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Author: Alexandra Anna Enrica van der Geer
Publisher: BRILL
ISBN: 9004168192
Category : Social Science
Languages : en
Pages : 535
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Book Description
This magnificently illustrated study of a vast amount of South Asian animal stone sculptures provides an art history covering almost four and a half thousand years, analyzing the art historical, archeological and cultural context of animals in society.
Author: Alexandra Anna Enrica van der Geer
Publisher: BRILL
ISBN: 9004168192
Category : Social Science
Languages : en
Pages : 535
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Book Description
This magnificently illustrated study of a vast amount of South Asian animal stone sculptures provides an art history covering almost four and a half thousand years, analyzing the art historical, archeological and cultural context of animals in society.
Author: K. Krishna Murthy
Publisher: Abhinav Publications
ISBN: 9780391032873
Category : Animals, Mythical, in art
Languages : en
Pages : 130
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Book Description
Author: Kanchana Arni
Publisher: Tara Publishing
ISBN: 9788186211786
Category : Art
Languages : en
Pages : 108
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Book Description
This is a book and art collector's dream, comprising 32 prints from India's most exciting tribal and folk artists.
Author: K. Bharatha Iyer
Publisher: Bombay : Taraporevala
ISBN:
Category : Animals in art
Languages : en
Pages : 176
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Book Description
Author: C. Sivaramamurti
Publisher:
ISBN:
Category : Animals in art
Languages : en
Pages : 128
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Book Description
Author: Stella Snead
Publisher: University of Chicago Press
ISBN: 9780226767260
Category : Art
Languages : en
Pages : 224
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Book Description
Animals play a special role in Indian culture. In opposition to deities, they help to frame the human community. Indian philosophy assumes the basic unity of animals and humans and in everyday life animals symbolize various ideas and sentiments. In the realm of Indian art, animals appear everywhere. In this splendid and unique collection of photographs, Stella Snead captures the extraordinary vitality, intelligence, and variety of animals in Indian sculpture found at sites from prehistory through the eighteenth century. Here are cats, peacocks, mongooses, anteaters, cows, hyenas, and tigers, as well as such fantastic creatures as double-bodied lions and elephants with fish tails. Collected from all areas of India, these photographs include images from famous Indian monuments, and museum collections, as well as images from remote sites, some of which have never before been published. Wendy Doniger's essay explores and explains the four worlds or dimensions that animals occupy in Indian thought: nature, the human world, the divine world, and the world of fantasy. George Michell places Indian sculptures of animals in their architectural and art historical context. His chronological survey identifies the location and the subject of the animals photographed and describes the artistic activity of the regions and period from which the photographs are drawn. This beautifully illustrated book will appeal to a wide audience: to those interested in Asian studies, art, architecture, and animals, and to those drawn to Snead's powerful photographs, which capture both the idiosyncratic genius of tiny details and the grand sweep of cosmic symbols.
Author: Los Angeles County Museum of Art
Publisher: Univ of California Press
ISBN: 9780520059917
Category : Art
Languages : en
Pages : 296
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Book Description
The sheer wealth and dizzying diversity of Indian sculpture are celebrated in this second volume of the catalogue raisonne of the Los Angeles County Museum's collection. Nearly two hundred sculptures produced during eleven centuries are described. Of these, one-quarter of the pieces are part of the Nasli and Alice Heeramaneck Collection, while the remaining three-quarters have been acquired since 1970. This splendid collection, while not representing all the major styles of sculpture that flourished on the Indian subcontinent from 700-1900, is certainly one of the most comprehensive among American and European museums. Included are stone, metal, ivory, and wood sculptures from fourteen states and territories of India and from Pakistan and Afghanistan. Organized by regions--Central and Western, Eastern, and Southern India, and the Northwest--the catalogue contains detailed descriptions and illustrations of the 188 sculptures, many with details or multiple views, for a total of 259 illustrations--251 in duotone and halftone and 8 in color.
Author: Simona Cohen
Publisher: BRILL
ISBN: 9004171010
Category : History
Languages : en
Pages : 360
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Book Description
The relationship between medieval animal symbolism and the iconography of animals in the Renaissance has scarcely been studied. Filling a gap in this significant field of Renaissance culture, in general, and its art, in particular, this book demonstrates the continuity and tenacity of medieval animal interpretations and symbolism, disguised under the veil of genre, religious or mythological narrative and scientific naturalism. An extensive introduction, dealing with relevant medieval and early Renaissance sources, is followed by a series of case studies that illustrate ways in which Renaissance artists revived conventional animal imagery in unprecedented contexts, investing them with new meanings, on a social, political, ethical, religious or psychological level, often by applying exegetical methodology in creating multiple semantic and iconographic levels.Brill's Studies on Art, Art History, and Intellectual History, vol. 2
Author: Bill Holm
Publisher: University of Washington Press
ISBN: 0295999500
Category : Art
Languages : en
Pages : 145
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Book Description
The 50th anniversary edition of this classic work on the art of Northwest Coast Indians now offers color illustrations for a new generation of readers along with reflections from contemporary Northwest Coast artists about the impact of this book. The masterworks of Northwest Coast Native artists are admired today as among the great achievements of the world’s artists. The painted and carved wooden screens, chests and boxes, rattles, crest hats, and other artworks display the complex and sophisticated northern Northwest Coast style of art that is the visual language used to illustrate inherited crests and tell family stories. In the 1950s Bill Holm, a graduate student of Dr. Erna Gunther, former Director of the Burke Museum, began a systematic study of northern Northwest Coast art. In 1965, after studying hundreds of bentwood boxes and chests, he published Northwest Coast Indian Art: An Analysis of Form. This book is a foundational reference on northern Northwest Coast Native art. Through his careful studies, Bill Holm described this visual language using new terminology that has become part of the established vocabulary that allows us to talk about works like these and understand changes in style both through time and between individual artists’ styles. Holm examines how these pieces, although varied in origin, material, size, and purpose, are related to a surprising degree in the organization and form of their two-dimensional surface decoration. The author presents an incisive analysis of the use of color, line, and texture; the organization of space; and such typical forms as ovoids, eyelids, U forms, and hands and feet. The evidence upon which he bases his conclusions constitutes a repository of valuable information for all succeeding researchers in the field. Replaces ISBN 9780295951027
Author: Stella Kramrisch
Publisher: Motilal Banarsidass
ISBN: 8120836146
Category : Art
Languages : en
Pages : 309
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Book Description
Anyone with an understanding of art in general and a knowledge, however slight, of Indian things, will, on being shown a work of Indian sculpture, unfailingly label it Indian. Differences in age and origin, however clearly marked to the discerning eye, when pointed out to the outsider, will be apprehended only with more or less difficulty. There is something so strong, and at the same time unique, in any Indian work of art that its 'Indianness' is felt first of all, and what it is, is seen only on second thought. How this Indianness is expressed in terms of the relationship between line, surface, volume and other elements of visualisation is dealt with in this book. There are permanent qualities throughout the fabric of Indian sculpture which are discussed in detail. These essential qualities, all interrelated and inseparable, contain within their compass the life of Indian plastic art. The book surveys the structure of Indian sculpture in its relevant aspects. The underlying and essential qualities are viewed in their permanency throughout the special conditions that the single monuments imply. Their outward connections, geographical and chronological, are seen to resolve themselves into ethical problems and those of the artistic process itself. While stylistic investigations are the basis of this book, Indian sculpture is dealt with as conditioned by the Indian craftsman. His consciousness makes him known to himself as a part of nature and his work in the form of this 'naturalism'. Its degree and aspects vary according to the levels of his consciousness.
