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Author: Jessica Keating
Publisher: Penn State Press
ISBN: 027108149X
Category : Art
Languages : en
Pages : 426
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Book Description
In the sixteenth and seventeenth centuries, German clockwork automata were collected, displayed, and given as gifts throughout the Holy Roman, Ottoman, and Mughal Empires. In Animating Empire, Jessica Keating recounts the lost history of six such objects and reveals the religious, social, and political meaning they held. The intricate gilt, silver, enameled, and bejeweled clockwork automata, almost exclusively crafted in the city of Augsburg, represented a variety of subjects in motion, from religious figures to animals. Their movements were driven by gears, wheels, and springs painstakingly assembled by clockmakers. Typically wound up and activated by someone in a position of power, these objects and the theological and political arguments they made were highly valued by German-speaking nobility. They were often given as gifts and as tribute payment, and they played remarkable roles in the Holy Roman Empire, particularly with regard to courtly notions about the important early modern issues of universal Christian monarchy, the Reformation, the Counter-Reformation, the encroachment of the Ottoman Empire, and global trade. Demonstrating how automata produced in the Holy Roman Empire spoke to a convergence of historical, religious, and political circumstances, Animating Empire is a fascinating analysis of the animation of inanimate matter in the early modern period. It will appeal especially to art historians and historians of early modern Europe. E-book editions have been made possible through support of the Art History Publication Initiative (AHPI), a collaborative grant from the Andrew W. Mellon Foundation.
Author: Jessica Keating
Publisher: Penn State Press
ISBN: 027108149X
Category : Art
Languages : en
Pages : 426
Get Book Here
Book Description
In the sixteenth and seventeenth centuries, German clockwork automata were collected, displayed, and given as gifts throughout the Holy Roman, Ottoman, and Mughal Empires. In Animating Empire, Jessica Keating recounts the lost history of six such objects and reveals the religious, social, and political meaning they held. The intricate gilt, silver, enameled, and bejeweled clockwork automata, almost exclusively crafted in the city of Augsburg, represented a variety of subjects in motion, from religious figures to animals. Their movements were driven by gears, wheels, and springs painstakingly assembled by clockmakers. Typically wound up and activated by someone in a position of power, these objects and the theological and political arguments they made were highly valued by German-speaking nobility. They were often given as gifts and as tribute payment, and they played remarkable roles in the Holy Roman Empire, particularly with regard to courtly notions about the important early modern issues of universal Christian monarchy, the Reformation, the Counter-Reformation, the encroachment of the Ottoman Empire, and global trade. Demonstrating how automata produced in the Holy Roman Empire spoke to a convergence of historical, religious, and political circumstances, Animating Empire is a fascinating analysis of the animation of inanimate matter in the early modern period. It will appeal especially to art historians and historians of early modern Europe. E-book editions have been made possible through support of the Art History Publication Initiative (AHPI), a collaborative grant from the Andrew W. Mellon Foundation.
Author: Jessica Keating
Publisher: Penn State Press
ISBN: 0271081511
Category : Art
Languages : en
Pages : 185
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Book Description
In the sixteenth and seventeenth centuries, German clockwork automata were collected, displayed, and given as gifts throughout the Holy Roman, Ottoman, and Mughal Empires. In Animating Empire, Jessica Keating recounts the lost history of six such objects and reveals the religious, social, and political meaning they held. The intricate gilt, silver, enameled, and bejeweled clockwork automata, almost exclusively crafted in the city of Augsburg, represented a variety of subjects in motion, from religious figures to animals. Their movements were driven by gears, wheels, and springs painstakingly assembled by clockmakers. Typically wound up and activated by someone in a position of power, these objects and the theological and political arguments they made were highly valued by German-speaking nobility. They were often given as gifts and as tribute payment, and they played remarkable roles in the Holy Roman Empire, particularly with regard to courtly notions about the important early modern issues of universal Christian monarchy, the Reformation, the Counter-Reformation, the encroachment of the Ottoman Empire, and global trade. Demonstrating how automata produced in the Holy Roman Empire spoke to a convergence of historical, religious, and political circumstances, Animating Empire is a fascinating analysis of the animation of inanimate matter in the early modern period. It will appeal especially to art historians and historians of early modern Europe. E-book editions have been made possible through support of the Art History Publication Initiative (AHPI), a collaborative grant from the Andrew W. Mellon Foundation.
