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Author: Anna Heyward Taylor
Publisher:
ISBN:
Category : Artists
Languages : en
Pages :
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Book Description
A representational artist who traveled extensively throughout her lifetime, Taylor studied painting in Europe and produced art during time spent in Far East, Mexico and South America, the Caribbean islands, and Latin America. Ultimately, when in 1929 she made Charleston her permanent residence, Taylor became a significant contributor to the Charleston Renaissance through her watercolors and wood- and linoleum-block prints for which she is chiefly remembered by art historians and collectors.
Author: Anna Heyward Taylor
Publisher:
ISBN:
Category : Artists
Languages : en
Pages :
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Book Description
A representational artist who traveled extensively throughout her lifetime, Taylor studied painting in Europe and produced art during time spent in Far East, Mexico and South America, the Caribbean islands, and Latin America. Ultimately, when in 1929 she made Charleston her permanent residence, Taylor became a significant contributor to the Charleston Renaissance through her watercolors and wood- and linoleum-block prints for which she is chiefly remembered by art historians and collectors.
Author: Anna Heyward Taylor
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 20
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Book Description
Author: Martha R. Severens
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 20
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
The folder may include clippings, announcements, small exhibition catalogs, and other ephemeral items.
Author:
Publisher: University of Georgia Press
ISBN: 9780820315355
Category : Art
Languages : en
Pages : 260
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Book Description
A Southern Collection presents select masterworks from the permanent collection of the Morris Museum of Art on the occasion of the institution's inaugural exhibition. Drawn from a comprehensive survey collection of painting in the South from the late eighteenth century to the present day, the museum's opening exhibit explores an artistic terrain as rich and diverse as the South itself, arranged in categories that reflect critical chronological developments in the art world. A survey of painting activity in the South begins with the travels of itinerant portrait artists working prior to the Civil War. At the same time, landscape painting encompasses a sensitive response to the swamps, bayous and fertile fields of the South. Late in the nineteenth century strong and vivid genre painting competes with the nostalgic effects realized by Southern impressionists, whose shimmering, liquid images are invested with an elusive spirit of place. In this century, those strains of realism and naturalism that characterize the classic body of Southern writing appear in the representational art of painters who defied the modern abstract dictum. And finally, the exciting, compelling works of a current generation of both self-taught artists and sophisticated contemporary painters complete this fascinating, though sometimes neglected, chapter in American art history.
Author: James C. Kelly
Publisher: Univ of South Carolina Press
ISBN: 9780963283634
Category : Art
Languages : en
Pages : 172
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Book Description
Explores forty-four southern artists and eighty of their works.
Author: Robert Francis Withers Allston
Publisher: Univ of South Carolina Press
ISBN: 9781570035692
Category : Enslaved persons
Languages : en
Pages : 532
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Book Description
The reissue of The South Carolina Rice Plantation as Revealed in the Papers of Robert F.W. Allston makes available for a new generation of readers a firsthand look at one of South Carolinas most influential antebellum dynasties and the institutions of slavery and plantation agriculture upon which it was built. Often cited by historians, Robert F.W. Allstons letters, speeches, receipts, and ledger entries chronicle both the heyday of the rice industry and its precipitate crash during the Civil War. As Daniel C. Littlefield underscores in his introduction to the new edition, these papers are significant not only because of Allstons position at the apex of planter society but also because his views represented those of the rice planter elite.
