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Author: James Gatheral
Publisher: Routledge
ISBN: 1000226573
Category : Literary Criticism
Languages : en
Pages : 321
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Book Description
In the mid-nineteenth century successive cultural Bohemias were proclaimed in Paris, London, New York, and Melbourne. Focusing on networks and borders as the central modes of analysis, this book charts for the first time Bohemia’s cross-Channel, transatlantic, and trans-Pacific migrations, locating its creative expressions and social practices within a global context of ideas and action. Though the story of Parisian Bohemia has been comprehensively told, much less is known of its Anglophone translations. The Bohemian Republic offers a radical reinterpretation of the phenomenon, as the neglected lives and works of British, Irish, American, and Australian Bohemians are reassessed, the transnational networks of Bohemia are rediscovered, the presence and influence of women in Bohemia is reclaimed, and Bohemia’s relationship with the marketplace is reconsidered. Bohemia emerges as a marginal network which exerted a paradoxically powerful influence on the development of popular culture, in the vanguard of material, social and aesthetic innovations in literature, art, journalism, and theatre. Underpinned by extensive and original archival research, the book repopulates the concept of Bohemianism with layers of the networked voices, expressions, ideas, people, places, and practices that made up its constituent social, imagined, and interpretive communities. The reader is brought closer than ever to the heart of Bohemia, a shadowy world inhabited by the rebels of the mid-nineteenth century.
Author: James Gatheral
Publisher: Routledge
ISBN: 1000226573
Category : Literary Criticism
Languages : en
Pages : 321
Get Book Here
Book Description
In the mid-nineteenth century successive cultural Bohemias were proclaimed in Paris, London, New York, and Melbourne. Focusing on networks and borders as the central modes of analysis, this book charts for the first time Bohemia’s cross-Channel, transatlantic, and trans-Pacific migrations, locating its creative expressions and social practices within a global context of ideas and action. Though the story of Parisian Bohemia has been comprehensively told, much less is known of its Anglophone translations. The Bohemian Republic offers a radical reinterpretation of the phenomenon, as the neglected lives and works of British, Irish, American, and Australian Bohemians are reassessed, the transnational networks of Bohemia are rediscovered, the presence and influence of women in Bohemia is reclaimed, and Bohemia’s relationship with the marketplace is reconsidered. Bohemia emerges as a marginal network which exerted a paradoxically powerful influence on the development of popular culture, in the vanguard of material, social and aesthetic innovations in literature, art, journalism, and theatre. Underpinned by extensive and original archival research, the book repopulates the concept of Bohemianism with layers of the networked voices, expressions, ideas, people, places, and practices that made up its constituent social, imagined, and interpretive communities. The reader is brought closer than ever to the heart of Bohemia, a shadowy world inhabited by the rebels of the mid-nineteenth century.
Author: Shakespeare Association of America
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 1034
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Book Description
Includes list of members, v. 1, 3-
Author: Jeffrey Jerome Cohen
Publisher: SUNY Press
ISBN: 9780791456002
Category : Social Science
Languages : en
Pages : 220
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Book Description
This collection maps the very best efforts to think the body at its limits. Because the body encompasses communities (social and political bodies), territories (geographical bodies), and historical texts and ideas (a body of literature, a body of work), Cohen and Weiss seek trans-disciplinary points of resonance and divergence to examine how disciplinary metaphors materialize specific bodies, and where these bodies break down and/or refuse prescribed paths. Whereas postmodern theorizations of the body often neglect its corporeality in favor of its cultural construction, this book demonstrates the inseparability of textuality, materiality, and history in any discussion of the body.
