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Author: Michael Lawrence
Publisher: Bloomsbury Publishing
ISBN: 1838714375
Category : Nature
Languages : en
Pages : 489
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Book Description
From the proto-cinematic sequencing of animal motion in the nineteenth century to the ubiquity of animal videos online, the histories of animal life and the moving image are enigmatically interlocked. Animal Life and the Moving Image is the first collection of essays to offer a sustained focus on the relations between screen cultures and non-human animals. The volume brings together some of the most important and influential writers working on the non-human animal's significance for cultures and theories of the moving image. It offers innovative analyses of the representation of animals across a wide range of documentary, fiction, mainstream and avant-garde practices, from early cinema to contemporary user-generated media. Individual chapters consider King Kong, The Birds, The Misfits, The Cove, Grizzly Man and Microcosmos, the work of Sergei Eisenstein, Robert Bresson, Malcolm Le Grice, Peter Greenaway, Carolee Schneemann and Isabella Rossellini, and YouTube stars Christian the lion and Maru the cat.
Author: Michael Lawrence
Publisher: Bloomsbury Publishing
ISBN: 1838714375
Category : Nature
Languages : en
Pages : 489
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Book Description
From the proto-cinematic sequencing of animal motion in the nineteenth century to the ubiquity of animal videos online, the histories of animal life and the moving image are enigmatically interlocked. Animal Life and the Moving Image is the first collection of essays to offer a sustained focus on the relations between screen cultures and non-human animals. The volume brings together some of the most important and influential writers working on the non-human animal's significance for cultures and theories of the moving image. It offers innovative analyses of the representation of animals across a wide range of documentary, fiction, mainstream and avant-garde practices, from early cinema to contemporary user-generated media. Individual chapters consider King Kong, The Birds, The Misfits, The Cove, Grizzly Man and Microcosmos, the work of Sergei Eisenstein, Robert Bresson, Malcolm Le Grice, Peter Greenaway, Carolee Schneemann and Isabella Rossellini, and YouTube stars Christian the lion and Maru the cat.
Author: Michael Lawrence
Publisher: Bloomsbury Publishing
ISBN: 1838714383
Category : Nature
Languages : en
Pages : 322
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Book Description
From the proto-cinematic sequencing of animal motion in the nineteenth century to the ubiquity of animal videos online, the histories of animal life and the moving image are enigmatically interlocked. Animal Life and the Moving Image is the first collection of essays to offer a sustained focus on the relations between screen cultures and non-human animals. The volume brings together some of the most important and influential writers working on the non-human animal's significance for cultures and theories of the moving image. It offers innovative analyses of the representation of animals across a wide range of documentary, fiction, mainstream and avant-garde practices, from early cinema to contemporary user-generated media. Individual chapters consider King Kong, The Birds, The Misfits, The Cove, Grizzly Man and Microcosmos, the work of Sergei Eisenstein, Robert Bresson, Malcolm Le Grice, Peter Greenaway, Carolee Schneemann and Isabella Rossellini, and YouTube stars Christian the lion and Maru the cat.
Author: Belinda Smaill
Publisher: State University of New York Press
ISBN: 1438462506
Category : Performing Arts
Languages : en
Pages : 202
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Book Description
As indicated by the success of such films as March of the Penguins and Food, Inc., the documentary has become the preeminent format for rendering animals and nature onscreen. In Regarding Life, Belinda Smaill brings together examples from a broad array of moving image contexts, including wildlife film and television, advocacy documentary, avant-garde nonfiction, and new media to identify a new documentary terrain in which the representation of animals in the wild and in industrial settings is becoming markedly more complex and increasingly more involved with pivotal ecological debates over species loss, food production, and science. While attending to some of the most discussed documentaries of the last two decades, including Grizzly Man; Food, Inc.; Sweetgrass; Our Daily Bread; and Darwin's Nightmare, the book also draws on lesser-known film examples, and is one of the first to bring film studies understandings to new media such as YouTube. The result is a study that melds film studies and animal studies to explore how documentary films render both humans and animals, and to what political ends.