Author: C. Richard King
Publisher: Rowman & Littlefield
ISBN: 0742560813
Category : Performing Arts
Languages : en
Pages : 205
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Book Description
Animating Difference studies the way race, ethnicity, sexuality, and gender are portrayed in recent animated films from 1990 through the present. Ranging from Aladdin to Toy Story to Up, these popular films are key media through which children (and adults) learn about the world and how to behave. While racial and gender stereotypes may not be as obvious as they may have been in films of decades past, they often continue to convey troubling messages and stereotypes in subtle and surprising ways.
Author: Robyn Dora Radway
Publisher: Indiana University Press
ISBN: 0253066948
Category : History
Languages : en
Pages : 520
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Book Description
In the late 16th century, hundreds of travelers made their way to the Habsburg ambassador's residence, known as the German House, in Constantinople. In this centrally located inn, subjects of the emperor found food, wine, shelter, and good company—and left an incredible collection of albums filled with images, messages, decorated papers, and more. Portraits of Empires offers a complete account of this early form of social media, which had a profound impact on later European iconography. Revealing a vibrant transimperial culture as viewed from all walks of life—Muslim and Christian, noble and servant, scholar and stable boy—the pocket-sized albums containing these curiosities have never been fully connected to the abundant archival records on the German House and its residents. Robyn Dora Radway not only introduces these objects, the people who filled their pages, and the house at the center of their creation, but she also presents several arguments regarding chronologies of exchange, workshop practices, the curation of social networks and visual collections based on status, and the purposes of these highly individualized material portraits. Featuring 162 fascinating color images, Portraits of Empires reconstructs the world of Habsburg subjects living in Ottoman Constantinople using a rich and distinctive set of objects to raise questions about imperial belonging and the artistic practices used to articulate it.
Author: RH Disney Staff
Publisher: RH/Disney
ISBN: 9780736411332
Category : Juvenile Nonfiction
Languages : en
Pages : 56
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Book Description
A must-have for every Atlantis fan. Includes 13 posters packed with facts and 64 Atlantis cards that can be used to play five different Atlantis games with game board included.
Author: Eddie Falvey
Publisher: Liverpool University Press
ISBN: 1800858558
Category : Performing Arts
Languages : en
Pages : 121
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Book Description
Since its release at the mid-point of the 1980s American horror boom, Stuart Gordon’s Re-Animator (1985) has endured as one of the most beloved cult horror films of that era. Greeted by enthusiastic early reviews, Re-Animator has maintained a spot at the periphery of the classic horror film canon. While Re-Animator has not entirely gone without critical attention, it has often been overshadowed in horror studies by more familiar titles from the period. Eddie Falvey’s book, which represents the first book-length study of Re-Animator, repositions it as one of the most significant American horror films of its era. For Falvey, Re-Animator sits at the intersection of various developments that were taking place within the context of 1980s American horror production. He uses Re-Animator to explore the rise and fall of Charles Band’s Empire Pictures, the revival of the mad science sub-genre, the emergent popularity of both gore aesthetics and horror-comedies, as well as a new appetite for the works of H.P. Lovecraft in adaptation. Falvey also tracks the film's legacies, observing not only how Re-Animator’s success gave rise to a new Lovecraftian cycle fronted by Stuart Gordon, but also how its cult status has continued to grow, marked by sequels, spin-offs, parodies and re-releases. As such, Falvey's book promises to be a book both about Re-Animator itself and about the various contexts that birthed it and continue to reflect its influence.
