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Author: Matthew Santa
Publisher: Taylor & Francis
ISBN: 1000643646
Category : Music
Languages : en
Pages : 576
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Book Description
Hearing Form: Musical Analysis With and Without the Score, Third Edition is a complete course package for undergraduate courses on musical forms, with comprehensive coverage from the Baroque to the Romantic. Placing emphasis on listening, it teaches students to analyze music both with and without the use of a score, covering phrase endings and cadences, harmonic sequence types, modulations, formal sections, and musical forms. Hearing Form is supported by an integrated workbook section, its own full-score anthology, and a companion website containing an instructor’s manual, test bank, and audio streaming and downloads of recordings for the pieces in the anthology. Key updates in the third edition include: Treatment of phrases and cadences now allows the book to be used by both instructors who teach that all phrases end with cadences, and those teach that some phrases do not New pieces added to the anthology widen the range of composers represented With an engaging and practical approach informed by recent scholarship, Hearing Form enables students to recognize musical elements both by sight and by ear. This is the Hearing Form anthology only. For the Hearing Form textbook, see ISBN 978-0-367-70380-6. For the textbook and anthology package, see ISBN 978-0-367-70391-2.
Author: Matthew Santa
Publisher: Taylor & Francis
ISBN: 1000643646
Category : Music
Languages : en
Pages : 576
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Book Description
Hearing Form: Musical Analysis With and Without the Score, Third Edition is a complete course package for undergraduate courses on musical forms, with comprehensive coverage from the Baroque to the Romantic. Placing emphasis on listening, it teaches students to analyze music both with and without the use of a score, covering phrase endings and cadences, harmonic sequence types, modulations, formal sections, and musical forms. Hearing Form is supported by an integrated workbook section, its own full-score anthology, and a companion website containing an instructor’s manual, test bank, and audio streaming and downloads of recordings for the pieces in the anthology. Key updates in the third edition include: Treatment of phrases and cadences now allows the book to be used by both instructors who teach that all phrases end with cadences, and those teach that some phrases do not New pieces added to the anthology widen the range of composers represented With an engaging and practical approach informed by recent scholarship, Hearing Form enables students to recognize musical elements both by sight and by ear. This is the Hearing Form anthology only. For the Hearing Form textbook, see ISBN 978-0-367-70380-6. For the textbook and anthology package, see ISBN 978-0-367-70391-2.
Author: Matthew Santa
Publisher: Routledge
ISBN: 1315527715
Category : Music
Languages : en
Pages : 480
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Book Description
Hearing Form: Musical Analysis With and Without the Score is a complete course package for undergraduate courses on musical forms, with comprehensive coverage from the Baroque to the Romantic. Placing emphasis on listening, it teaches students to analyze music both with and without the use of a score, covering phrase endings and cadences, harmonic sequence types, modulations, formal sections, and musical forms. Hearing Form is supported by a workbook, its own full-score anthology, and a companion website containing an instructor’s manual, test bank, audio streaming of recordings for the pieces in the anthology, and downloadable sound files. The second edition has been updated to include: Additional score-based exercises More music of the Romantic era and more vocal music New scores included in the Anthology, with twice as many composers represented With an engaging and practical approach informed by recent scholarship, Hearing Form enables students to recognize musical elements both by sight and by ear. Please note: this is the Hearing Form anthology only. For the Hearing Form textbook, order ISBN 978-1-138-92968-5. For the textbook and anthology set, order ISBN 978-1-138-90069-1.
Author: Matthew Santa
Publisher:
ISBN: 9780367703899
Category : Ear training
Languages : en
Pages : 0
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Book Description
Cadences and phrases -- Phrase organization -- One-part, binary, and ternary forms -- Sonata forms -- Variation forms -- Imitative forms -- Concerto forms -- Rondo forms.
Author: Matthew Santa
Publisher: Routledge
ISBN: 1000421309
Category : Music
Languages : en
Pages : 250
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Book Description
Hearing Form: Musical Analysis With and Without the Score is a complete course package for undergraduate courses on musical forms, with comprehensive coverage from the Baroque to the Romantic. Placing emphasis on listening, it teaches students to analyze music both with and without the use of a score, covering phrase endings and cadences, harmonic sequence types, modulations, formal sections, and musical forms. Hearing Form is supported by a workbook, its own full-score anthology, and a companion website containing an instructor’s manual, test bank, audio streaming of recordings for the pieces in the anthology, and downloadable sound files. .The second edition has been updated to include: Additional score-based exercises, More music of the Romantic era and more vocal music, New scores included in the Anthology, with twice as many composers represented. With an engaging and practical approach informed by recent scholarship, Hearing Form enables students to recognize musical elements both by sight and by ear. Please note: this is the Hearing Form textbook only. For the Hearing Form anthology, order ISBN 978-1-138-92967-8. For the textbook and anthology set, order ISBN 978-1-138-90069-1.