Author: George Clinton Densmore Odell
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 790
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Book Description
Author: Wayne R. Kime
Publisher: University of Delaware
ISBN: 1611490472
Category : Literary Collections
Languages : en
Pages : 303
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Book Description
In the decade that followed his emigration to the United States in 1851, Fitz-James O'Brien (1828-1862) produced a steady stream of contributions to American newspapers and magazines. As short story writer, essayist, poet, dramatist, reporter, reviewer, drama critic, and editor he won reputation as one of the ablest young writers in New York City, displaying what one contemporary termed an 'extraordinary' talent. But soon after his early death from complications of a battle wound, the sense of wonder at O'Brien's prolific accomplishments began to dissipate. In 1881 his friend William Winter brought out The Poems and Stories of Fitz-James O'Brien, a one-volume collection that spared him the oblivion that awaits even the ablest magazine writers. That book, with reprintings derived from it, has formed almost by itself the basis for O'Brien's lasting reputation. In the early decades of the twentieth century O'Brien continued to be admired as the most significant practitioner in the short story in the United States of the 1850s. However, since then the recognition of his achievement has focused on a few tales of the macabre and the supernatural. He is now remembered in two unrelated contexts: as a colorful member of the 'Bohemian' circle that flourished in New York City in the years prior to the Civil War, and as author of such stories as 'The Diamond Lens,' 'The Lost Room,' and 'What Was It? A Mystery.' The present volume re-introduces the fiction of Fitz-James O'Brien to modern readers by presenting fourteen of his works, five here reprinted for the first time, that together suggest the development and range of his accomplishment as a short story writer. Additionally, editorial commentary on individual stories reveals O'Brien's attunement to the fashions, fads, interests, and concerns that manifested themselves in his adopted city and country. Though immersed in the details of his own era, O'Brien cherished a belief that some of his writings would live beyond it. The present collection offers evidence that, not only for his vivid contemporaneity but also for his innovativeness and technical skill, the young author's hope for lasting memory as a writer of short fiction was well founded. The volume comprises, first, an introduction that sketches O'Brien's literary career and traces his development as a fiction writer. The stories appear next, arranged chronologically in the order of their publication. Each is preceded by editorial commentary that affords information about its place in the author's career and identifies events and circumstances surrounding its publication. O'Brien's frequent references to persons, places, books, and events that may require identification are explained in the notes that follow each story. A bibliography and an index conclude the volume.
Author: Charlotte A. Lerg
Publisher: BRILL
ISBN: 9004351566
Category : History
Languages : en
Pages : 289
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Book Description
Transatlantic Revolutionary Cultures, 1789-1861 argues that the revolutionary era constituted a coherent chapter in transatlantic history and that individual revolutions were connected to a broader, transatlantic and transnational frame. As a composite, the essays place instances of political upheaval during the long nineteenth century in Europe and the Americas in a common narrative and offer a new interpretation on their seeming asynchrony. In the age of revolutions the formation of political communities and cultural interactions were closely connected over time and space. Reciprocal connections arose from discussions on the nature of history, deliberations about constitutional models, as well as the reception of revolutions in popular culture. These various levels of cultural and intellectual interchange we term “transatlantic revolutionary cultures.” Contributors are: Ulrike Bock, Anne Bruch, Peter Fischer, Mischa Honeck, Raphael Hörmann, Charlotte A. Lerg, Marc H. Lerner, Michael L. Miller, Timothy Mason Roberts, and Heléna Tóth.
Author: Dr. Jerry Bergman
Publisher: New Leaf Publishing Group
ISBN: 1614584184
Category : Biography & Autobiography
Languages : en
Pages : 359
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Book Description
Dr. Miklos Nyiszli, an imprisoned doctor in the Auschwitz camp, wrote that Nazi doctors hoped studying twins would solve the problem of faster reproduction of superior races. Nazis hoped to have each German mother bear as many twins as possible.What Darwin influenced went far beyond the Nazi death camps: Shocking political, social, and scientific legacies of Darwin and his family Disturbing disclosure of how over 45 million Christians were killed in the 20th century because of their faith Revealing and layman-friendly presentation. This book is the result of 30 years of research and study carefully documenting the common destructive threads that tie some of history’s most murderous dictators, uncaring capitalists, and aggressive social activists to the flawed concepts of Charles Darwin in an effort to change the world — and how they succeeded. The extermination of races considered “lower” than others, the profound lack of empathy for less-advanced cultures, the corrupted atheistic justifications for taking the lives of millions — all done to advance the agendas of social Darwinism at work in the world today. More than mere theoretical discussions, we have seen the horrifying evidence of the practical results when applying these destructive and misleading concepts to society in the last 100 years!
