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Author: National Gallery of Canada
Publisher:
ISBN:
Category :
Languages : en
Pages : 628
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Author: National Gallery of Canada
Publisher:
ISBN:
Category :
Languages : en
Pages : 628
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Book Description
Author: Douglas Ord
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773525092
Category : Architecture
Languages : en
Pages : 520
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Book Description
"The National Gallery of Canada: Ideas, Art, and Architecture examines the National Gallery as an institution, a collection, and a series of sites for the display of the nation's art. Douglas Ord explores how, throughout the gallery's development, art has consistently been linked to notions of religious truth, national spirit, and hallowed atmosphere, culminating in Moshe Safdie's design for the institution's current building. Integrating accounts of political intrigue and public controversy with philosophy, art theory, and architectural analysis, Ord provides vivid accounts of successive directors' struggles to obtain a permanent home for the nation's art and sheds light on the place and the role of art in Canada."--Résumé de l'éditeur.
Author: National Gallery of Canada
Publisher:
ISBN:
Category :
Languages : en
Pages : 358
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Author:
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 284
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Book Description
Author:
Publisher:
ISBN:
Category : Canada
Languages : en
Pages : 816
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Book Description
Author: Leslie H. Tepper
Publisher: University of Ottawa Press
ISBN: 1772824283
Category : Business & Economics
Languages : en
Pages : 194
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Book Description
New directions in museum programming are presented in 13 papers representing a variety of perspectives that are guiding the transformation of Canada’s national museums in preparation for the twenty-first century. / Les nouvelles orientations de la programmation des musées sont présentées dans 13 articles, qui représentent des perspectives diversifiées guidant la transformation des musées nationaux du Canada en préparation du XXIe siècle.
Author: Joanne Nordley Beglo
Publisher: Centre canadien des arts visuels
ISBN:
Category : Travel
Languages : en
Pages : 70
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Book Description
Author: Leslie Dawn
Publisher: UBC Press
ISBN: 0774840625
Category : Art
Languages : en
Pages : 458
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Book Description
In the early decades of the twentieth century, the visual arts were considered central to the formation of a distinct national identity, and the Group of Seven's landscapes became part of a larger program to unify the nation and assert its uniqueness. This book traces the development of this program and illuminates its conflicted history. Leslie Dawn problematizes conventional perceptions of the Group as a national school and underscores the contradictions inherent in international exhibitions showing unpeopled landscapes alongside Northwest Coast Native arts and the "Indian" paintings of Langdon Kihn and Emily Carr. Dawn examines how this dichotomy forced a re-evaluation of the place of First Nations in both Canadian art and nationalism.
Author:
Publisher:
ISBN:
Category : Canada
Languages : en
Pages : 1068
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Author: Douglas Hunter
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228012937
Category : Art
Languages : en
Pages : 545
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Book Description
A captivating account of the formative years of one of Canada’s best-known artists, Jackson’s Wars follows A.Y. Jackson’s education and progress as a painter before he was a well-known artist and his time on the battlefield in Europe, before he cast his lot in with a group of like-minded Toronto artists. Jackson fought many battles: he was a feisty and opinionated combatant when he crossed swords with critics, collectors, museums, galleries, and fellow painters as an emerging artist. Moving from Montreal to Toronto in 1913, he became a key figure in a landscape movement that was determined to depict Canada in a bold new way, only to have a war dash the group's collective ambitions. Alone among his close associates, Jackson enlisted to fight with the 60th Infantry Battalion. Wounded at Sanctuary Wood in 1916, he returned to the field of combat as an official war artist – the first Canadian artist appointed, the only infantryman in the program – and militated for other Canadian appointments to what is now a storied moment of creation for such artists as F.H. Varley and Arthur Lismer. Jackson produced some of Canada’s most memorable depictions of the world’s first industrial-scale conflict, even as he reckoned with the anguish caused by the mysterious death of his close friend Tom Thomson. A life-changing event for soldiers, families, and nations alike, the First World War has been understood as a moment of stasis in the visual arts in Canada – the dead ground from which the Group of Seven emerged in the early 1920s. Douglas Hunter shows how Jackson’s war was a moment of intense transformation and artistic development on the canvas as well as an experience that tempered a young man into a constructive elder statesman for Canadian art. On his return home he was not only instrumental in the formation of the Group of Seven in Toronto, but a key figure for the Beaver Hall Group in Montreal. Jackson’s Wars is a story of brotherhoods of painters and soldiers, shot through with inspiration, ambition, trauma, and loss, on the home front as well as on the battlefield. Hunter widens and deepens A.Y. Jackson’s world of friends, family, and colleagues to capture the life of a complex man and the crucial events and relationships behind the creation of Canada’s best-known art collective.