Author: Matthew Santa
Publisher:
ISBN: 9781315681054
Category : Ear training
Languages : en
Pages :
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Book Description
Author: Matthew Santa
Publisher: Taylor & Francis
ISBN: 1000643603
Category : Music
Languages : en
Pages : 269
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Book Description
Hearing Form: Musical Analysis With and Without the Score, Third Edition is a complete course package for undergraduate courses on musical forms, with comprehensive coverage from the Baroque to the Romantic. Placing emphasis on listening, it teaches students to analyze music both with and without the use of a score, covering phrase endings and cadences, harmonic sequence types, modulations, formal sections, and musical forms. Hearing Form is supported by an integrated workbook section, its own full-score anthology, and a companion website containing an instructor’s manual, test bank, and audio streaming and downloads of recordings for the pieces in the anthology. Key updates in the third edition include: Treatment of phrases and cadences now allows the book to be used by both instructors who teach that all phrases end with cadences and those who teach that some phrases do not New pieces added to the anthology widen the range of composers represented With an engaging and practical approach informed by recent scholarship, Hearing Form enables students to recognize musical elements both by sight and by ear. This is the Hearing Form textbook only. For the Hearing Form anthology, see ISBN 978-0-367-70388-2. For the textbook and anthology package, see ISBN 978-0-367-70391-2.
Author: Anabel Maler
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Matthew Santa
Publisher: Routledge
ISBN: 1351204297
Category : Music
Languages : en
Pages : 169
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Book Description
Hearing Rhythm and Meter: Analyzing Metrical Consonance and Dissonance in Common-Practice Period Music is the first book to present a comprehensive course text on advanced analysis of rhythm and meter. This book brings together the insights of recent scholarship on rhythm and meter in a clear and engaging presentation, enabling students to understand topics including hypermeter and metrical dissonance. From the Baroque to the Romantic era, Hearing Rhythm and Meter emphasizes listening, enabling students to recognize meters and metrical dissonances by type both with and without the score. The textbook includes exercises for each chapter and is supported by a full-score anthology. PURCHASING OPTIONS Textbook (Print Paperback): 978-0-8153-8448-9 Textbook (Print Hardback): 978-0-8153-8447-2 Textbook (eBook): 978-1-351-20431-6 Anthology (Print Paperback): 978-0-8153-9176-0 Anthology (Print Hardback): 978-0-367-34924-0 Anthology (eBook): 978-1-351-20083-7
Author: Tonya M. Stremlau
Publisher: Gallaudet University Press
ISBN: 9781563681271
Category : Literary Collections
Languages : en
Pages : 212
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Book Description
Cover -- title page -- Copyright page -- Contents -- Introduction -- Curtis Robbins -- No Rhythm, They Say -- Empty Ears -- Solo Dining While Growing Up -- Learning Up Front -- About the Tale of an Old Bay Fisherman -- Hand Tied -- Melissa Whalen -- The Noisy House -- Christopher Jon Heuer -- The Hands of My Father -- Bone Bird -- Diving Bell -- Holiday -- Corresponding Oval -- Listening for the Same Thing -- Carmen Cristiu -- Leaves on the Water -- Is It a Sin? -- My Mother -- Gaynor Young -- My Plunge to Fame -- John Lee Clark -- Q -- Exuberance -- Carl Wayne Denney -- Borrowed Time -- Sibylle Gurtner May -- "if I could wish to hear well"--Sotonwa Opeoluwa -- The Victim of the Silent Void -- Douglas Bullard -- Yet: Jack Can Hear! -- Pamela Wright-Meinhardt -- When They Tell Me ... -- Silent Howl -- A Letter to C.F. -- Kristi Merriweather -- Be Tellin' Me -- Remember -- It Was His Movin' Hands -- Raymond Luczak -- How to Become a Backstabber -- Depths of the River -- Justine Vogenthaler -- Between Two Worlds -- Cicadas Roar -- 2 Triple Ought -- Willy Conley -- Every Man Must Fall -- Salt in the Basement -- The Cycle of the X-Ray Technician -- The Perfect Woman -- Tonya Marie Stremlau -- A Nice Romantic Dinner
Author: Adam Bradley
Publisher: Yale University Press
ISBN: 0300163061
Category : Music
Languages : en
Pages : 1194
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Book Description
From the school yards of the South Bronx to the tops of the "Billboard" charts, rap has emerged as one of the most influential cultural forces of our time. This pioneering anthology brings together more than 300 lyrics written over 30 years, from the "old school" to the present day.