Author: J. Chris Westgate
Publisher: University of Iowa Press
ISBN: 1609389484
Category : Performing Arts
Languages : en
Pages : 297
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Book Description
Rowdy Carousals makes important interventions in nineteenth-century theatre history with regard to the Bowery Boy, a raucous, white, urban character most famously exemplified by Mose from A Glance at New York in 1848. Theatrical representations of the Bowery Boy emphasized the privileges of whiteness against nonwhite workers including enslaved and free African Americans during the Antebellum Period, an articulation of white superiority that continued through the early twentieth century with Jewish, Italian, and Chinese immigrants. The book’s examination of working-class whiteness on stage, in the theatre, and in print culture invites theatre historians and critics to check the impulse to downplay or ignore questions about race and ethnicity in discussion of the Bowery Boy. J. Chris Westgate further explores links between the Bowery Boy’s rowdyism in the nineteenth century and the resurgence of white supremacy in the early twenty-first century.
Author: Rachel Brownstein
Publisher: Knopf
ISBN: 0307831825
Category : Biography & Autobiography
Languages : en
Pages : 487
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Book Description
Rachel Felix (1821-58), the homely daughter of poor Jewish peddlers, was the first stage actress to achieve international stardom - and the last person one would have expected to resurrect the cultural patrimony of France. Yet her passionate, startling performances of the works of Racine and Corneille saved them from almost certain obsolescence after the fall of Napoleon (who had relished classical French tragedy) and the emergence of Romanticism. Audiences in Paris, London, Boston, and Moscow thrilled to her voice, and devoured the rumors of her offstage promiscuity and extravagance. Her fame - equal parts popularity and notoriety - was so great that she could nonchalantly dispose of her last name. La grande Rachel virtually invented the role of the superstar, while remaining a symbol of the highest art and most serious cultural pursuits. Indeed, her identity was fraught with such contradictions - which intrigued the public all the more. From the moment she was discovered playing the guitar on the streets of Lyons, to her debut on the Parisian stage at the age of fifteen, to her critical and commercial triumphs as Camille, Phedre, and other tormented women, Rachel's career was exhaustively "managed." A series of theater gurus, influential reviewers, and impresarios - including her brash and opportunistic father - claimed the credit for her astonishing success. What this abundance of male managers has always obscured is Rachel's own decisiveness and control over her time and money - not only did she play her various champions (and high-profile lovers) against one another, she openly defied them. Some called her stubborn, even perverse; in these pages, we come to recognize her as a woman ahead of her time, a charismatic individual very much in charge of her own destiny. As her fascination with all things Napoleonic suggests, Rachel liked power - both personal and professional - and had the talent to command it.
Author: Sarah Lewis
Publisher: Harvard University Press
ISBN: 0674297733
Category : Social Science
Languages : en
Pages : 401
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Book Description
The award-winning art historian and founder of Vision & Justice uncovers a pivotal era in the story of race in the United States when Americans came to ignore the truth about the false foundations of the nation’s racial regime. In a masterpiece of historical detective work, Sarah Lewis exposes one of the most damaging lies in American history. There was a time when Americans were confronted with the fictions shoring up the nation’s racial regime and learned to disregard them. The true significance of this hidden history has gone unseen—until now. The surprising catalyst occurred in the nineteenth century when the Caucasian War—the fight for independence in the Caucasus that coincided with the end of the US Civil War—revealed the instability of the entire regime of racial domination. Images of the Caucasus region and peoples captivated the American public but also showed that the place from which we derive “Caucasian” for whiteness was not white at all. Cultural and political figures ranging from P. T. Barnum to Frederick Douglass, W. E. B. Du Bois to Woodrow Wilson recognized these fictions and more, exploiting, unmasking, critiquing, or burying them. To acknowledge the falsehood at the core of racial order proved unthinkable, especially as Jim Crow and segregation took hold. Sight became a form of racial sculpture, vision a knife excising what no longer served the stability of racial hierarchy. That stability was shaped, crucially, by what was left out, what we have been conditioned not to see. Groundbreaking and profoundly resonant, The Unseen Truth shows how visual tactics have long secured our regime of racial hierarchy in spite of its false foundations—and offers a way to begin to dismantle it.
