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Author: Jinying Li
Publisher: U of Minnesota Press
ISBN: 1452970580
Category : Performing Arts
Languages : en
Pages : 302
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Book Description
Unlocking the technosocial implications of global geek cultures Why has anime, a “low-tech” medium from last century, suddenly become the cultural “new cool” in the information age? Through the lens of anime and its transnational fandom, Jinying Li explores the meanings and logics of “geekdom” as one of the most significant sociocultural groups of our time. In Anime’s Knowledge Cultures, Li shifts the center of global geography in knowledge culture from the computer boys in Silicon Valley to the anime fandom in East Asia. Drawing from film studies, animation studies, media theories, fan studies, and area studies, she provides broad cultural and theoretical explanations of anime’s appeal to a new body of tech-savvy knowledge workers and consumers commonly known as geeks, otaku, or zhai. Examining the forms, techniques, and aesthetics of anime, as well as the organization, practices, and sensibilities of its fandom, Anime’s Knowledge Cultures is at once a theorization of anime as a media environment as well as a historical and cultural study of transnational geekdom as a knowledge culture. Li analyzes anime culture beyond the national and subcultural frameworks of Japan or Japanese otaku, instead theorizing anime’s transnational, transmedial network as the epitome of the postindustrial knowledge culture of global geekdom. By interrogating the connection between the anime boom and global geekdom, Li reshapes how we understand the meanings and significance of anime culture in relation to changing social and technological environments.
Author: Jinying Li
Publisher: U of Minnesota Press
ISBN: 1452970580
Category : Performing Arts
Languages : en
Pages : 302
Get Book
Book Description
Unlocking the technosocial implications of global geek cultures Why has anime, a “low-tech” medium from last century, suddenly become the cultural “new cool” in the information age? Through the lens of anime and its transnational fandom, Jinying Li explores the meanings and logics of “geekdom” as one of the most significant sociocultural groups of our time. In Anime’s Knowledge Cultures, Li shifts the center of global geography in knowledge culture from the computer boys in Silicon Valley to the anime fandom in East Asia. Drawing from film studies, animation studies, media theories, fan studies, and area studies, she provides broad cultural and theoretical explanations of anime’s appeal to a new body of tech-savvy knowledge workers and consumers commonly known as geeks, otaku, or zhai. Examining the forms, techniques, and aesthetics of anime, as well as the organization, practices, and sensibilities of its fandom, Anime’s Knowledge Cultures is at once a theorization of anime as a media environment as well as a historical and cultural study of transnational geekdom as a knowledge culture. Li analyzes anime culture beyond the national and subcultural frameworks of Japan or Japanese otaku, instead theorizing anime’s transnational, transmedial network as the epitome of the postindustrial knowledge culture of global geekdom. By interrogating the connection between the anime boom and global geekdom, Li reshapes how we understand the meanings and significance of anime culture in relation to changing social and technological environments.
Author: Mizuko Ito
Publisher: Yale University Press
ISBN: 0300158645
Category : Social Science
Languages : en
Pages : 353
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Book Description
In recent years, otaku culture has emerged as one of Japan's major cultural exports and as a genuinely transnational phenomenon. This timely volume investigates how this once marginalized popular culture has come to play a major role in Japan's identity at home and abroad. In the American context, the word otaku is best translated as “geek'—an ardent fan with highly specialized knowledge and interests. But it is associated especially with fans of specific Japan-based cultural genres, including anime, manga, and video games. Most important of all, as this collection shows, is the way otaku culture represents a newly participatory fan culture in which fans not only organize around niche interests but produce and distribute their own media content. In this collection of essays, Japanese and American scholars offer richly detailed descriptions of how this once stigmatized Japanese youth culture created its own alternative markets and cultural products such as fan fiction, comics, costumes, and remixes, becoming a major international force that can challenge the dominance of commercial media. By exploring the rich variety of otaku culture from multiple perspectives, this groundbreaking collection provides fascinating insights into the present and future of cultural production and distribution in the digital age.
Author: L. Hubner
Publisher: Springer
ISBN: 0230305857
Category : Performing Arts
Languages : en
Pages : 228
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Book Description
This volume gets to the heart of what films mean to people on personal, political and commercial levels. Exploring value judgements that underpin social, academic and institutional practices, it examines the diverse forms of worth attributed to a range of international films in relation to taste, passion, morality and aesthetics.
