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Author: Teresa Barnard
Publisher: Cambridge Scholars Publishing
ISBN: 1527500519
Category : Literary Criticism
Languages : en
Pages : 245
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Book Description
Anna Seward, eighteenth-century poet, biographer, and letter-writer, wrote her juvenile journal in the form of a series of letters to an imaginary friend, “Emma”. Seward intended the letters as an autobiographical account of the period of her youth before she achieved fame as a published poet. Towards the end of her life, she collated her works for posthumous publication, bequeathing the manuscripts to Walter Scott. However, as Scott disliked much of the anecdotal substance of the juvenile letters, he censored them, removing over half of the contents before publication. This volume restores the journal to its original format, making the case for Seward’s importance as a social and cultural commentator. The letters discuss topical events and private concerns, illuminating not only Seward’s life, but also giving fascinating insights into the manners and mores of mid-eighteenth-century provincial life in England. Also included in this volume is a portfolio of four Anglican sermons written by Seward and delivered by unsuspecting clergymen. These were also excised by Scott who agreed with Seward’s family that they were too controversial to publish as their author was a woman. The sermons provide retrospective evidence of Seward’s efforts to contribute to feminist Enlightenment debate. Introducing them into the public domain now gives us an understanding of women’s unacknowledged achievements and also of their silencing.
Author: Teresa Barnard
Publisher: Cambridge Scholars Publishing
ISBN: 1527500519
Category : Literary Criticism
Languages : en
Pages : 245
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Book Description
Anna Seward, eighteenth-century poet, biographer, and letter-writer, wrote her juvenile journal in the form of a series of letters to an imaginary friend, “Emma”. Seward intended the letters as an autobiographical account of the period of her youth before she achieved fame as a published poet. Towards the end of her life, she collated her works for posthumous publication, bequeathing the manuscripts to Walter Scott. However, as Scott disliked much of the anecdotal substance of the juvenile letters, he censored them, removing over half of the contents before publication. This volume restores the journal to its original format, making the case for Seward’s importance as a social and cultural commentator. The letters discuss topical events and private concerns, illuminating not only Seward’s life, but also giving fascinating insights into the manners and mores of mid-eighteenth-century provincial life in England. Also included in this volume is a portfolio of four Anglican sermons written by Seward and delivered by unsuspecting clergymen. These were also excised by Scott who agreed with Seward’s family that they were too controversial to publish as their author was a woman. The sermons provide retrospective evidence of Seward’s efforts to contribute to feminist Enlightenment debate. Introducing them into the public domain now gives us an understanding of women’s unacknowledged achievements and also of their silencing.
Author: Ann R. Hawkins
Publisher: Taylor & Francis
ISBN: 1317041747
Category : Literary Criticism
Languages : en
Pages : 609
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Book Description
The Routledge Companion to Romantic Women Writers overviews critical reception for Romantic women writers from their earliest periodical reviews through the most current scholarship and directs users to avenues of future research. It is divided into two parts.The first section offers topical discussions on the status of provincial poets, on women’s engagement in children’s literature, the relation of women writers to their religious backgrounds, the historical backgrounds to women’s orientalism, and their engagement in debates on slavery and abolition.The second part surveys the life and careers of individual women – some 47 in all with sections for biography, biographical resources, works, modern editions, archival holdings, critical reception, and avenues for further research. The final sections of each essay offer further guidance for researchers, including “Signatures” under which the author published, and a “List of Works” accompanied, whenever possible, with contemporary prices and publishing formats. To facilitate research, a robust “Works Cited” includes all texts mentioned or quoted in the essay.
Author: Folger Collective on Early Women Critics (Scholarly group)
Publisher: Indiana University Press
ISBN: 9780253209634
Category : Literary Criticism
Languages : en
Pages : 446
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Book Description
.."". the anthology is engaging and informative and should stimulate further research into this fascinating yet neglected area."" -- English .."". most interest are newly recovered materials... with several works appearing in English translation for the first time. The excellent introductions and reference notes along with the samplings of writings will pique the interest of students of both literature and history. A good readings text for college students and anyone interested in the development of literature and culture."" -- Library Journal This anthology demonstrates women's participation in the construction of criticism as a literary genre. The selected writings, by forty-one of the women who produced criticism between 1660 and 1820, include writers from England, France, Germany, and the United States.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 858
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Book Description
Author: Mary Tighe
Publisher: University Press of Kentucky
ISBN: 9780813172026
Category : Literary Criticism
Languages : en
Pages : 390
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Book Description
Mary Blachford Tighe was born in Dublin in 1772 and became a poet by the age of seventeen. Her enormously popular 1805 epic poem Psyche; or, The Legend of Love made her a fixture of English literary history for much of the nineteenth century. For much of the twentieth century, however, Tighe was better known for her influence on Keats's poetry than the considerable merits of her own work. The Collected Poems and Journals of Mary Tighe restores Tighe to the general canon of English literature of the period. With over eighty-five poems, including the complete Psyche, and extracts from several journals, both by and about Tighe, Harriet Kramer Linkin's annotated edition is the most complete collection of Mary Tighe's work to be published in one volume. Harriet Kramer Linkin, professor of English at New Mexico State University, is the coeditor of Romanticism and Women Poets: Opening the Doors of Reception.
