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Author: Brian Yecies
Publisher: Routledge
ISBN: 113667473X
Category : Performing Arts
Languages : en
Pages : 233
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Book Description
Korea’s Occupied Cinemas, 1893-1948 compares and contrasts the development of cinema in Korea during the Japanese occupation (1910-1945) and US Army Military (1945-1948) periods within the larger context of cinemas in occupied territories. It differs from previous studies by drawing links between the arrival in Korea of modern technology and ideas, and the cultural, political and social environment, as it follows the development of exhibition, film policy, and filmmaking from 1893 to 1948. During this time, Korean filmmakers seized every opportunity to learn production techniques and practice their skills, contributing to the growth of a national cinema despite the conditions produced by their occupation by colonial and military powers. At the same time, Korea served as an important territory for the global expansion of the American and Japanese film industries, and, after the late 1930s, Koreans functioned as key figures in the co-production of propaganda films that were designed to glorify loyalty to the Japanese Empire. For these reasons, and as a result of the tensions created by divided loyalties, the history of cinema in Korea is a far more dynamic story than simply that of a national cinema struggling to develop its own narrative content and aesthetics under colonial conditions.
Author: Brian Yecies
Publisher: Routledge
ISBN: 113667473X
Category : Performing Arts
Languages : en
Pages : 233
Get Book Here
Book Description
Korea’s Occupied Cinemas, 1893-1948 compares and contrasts the development of cinema in Korea during the Japanese occupation (1910-1945) and US Army Military (1945-1948) periods within the larger context of cinemas in occupied territories. It differs from previous studies by drawing links between the arrival in Korea of modern technology and ideas, and the cultural, political and social environment, as it follows the development of exhibition, film policy, and filmmaking from 1893 to 1948. During this time, Korean filmmakers seized every opportunity to learn production techniques and practice their skills, contributing to the growth of a national cinema despite the conditions produced by their occupation by colonial and military powers. At the same time, Korea served as an important territory for the global expansion of the American and Japanese film industries, and, after the late 1930s, Koreans functioned as key figures in the co-production of propaganda films that were designed to glorify loyalty to the Japanese Empire. For these reasons, and as a result of the tensions created by divided loyalties, the history of cinema in Korea is a far more dynamic story than simply that of a national cinema struggling to develop its own narrative content and aesthetics under colonial conditions.
Author: M. Epstein
Publisher: Springer
ISBN: 0230270662
Category : Political Science
Languages : en
Pages : 1531
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Book Description
The classic reference work that provides annually updated information on the countries of the world.
Author: Elizabeth Boody Schumpeter
Publisher: Taylor & Francis US
ISBN: 9780415218238
Category : Industries
Languages : en
Pages : 984
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Book Description
First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Author: United States. Army. Corps of Engineers
Publisher:
ISBN:
Category : Bridges
Languages : en
Pages : 82
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Book Description
Author: Korea
Publisher:
ISBN:
Category : Korea
Languages : en
Pages : 278
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Book Description
Author: Carter J. Eckert
Publisher: University of Washington Press
ISBN: 0295805137
Category : History
Languages : en
Pages : 431
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Book Description
According to conventional interpretations, the Japanese annexation of Korea in 1910 destroyed a budding native capitalist economy on the peninsula and blocked the development of a Korean capitalist class until 1945. In this expansive and provocative study, now available in paperback, Carter J. Eckert challenges the standard view and argues that Japanese imperialism, while politically oppressive, was also the catalyst and cradle of modern Korean industrial development. Ancient ties to China were replaced by new ones to Japan - ties that have continued to shape the South Korean political economy down to the present day. Eckert explores a wide range of themes, including the roots of capitalist development in Korea, the origins of the modern business elite, the nature of Japanese colonial policy and the Japanese colonial state, the relationship between the colonial government and the Korean economic elite, and the nature of Korean collaboration. He conveys a clear sense of the human complexity, archival richness, and intellectual challenge of the historical period. His documentation is thorough; his arguments are compelling and often strikingly innovative.
Author: Sangjoon Lee
Publisher: University of Michigan Press
ISBN: 0472126091
Category : Performing Arts
Languages : en
Pages : 612
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Book Description
South Korean cinema is a striking example of non-Western contemporary cinematic success. Thanks to the increasing numbers of moviegoers and domestic films produced, South Korea has become one of the world’s major film markets. In 2001, the South Korean film industry became the first in recent history to reclaim its domestic market from Hollywood and continues to maintain around a 50 percent market share today. High-quality South Korean films are increasingly entering global film markets and connecting with international audiences in commercial cinemas and art theatres, and at major international film festivals. Despite this growing recognition of the films themselves, Korean cinema’s rich heritage has not heretofore received significant scholarly attention in English-language publications. This groundbreaking collection of thirty-five essays by a wide range of academic specialists situates current scholarship on Korean cinema within the ongoing theoretical debates in contemporary global film studies. Chapters explore key films of Korean cinema, from Sweet Dream, Madame Freedom, The Housemaid, and The March of Fools to Oldboy, The Host, and Train to Busan, as well as major directors such as Shin Sang-ok, Kim Ki-young, Im Kwon-taek, Bong Joon-ho, Hong Sang-soo, Park Chan-wook, and Lee Chang-dong. While the chapters provide in-depth analyses of particular films, together they cohere into a detailed and multidimensional presentation of Korean cinema’s cumulative history and broader significance. With its historical and critical scope, abundance of new research, and detailed discussion of important individual films, Rediscovering Korean Cinema is at once an accessible classroom text and a deeply informative compendium for scholars of Korean and East Asian studies, cinema and media studies, and communications. It will also be an essential resource for film industry professionals and anyone interested in international cinema.
Author: Guenter Weissberg
Publisher: Springer
ISBN: 9401760292
Category : Law
Languages : en
Pages : 147
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Book Description
Author: George M. McCune
Publisher: Routledge
ISBN: 0429603568
Category : History
Languages : en
Pages : 220
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Book Description
Published in 1950: Here is the first comprehensive study of Korea since its liberation and division. Written by an outstanding American authority with long personal knowledge of the country, it provides an analysis of the American and Russian military occupations, the efforts of the United Nations to deal with the problem of Unification of the country, the political and economic policies followed in the northern and southern regimes, and an appraisal of the U.S. program of economic and military aid to South Korea.
Author: Cheryl Lynn Greenberg
Publisher: Oxford University Press, USA
ISBN: 0195115848
Category : African Americans
Languages : en
Pages : 336
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Book Description
The establishment of Harlem as the main area of black settlement and as a poor ghetto occurred before the Depression. When the Depression came, the blacks fell still further into poverty. Racism created and perpetuated Harlem's poverty, yet segregation and discrimination also produced strong social and political networks that served not only to meet immediate needs, but to mobilise thousands to demand a better life. In this extensively researched and well argued book, Cheryl Greenberg examines the growth in the 1930s of a widespread, activist, political culture in Harlem.