Author: Deborah C. Pollack
Publisher: Univ of South Carolina Press
ISBN: 1611174333
Category : Art
Languages : en
Pages : 371
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Book Description
Visual Art and the Urban Evolution of the New South recounts the enormous influence of artists in the evolution of six southern cities—Atlanta, Charleston, New Orleans, Louisville, Austin, and Miami—from 1865 to 1950. In the decades following the Civil War, painters, sculptors, photographers, and illustrators in these municipalities employed their talents to articulate concepts of the New South, aestheticism, and Gilded Age opulence and to construct a visual culture far beyond providing pretty pictures in public buildings and statues in city squares. As Deborah C. Pollack investigates New South proponents such as Henry W. Grady of Atlanta and other regional leaders, she identifies "cultural strivers"—philanthropists, women's organizations, entrepreneurs, writers, architects, politicians, and dreamers—who united with visual artists to champion the arts both as a means of cultural preservation and as mechanisms of civic progress. Aestheticism, made popular by Oscar Wilde's southern tours during the Gilded Age, was another driving force in art creation and urban improvement. Specific art works occasionally precipitated controversy and incited public anger, yet for the most part artists of all kinds were recognized as providing inspirational incentives for self-improvement, civic enhancement and tourism, art appreciation, and personal fulfillment through the love of beauty. Each of the six New South cities entered the late nineteenth century with fractured artistic heritages. Charleston and Atlanta had to recover from wartime devastation. The infrastructures of New Orleans and Louisville were barely damaged by war, but their social underpinnings were shattered by the end of slavery and postwar economic depression. Austin was not vitalized until after the Civil War and Miami was a post-Civil War creation. Pollack surveys these New South cities with an eye to understanding how each locale shaped its artistic and aesthetic self-perception across a spectrum of economic, political, gender, and race issues. She also discusses Lost Cause imagery, present in all the studied municipalities. While many art history volumes concerning the South focus on sultry landscapes outside the urban grid, Visual Art and the Urban Evolution of the New South explores the art belonging to its cities, whether exhibited in its museums, expositions, and galleries, or reflective of its parks, plazas, marketplaces, industrial areas, gardens, and universities. It also identifies and celebrates the creative urban humanity who helped build the cultural and social framework for the modern southern city.
Author: Kendra Y. Hamilton
Publisher: University of Georgia Press
ISBN: 0820362905
Category : Literary Criticism
Languages : en
Pages : 416
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Book Description
Romancing the Gullah in the Age of Porgy and Bess is a literary and cultural history of a place: the Gullah Geechee Coast, a four-state area that’s one of only a handful of places that can truly be said to be the “cradle of Black culture” in the United States. Romancing the Gullah seeks to fill a gap and correct the maps. While there is a veritable industry of books on literary Charleston and on “the lowcountry,” along with a plenitude of Gullah-inspired studies in history, anthropology, linguistics, folklore, and religion, there has never been a comprehensive study of the region’s literary influence, particularly in the years of the Great Migration and the Harlem (and Charleston) Renaissance. By giving voice to artists and culture makers on both sides of the color line, uncovering buried histories, and revealing secret connections between races amid official practices of Jim Crow, Romancing the Gullah sheds new light on an only partially told tale. A labor of love by a Charleston insider, the book imparts a lively and accessible overview of its subject in a manner that will satisfy the book lover and the scholar.
Author: Stephanie E. Yuhl
Publisher: Univ of North Carolina Press
ISBN: 0807876542
Category : History
Languages : en
Pages : 300
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Book Description
Charleston, South Carolina, today enjoys a reputation as a destination city for cultural and heritage tourism. In A Golden Haze of Memory, Stephanie E. Yuhl looks back to the crucial period between 1920 and 1940, when local leaders developed Charleston's trademark image as "America's Most Historic City." Eager to assert the national value of their regional cultural traditions and to situate Charleston as a bulwark against the chaos of modern America, these descendants of old-line families downplayed Confederate associations and emphasized the city's colonial and early national prominence. They created a vibrant network of individual artists, literary figures, and organizations--such as the all-white Society for the Preservation of Negro Spirituals--that nurtured architectural preservation, art, literature, and tourism while appropriating African American folk culture. In the process, they translated their selective and idiosyncratic personal, familial, and class memories into a collective identity for the city. The Charleston this group built, Yuhl argues, presented a sanitized yet highly marketable version of the American past. Their efforts invited attention and praise from outsiders while protecting social hierarchies and preserving the political and economic power of whites. Through the example of this colorful southern city, Yuhl posits a larger critique about the use of heritage and demonstrates how something as intangible as the recalled past can be transformed into real political, economic, and social power.