Author: Helmut K Anheier
Publisher: SAGE Publications
ISBN: 085702390X
Category : Social Science
Languages : en
Pages : 441
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Book Description
Bringing together a truly global range of scholars, this volume explores heritage, memory, and identity through a diverse set of subjects, including heritage sites, practices of memorialization, museums, sites of contestation, and human rights.
Author: Manuel Hernández-Pérez
Publisher: MDPI
ISBN: 3039210084
Category : Art
Languages : en
Pages : 162
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Book Description
In the last few decades, Japanese popular culture productions have been consolidated as one of the most influential and profitable global industries. As a creative industry, Japanese Media-Mixes generate multimillion-dollar revenues, being a product of international synergies and the natural appeal of the characters and stories. The transnationalization of investment capital, diversification of themes and (sub)genres, underlying threat in the proliferation of illegal audiences, development of internet streaming technologies, and other new transformations in media-mix-based production models make the study of these products even more relevant today. In this way, manga (Japanese comics), anime (Japanese animation), and video games are not necessarily products designed for the national market. More than ever, it is necessary to reconcile national and transnational positions for the study of this cultural production. The present volume includes contributions aligned to the analysis of Japanese popular culture flow from many perspectives (cultural studies, film, comic studies, sociology, etc.), although we have emphasized the relationships between manga, anime, and international audiences. The selected works include the following topics: • Studies on audiences—national and transnational case studies; • Fandom production and Otaku culture; • Cross-media and transmedia perspectives; • Theoretical perspectives on manga, anime, and media-mixes.
Author: Elisa Salvador
Publisher: Routledge
ISBN: 100056228X
Category : Business & Economics
Languages : en
Pages : 290
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Book Description
This book aims at renewing the attention on a niche field, Cultural Festivals, so important for valorizing cultural traditions and local heritage visibility as well as social well-being. Following the disruptive consequences of the COVID-19 pandemic, this fragile sector deserves more attention from public authorities and stakeholders at national and European levels with a suitable and dedicated plan of recovery and valorization. This book provides a comparative analysis of Cultural Festivals in Europe, taking insights from an international range of high-level scholarly contributors. Individual chapters highlight and analyse challenges around the organisation, management and economics of Cultural Festivals. As a whole, the book provides a comprehensive overview of scholarly research in this area, setting the scene for the future research agenda. Matters related to educational programs and new audience development, as well as challenges related to digitalization, are also included. The book employs a tradition versus innovation lens to help readers account for the consequences of the digital revolution, new audience development and an educational agenda. The result is a book which will be valuable reading for researchers, academics and students in the fields of event and cultural management and beyond. Chapters 4 and 9 of this book are available for free in PDF format as Open Access from the individual product page at www.routledge.com. They have been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.
Author: Linda Duits
Publisher: Routledge
ISBN: 1317043480
Category : Social Science
Languages : en
Pages : 320
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Book Description
Fans constitute a very special kind of audience. They have been marginalized, ridiculed and stigmatized, yet at the same time they seem to represent the vanguard of new relationships with and within the media. ’Participatory culture’ has become the new normative standard. Concepts derived from early fan studies, such as transmedial storytelling and co-creation, are now the standard fare of journalism and marketing text books alike. Indeed, usage of the word fan has become ubiquitous. The Ashgate Research Companion to Fan Cultures problematizes this exaltation of fans and offers a comprehensive examination of the current state of the field. Bringing together the latest international research, it explores the conceptualization of ’the fan’ and the significance of relationships between fans and producers, with particular attention to the intersection between online spaces and offline places. The twenty-two chapters of this volume elucidate the key themes of the fan studies vernacular. As the contributing authors draw from recent empirical work around the globe, the book provides fresh insights and innovative angles on the latest developments within fan cultures, both online and offline. Because the volume is specifically set up as companion for researchers, the chapters include recommendations for the further study of fan cultures. As such, it represents an essential reference volume for researchers and scholars in the fields of cultural and media studies, communication, cultural geography and the sociology of culture.
