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Author: Anat Zanger
Publisher: Amsterdam University Press
ISBN: 9789053567845
Category : Performing Arts
Languages : en
Pages : 172
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Book Description
The first full-length history of the remake in cinema, Film Remakes as Ritual and Disguise is also the first book to explore how and why these stories are told. Anat Zanger focuses on contemporary retellings of three particular tales—Joan of Arc, Carmen, and Psycho—to reveal what she calls the remake’s “rituals of disguise.” Joan of Arc, Zanger demonstrates, later appears as the tough, androgynous Ripley in the blockbuster Alien series and the God-ridden Bess in Lars Von Trier’s Breaking the Waves. Ultimately, these remake chains offer evidence of the archetypes of our own age, cultural “fingerprints” that are reflective of society’s own preferences and politics. Underneath the redundancy of the remake, Zanger shows, lies our collective social memory. Indeed, at its core the lowly remake represents a primal attempt to gain immortality, to triumph over death—playing at movie theaters seven days a week, 365 days a year. Addressing the wider theoretical implications of her argument with sections on contemporary film issues such as trauma, jouissance, and censorship, Film Remakes as Ritual and Disguise is an insightful addition to current debates in film theory and cinema history.
Author: Anat Zanger
Publisher: Amsterdam University Press
ISBN: 9789053567845
Category : Performing Arts
Languages : en
Pages : 172
Get Book Here
Book Description
The first full-length history of the remake in cinema, Film Remakes as Ritual and Disguise is also the first book to explore how and why these stories are told. Anat Zanger focuses on contemporary retellings of three particular tales—Joan of Arc, Carmen, and Psycho—to reveal what she calls the remake’s “rituals of disguise.” Joan of Arc, Zanger demonstrates, later appears as the tough, androgynous Ripley in the blockbuster Alien series and the God-ridden Bess in Lars Von Trier’s Breaking the Waves. Ultimately, these remake chains offer evidence of the archetypes of our own age, cultural “fingerprints” that are reflective of society’s own preferences and politics. Underneath the redundancy of the remake, Zanger shows, lies our collective social memory. Indeed, at its core the lowly remake represents a primal attempt to gain immortality, to triumph over death—playing at movie theaters seven days a week, 365 days a year. Addressing the wider theoretical implications of her argument with sections on contemporary film issues such as trauma, jouissance, and censorship, Film Remakes as Ritual and Disguise is an insightful addition to current debates in film theory and cinema history.
Author: Sean Taylor
Publisher:
ISBN: 9781406361018
Category : Camouflage (Biology)
Languages : en
Pages : 0
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Book Description
A laugh-out-loud page turner from Sean Taylor with wickedly hilarious graphic art from Jean Jullien."This is the funniest picture book I have read in a long time" David Walliams From masterful storyteller Sean Taylor and exciting, celebrated graphic artist Jean Jullien, comes the laugh-out-loud tale of Hoot Owl. Hoot Owl is no ordinary owl - oh no! - he's a master of disguise! And he will use his expert camouflage powers to trick his unsuspecting prey into succumbing to him! Tiny animals of the night ... beware! But, somehow, Hoot Owl's prey keeps escaping... Hmmm, perhaps he isn't quite as masterful as he believes. Will he ever succeed in catching himself some dinner? Hilarity, ridiculousness and very bad costume changes abound in this wildly inventive new title.
Author: Françoise Ghillebaert
Publisher: Peter Lang
ISBN: 9780820449326
Category : Literary Collections
Languages : en
Pages : 300
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Book Description
Sandian heroines swirl around men in their sororal and sartorial disguises like moths around candle flames. However, as Disguise in George Sand's Novels illustrates, the disguise is not an instrument to seduce men but rather to assert the heroines' true selves. The portrayal of female and androgynous protagonists in Rose et Blanche (1831), Indiana (1832), Lélia (1833/39), Gabriel (1839), Consuelo (1842), and La Comtesse de Rudolstadt (1844) is a metaphor to demonstrate the continuity of identities before and after the disguise as George Sand stipulates in her theory of the ménechme. Disguise in George Sand's Novels explores the maturation process of Romantic and artistically inclined heroines and highlights the spiritual meaning of the disguise as a rite of passage for the birth of a new type of protagonist: spiritual, self-assertive, and dedicated to erasing gender inequality and helping the poor.
Author: Philip Davis
Publisher: Routledge
ISBN: 1134912005
Category : Literary Criticism
Languages : en
Pages : 336
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Book Description
First published in 1991. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Sheila Murnaghan
Publisher: Lexington Books
ISBN: 1461734029
Category : Philosophy
Languages : en
Pages : 163
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Book Description
Disguise and Recognition in the Odyssey reveals the significance of the Odyssey's plot, in particular the many scenes of recognition that make up the hero's homecoming and dramatize the cardinal values of Homeric society, an aristocratic culture organized around recognition in the broader senses of honor, privilege, status, and fame. Odysseus' identity is seen to be rooted in his family relations, geographical origins, control of property, participation in the social institutions of hospitality and marriage, past actions, and ongoing reputation. At the same time, Odysseus' dependence on the acknowledgement of others ensures attention to multiple viewpoints, which makes the Odyssey more than a simple celebration of one man's preeminence and accounts in part for the poem's vigorous afterlife. The theme of disguise, which relies on plausible lies, highlights the nature of belief and the power of falsehood and creates the mixture of realism and fantasy that gives the Odyssey its distinctive texture. The book contains a pioneering analysis of the role of Penelope and the questions of female agency and human limitation raised by the critical debate about when exactly she recognizes that Odysseus has come home.
Author:
Publisher:
ISBN:
Category : Anthropology
Languages : en
Pages : 370
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Book Description
Author: National Museum of Canada
Publisher:
ISBN:
Category : Anthropology
Languages : en
Pages : 64
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Book Description
Author: Professor Peter Hyland
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409478777
Category : Literary Criticism
Languages : en
Pages : 192
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Book Description
Disguise devices figure in many early modern English plays, and an examination of them clearly affords an important reflection on the growth of early theatre as well as on important aspects of the developing nation. In this study Peter Hyland considers a range of practical issues related to the performance of disguise. He goes on to examine various conceptual issues that provide a background to theatrical disguise (the relation of self and "other", the meaning of mask and performance). He looks at many disguise plays under three broad headings. He considers moral issues (the almost universal association of disguise with "evil"); social issues (sumptuary legislation, clothing, and the theatre, and constructions of class, gender and national or racial identity); and aesthetic issues (disguise as an emblem of theatre, and the significance of disguise for the dramatic artist). The study serves to examine the significant ways in which disguise devices have been used in early modern drama in England.
Author: B. McConachie
Publisher: Springer
ISBN: 0230617026
Category : Performing Arts
Languages : en
Pages : 253
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Book Description
Engaging Audiences asks what cognitive science can teach scholars of theatre studies about spectator response in the theatre. Bruce McConachie introduces insights from neuroscience and evolutionary theory to examine the dynamics of conscious attention, empathy and memory in theatre goers.
Author: Harvard University. Library
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 194
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Book Description
