. Cyanotypes print on anything made of natural fibre. Cotton, linen, silk, handmade paper, watercolor paper and rags are just number of alternatives. Some artists even print on wood. So, if you want to explore a fun alternative photographic process or seriously want to experiment with producing unique fine art, make a cyanotype.
Author: Annette Golaz
Publisher: Routledge
ISBN: 1000430421
Category : Photography
Languages : en
Pages : 284
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Book Description
Cyanotype is the most accessible and frequently used of all the alternative photographic processes. When utilized properly, it has the potential to rival other processes when it comes to detail and tonal range, but its Prussian blue color isn’t always suitable for the final photograph. Throughout history, cyanotype prints have been toned not only with various—and at times hazardous—chemicals but also with more natural ingredients like tea and coffee. Since the cyanotype itself is non-toxic, Cyanotype Toning will champion an innovative process, developed by the author, of toning cyanotypes with natural material. This process, which is easy and reliable, offers a much broader range of possible colors and even beautiful black and whites. Even duotone or tricolor prints can be attained. The book consists of two parts. Part One is a step-by-step how-to section including all the information that a student at any level needs to achieve a successfully toned print. Easy-to-understand background information is provided on how and why the process works so that readers can venture on their own into the world of natural colors. The first part also has a detailed section on all the factors that can influence the outcome, like paper choice, water quality, properties of the plants, temperature of the bath and the duration of the toning. Part Two is devoted to contemporary artists who have explored toning with botanicals and integrated the process into their creative practice. The book includes: A list of equipment and supplies needed. In depth information about useful plants and the specific properties that make them suitable for toning cyanotypes. Concise step-by-step instructions for printing cyanotypes successfully. A chart of more than 60 tested papers with recommendations on paper choice. Step-by-step generic instructions on toning with botanicals. Troubleshooting toning with botanicals. More detailed recipes for specific colors with information about the plants. Step-by-step instructions on how to print duotone and tricolor prints. A range of creative ideas on how to use the process in classrooms and with different age groups. A comprehensive list of more than 380 tested parts of plants and possible color outcomes. Using botanicals to tone cyanotypes broadens the color spectrum, enlarges creative possibilities and makes the cyanotype process even more versatile. The process is not cut and dried science but a limitless field for discovery and surprises. Cyanotype Toning provides accessible information and instructions for readers at all levels. It is comprehensive and explanatory, so that readers can expand on the subject on their own, as did the contemporary artists who share their experiences and the works they have created using this innovative toning process.
Author: Malin Fabbri
Publisher: AlternativePhotography.com
ISBN:
Category : Art
Languages : en
Pages : 239
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Book Description
115 artists working with albumen, anthotype, argyrotype, carbon, chrysotype, cyanotype, bromoil, gum bichromate, gumoil, infrared, kallitype, platinum/palladium, photogravure, polaroid lift, transfer and sx-70, salt print, temperaprint, vandyke, wet plate collodion, ziatype and other alternative photographic processes. Alternative Photography: Art and Artists, Edition I highlights the work of over 100 of today’s most active photographers working with alternative processes. Discover how the different processes create a unique look in a print, and get an insight into how the processes function. Here you will find both information and inspiration. Artists introduce themselves, their work and why they chose the qualities of that particular process.
Author: Gary Fabbri
Publisher:
ISBN: 9789163343803
Category : Photography, Pinhole
Languages : en
Pages : 44
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Book Description
Author: Karl Koenig
Publisher: Taylor & Francis
ISBN: 1136090290
Category : Photography
Languages : en
Pages : 115
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Book Description
There is renewed interest among art photographers in a number of historic printing techniques because of the remarkable effects they produce. The reader will discover how to create beautifully tinted mono- and polychromatic gum and oil images using the author's version of this 19th century technique. Step-by-step illustrated instructions with directions for further experimentation provide a perfect source for learning this new, yet old, printing technique. Gumoil printing involves contact-printing a positive transparency onto gum-coated paper. Oil paint is then applied and rubbed into nongummed areas of the print. With bleach etching, mono- and polychromatic variations are possible. A chapter on digital printing combines the new and the historic, making this technique even more accessible for the art photographer.
Author: Andrew Dewdney
Publisher: MIT Press
ISBN: 1912685817
Category : Photography
Languages : en
Pages : 276
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Book Description
Why we must forget photography and reject the frame of reality it prescribes and delineates. The central paradox this book explores is that at the moment of photography's replacement by the algorithm and data flow, photographic cultures proliferate as never before. The afterlife of photography, residual as it may technically be, maintains a powerful cultural and representational hold on reality, which is important to understand in relationship to the new conditions. Forgetting photography is a strategy to reveal the redundant historicity of the photographic constellation and the cultural immobility of its epicenter. It attempts to liberate the image from these historic shackles, forged by art history and photographic theory. More important, perhaps, forgetting photography also entails rejecting the frame of reality it prescribes and delineates, and in doing so opens up other relationships between bodies, times, events, materials, memory, representation and the image. Forgetting photography attempts to develop a systematic method for revealing the limits and prescriptions of thinking with photography, which no amount of revisionism of post-photographic theory can get beyond. The world urgently needs to unthink photography and go beyond it in order to understand the present constitution of the image as well as the reality or world it shows. Forgetting photography will require a different way of organizing knowledge about the visual in culture that involves crossing different knowledges of visual culture, technologies, and mediums. It will also involve thinking differently about routine and creative labor and its knowledge practices within the institutions and organization of visual reproduction.