Author: Eternia Publishing
Publisher: Zander Pearce
ISBN:
Category : Business & Economics
Languages : en
Pages : 96
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Book Description
AKIRA: THE ANIME PHENOMENON UNLEASHED: EXPLORING ITS THEMES, SYMBOLISM, CULTURAL IMPACT AND LEGACY Are you a fan of anime and interested in exploring the groundbreaking masterpiece, Akira? Look no further than "Akira: The Anime Phenomenon Unleashed: Exploring Its Themes, Symbolism, Cultural Impact And Legacy" CONTENT (40 CHAPTERS) Akira And Its Cultural Impact Tetsuo: The Protagonist's Descent Into Madness Kaneda: The Antihero's Journey And The Psychology Of Power Akira: The Deity's Legacy And The Philosophy Of Destruction Neo-Tokyo: The Dystopian Metropolis And The Psychology Of Society The Espers: The Psychic Phenomenon And The Philosophy Of Evolution Colonel Shikishima: The Military Authority And The Ethics Of Leadership The Scientist: The Quest For Knowledge And The Ethics Of Science The Biker Gang: The Counterculture And The Psychology Of Rebellion The Religious Cult: The Search For Meaning And The Psychology Of Belief Akira And Political Philosophy: An Exploration Of State And Revolution The Evolution Of Animation: From Akira To Today The Philosophy Of Technology In Akira: Transhumanism And Posthumanism The Psychology Of Trauma In Akira: The A-Bomb And Its Aftermath The Ethics Of Genetic Engineering In Akira The Philosophy Of Chaos Theory In Akira: The Butterfly Effect And Determinism The Psychology Of Memory In Akira: Identity And Trauma Akira And Postmodernism: The Critique Of Modernity And The Search For Authenticity The Philosophy Of Power In Akira: The Will To Power And The Overman Akira's Enduring Legacy And Its Relevance To Philosophy And Psychology Akira And Existentialism: The Search For Meaning In A Dystopian World The Significance Of Color In Akira: A Study Of Symbolism And Imagery The Sound Of Akira: Music And Audio Design In A Cinematic Masterpiece The Role Of Women In Akira: An Examination Of Gender And Power Dynamics The Concept Of Freedom In Akira: A Critical Analysis Of Social And Political Structures Akira And Cyberpunk: The Blurring Of Boundaries Between Human And Machine The Influence Of Japanese Culture On Akira: Tradition And Modernity In A Global Context The Philosophy Of Time Travel In Akira: Causality And Paradoxes In A Sci-Fi Classic The Body Horror Of Akira: Biological Aberrations And The Limits Of Human Existence Akira And Postcolonialism: An Exploration Of Power And Resistance In The Postwar Era The Impact Of Akira On Anime And Pop Culture: A Retrospective Of Its Legacy The Politics Of Identity In Akira: Race, Class, And Nationalism In A Postmodern World The Philosophy Of Language In Akira: Communication And Miscommunication In A Dystopian Society The Ethics Of Violence In Akira: Morality And Justification In A World Of Chaos The Role Of Dreams And Hallucinations In Akira: The Unconscious Mind And The Limits Of Perception The Future Of Technology In Akira: Predictions And Critiques Of Science Fiction In The 21st Century Akira And Transcendence: The Search For Ultimate Reality And Spiritual Awakening The Psychological Impact Of Trauma In Akira: Coping Mechanisms And Resilience In A Post-Apocalyptic World Akira And Environmentalism: The Implications Of Human Hubris And The Limits Of The Natural World The Philosophy Of Power Dynamics In Akira: Foucauldian Discourse And The Construction Of Social Hierarchies
Author: Isao Ebihara
Publisher:
ISBN: 9781935434054
Category : Art
Languages : en
Pages : 200
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Book Description
Possessing an encyclopedic knowledge of Japanese anime culture, Ebihara delves into rich plots and enduring characters using the skill of an artist to draw contrasts and comparisons between the genre's well-known authors, including Hayao Miyazaki, Leiji Matsumoto, Go Nagai, and Hideaki Anno.
Author: Casey Brienza
Publisher: Springer
ISBN: 1137550902
Category : Social Science
Languages : en
Pages : 308
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Book Description
This anthology explores tensions between the individualistic artistic ideals and the collective industrial realities of contemporary cultural production with eighteen all-new chapters presenting pioneering empirical research on the complexities and controversies of comics work. Art Spiegelman. Alan Moore. Osamu Tezuka. Neil Gaiman. Names such as these have become synonymous with the medium of comics. Meanwhile, the large numbers of people without whose collective action no comic book would ever exist in the first place are routinely overlooked. Cultures of Comics Work unveils this hidden, global industrial labor of writers, illustrators, graphic designers, letterers, editors, printers, typesetters, publicists, publishers, distributors, translators, retailers, and countless others both directly and indirectly involved in the creative production of what is commonly thought of as the comic book. Drawing upon diverse theoretical and methodological perspectives, an international and interdisciplinary cohort of cutting-edge researchers and practitioners intervenes in debates about cultural work and paves innovative directions for comics scholarship.