Author: John D. Lyons
Publisher:
ISBN: 0190678445
Category : Art
Languages : en
Pages : 907
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Book Description
Baroque, the cultural period extending from the mid-sixteenth to the mid-eighteenth century, created some of the world's most striking monuments, music, artworks, and literature. This Handbook goes beyond all existing studies by presenting Baroque not only as a style, but also as a global cultural phenomenon arising in response to enormous religious, political, and technological changes.
Author: Thomas DaCosta Kaufmann
Publisher: Reaktion Books
ISBN: 1836390629
Category : History
Languages : en
Pages : 314
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Book Description
A reinterpretation of the Habsburgian ruler’s reign as exemplary rather than reclusive. Rudolf II offers a fresh perspective on the Habsburg ruler, shedding new light on a reign often colored by myths of madness. Thomas DaCosta Kaufmann argues that, contrary to popular belief, Rudolf was not a passive recluse but an engaged monarch, navigating the complexities of state affairs with a moderate hand amid turbulent times. By contextualizing Rudolf’s interests in astrology, alchemy, and magic, this book offers new insights into the emperor’s support for scientific endeavors and his quest for power. Kaufmann also demonstrates that Rudolf’s assembling of the greatest Kunstkammer and painting collection of his time and his patronage of artists were essential elements of Renaissance rulership.
Author: Elizabeth King
Publisher: Getty Publications
ISBN: 1606068393
Category : Art
Languages : en
Pages : 258
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Book Description
An abundantly illustrated narrative that draws from the history of art, science, technology, artificial intelligence, psychology, religion, and conservation in telling the extraordinary story of a Renaissance robot that prays. This volume tells the singular story of an uncanny, rare object at the cusp of art and science: a 450-year-old automaton known as “the monk.” The walking, gesticulating figure of a friar, in the collection of the Smithsonian Institution’s National Museum of American History, is among the earliest extant ancestors of the self-propelled robot. According to legend connected to the court of Philip II of Spain, the monk represents a portrait of Diego de Alcalá, a humble Franciscan lay brother whose holy corpse was said to be agent to the miraculous cure of Spain’s crown prince as he lay dying in 1562. In tracking the origins of the monk and its legend, the authors visited archives, libraries, and museums across the United States and Europe, probing the paradox of a mechanical object performing an apparently spiritual act. They identified seven kindred automata from the same period, which, they argue, form a paradigmatic class of walking “prime movers,” unprecedented in their combination of visual and functional realism. While most of the literature on automata focuses on the Enlightenment, this enthralling narrative journeys back to the late Renaissance, when clockwork machinery was entirely new, foretelling the evolution of artificial life to come.
Author: Jenny Boulboullé
Publisher: Duke University Press
ISBN: 1478059982
Category : Social Science
Languages : en
Pages : 237
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Book Description
In Laboratory Epistemologies: A Hands-On Perspective, Jenny Boulboullé examines the significance of hands-on experiences in contemporary life sciences laboratories. Addressing the relationship between contemplation and manipulation in epistemology, Boulboullé combines participant observations in molecular genetics labs and microbiological cleanrooms with a longue durée study of the history and philosophy of science. She radically rereads Descartes’s key epistemological text Meditations on First Philosophy, reframing the philosopher as a hands-on knowledge maker. With this reading, Boulboullé subverts the pervasive modern conception of the disembodied knower and puts the hands-on experimenter at the heart of life sciences research. In so doing, she contributes a theoretical model for understanding how life processes on cellular and molecular levels are manually produced in today’s techno-scientific spaces. By reassessing the Cartesian legacy and arguing that epistemology should be grounded in the standpoint of a hands-on practitioner, Boulboullé offers the philosophical and historical foundation to understand and study contemporary life sciences research as multisensory embodied practices.