Author: Robert Watt
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 720
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Author:
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 582
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Book Description
Author: Orianne Smith
Publisher: Cambridge University Press
ISBN: 1107027063
Category : Literary Criticism
Languages : en
Pages : 297
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Book Description
This book challenges our current critical understanding of the relations between gender, genre, and literary authority in this period.
Author: Francis Fisher Browne
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 324
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Book Description
Author: Joan Fitzpatrick
Publisher: Cambridge Scholars Publishing
ISBN: 1443810231
Category : Art
Languages : en
Pages : 235
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Book Description
This collection of essays emerges from a two-day international conference held at the University of Northampton, UK. It contains the best of the papers presented by 45 delegates from 12 countries (UK, India, USA, Canada, Italy, France, Ireland, Australia, Romania, Japan, Germany, Portugal) involving both established academics and new scholars. The collection is divided into three parts: Part 1: ‘Medieval and Early-Modern Cities: Performance and Poetry’, Part 2: ‘Defining Urban Space: the Metropolis and the Provincial’, and Part 3: ‘Modern and Postmodern Cities: Marginal Urban Identities’. The chapters explore the nature of the modern city in literature, history, film and culture from its origins in the early-modern period to post-modern dislocations and considers the city as a context within which literature is created, structured, and inspired, and as a space within which distinct voices and genres emerge. Much interest has developed recently on the city and its contexts but there is a tendency to focus on London (for example there is the journal Literary London: Interdisciplinary Studies in the Representation of London and the annual Literary London Conference, a major conference that has run since 2002). This collection fills an important gap in the market by having a truly global focus. "Joan Fitzpatrick’s The Idea of the City represents a fascinating snapshot of the current state of literary urban studies. Conference proceedings can often seem diffuse or tokenistic, but this collection offers unity on several levels. For a start, many of the contributors ask similar questions of their material, approaching it with an informed awareness of the ways in which the city has been theorised as well as actually traversed from the medieval period to the present. While one would expect work of this type and standard from established and widely-published scholars such as Pamela Gilbert and Julian Wolfreys, it is refreshing to see how new researchers are blending the cartographic with the psychological to raise important questions about the perception, analysis, and mythologisation of urban and metropolitan space. The collection is impressively eclectic, ranging from Petrarch’s Avignon to modern Los Angeles, and from 18th century Lichfield to operatic re-imaginings of Venice. As I said, however, the collection is unified at a deep level by the contributors’ shared interest in city writing, and by their conviction that there is a complex relationship between space, place, and self. This means that the book would be of use and interest to those working on individual writers (including contemporary novelists such as Niall Griffiths, on whom little has yet been published) and in the more general areas of urban and cultural studies and critical theory. The collection as a whole allows the reader to revisit the ideas of influential works from the previous decade, such as Keith Tester’s The Flâneur (1994), Sophie Watson and Katherine Gibson’s Postmodern Cities and Spaces (1995), and Susana Onega and John Stotesbury’s London in Literature: Visionary Mappings of the Metropolis (2002). It is therefore both a useful round-up of established ideas from various city-centred disciplines, and a starting point for the fresh consideration of enduringly suggestive material." —Dr Nick Freeman, Loughborough University, Author of Conceiving the City: London, Literature, and Art 1870-1914 "In this substantial volume the editor has assembled an international line-up of scholars working on the city from the Renaissance to the present. This is an important and timely work that has depth as well as breadth. Interdisciplinary and cross-period collections like this which straddle several historical periods run the risk of appealing only in part to coherent scholarly communities, but Dr Fitzpatrick has structured the collection in a way which plays to the strength of critics working within particular periods while clearly displaying the latticework of links between the book's strongly marked sections. There is an excellent balance between historical and theoretical readings, between textual and contextual approaches, and between interventions that are author or text based and those that deal with broader themes and issues. The range of contributors is matched by the richness and variety of perspectives. I would strongly recommend this book to students working in the early modern period, and also to those interested in modern developments. It is a comprehensive, intelligently organized and richly researched volume that is likely to be well received, well reviewed and well read. I will certainly be ordering copies for my own University library and including it on reading lists for future courses." —Professor Willy Maley, University of Glasgow