Author: Adrian J. Ivakhiv
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1554589061
Category : Performing Arts
Languages : en
Pages : 433
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Book Description
This book presents an ecophilosophy of cinema: an account of the moving image in relation to the lived ecologies – material, social, and perceptual relations – within which movies are produced, consumed, and incorporated into cultural life. If cinema takes us on mental and emotional journeys, the author argues that those journeys that have reshaped our understanding of ourselves, life, and the Earth and universe. A range of styles are examined, from ethnographic and wildlife documentaries, westerns and road movies, sci-fi blockbusters and eco-disaster films to the experimental and art films of Tarkovsky, Herzog, Malick, and Brakhage, to YouTube’s expanding audio-visual universe.
Author: Laura McMahon
Publisher: Edinburgh University Press
ISBN: 147444640X
Category : Nature
Languages : en
Pages : 233
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Book Description
Focusing on a recent wave of international art cinema, Animal Worlds offers the first sustained analysis of the relations between cinematic time and animal life. Through an aesthetic of extended duration, films such as Bestiaire (2010), The Turin Horse (2011) and A Cow's Life (2012) attend to animal worlds of sentience and perception, while registering the governing of life through biopolitical regimes. Bringing together Gilles Deleuze's writings on cinema and on animals - while drawing on Jacques Derrida, Jean-Christophe Bailly, Nicole Shukin and others - the book argues that these films question the biopolitical reduction of animal life to forms of capital, opening up realms of virtuality, becoming and alternative political futures.
Author: Jonathan Burt
Publisher: Reaktion Books
ISBN: 1861895720
Category : Performing Arts
Languages : en
Pages : 236
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Book Description
From Salvador Dalí to Walt Disney, animals have been a constant yet little-considered presence in film. Indeed, it may come as a surprise to learn that animals were a central inspiration to the development of moving pictures themselves. In Animals in Film, Jonathan Burt points out that the mobility of animals presented technical and conceptual challenges to early film-makers, the solutions of which were an important factor in advancing photographic technology, accelerating the speed of both film and camera. The early filming of animals also marked one of the most significant and far-reaching changes in the history of animal representation, and has largely determined the way animals have been visualized in the twentieth century. Burt looks at the extraordinary relation-ship between animals, cinema and photography (including the pioneering work of Eadweard Muybridge and Jules-Etienne Marey) and the technological developments and challenges posed by the animal as a specific kind of moving object. Animals in Film is a shrewd account of the politics of animals in cinema, of how movies and video have developed as weapons for animal rights activists, and of the roles that animals have played in film, from the avant-garde to Hollywood.
Author: Gay Hawkins and Ben Dibley
Publisher: Sydney University Press
ISBN: 1743329695
Category : Performing Arts
Languages : en
Pages : 148
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Book Description
Making Animals Public: television, animality and political engagement focuses on the proliferation of animal content on television and how this has transformed how animals are known and encountered, generating unique modes of televisual animality. The book examines the multiplicity of public realities and knowledges that animals on TV have constituted: from scientific objectivity, to the unique Australian environment, to controversial victims of gross exploitation. Just as television has made animals public in very particular ways, it has also made new publics that have learnt to be affected by them. Thanks to extraordinary access to the ABC’s Natural History and general archives, the authors are able to investigate the dynamic relation between making animals public and making publics over time.
Author: Michael Wood
Publisher: Oxford University Press, USA
ISBN: 0192803530
Category : Art
Languages : en
Pages : 153
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Book Description
Film is considered to be the dominant art form of the twentieth century. It can be considered many other things; a record of events, a modern mythology, a career, an industry, an art, a hobby, and much else. Michael Wood explores the history of film, its venture into the digital age, and its role and impact on modern society.
Author: Chiara Mengozzi
Publisher: Routledge
ISBN: 100007501X
Category : Literary Criticism
Languages : en
Pages : 265
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Book Description
In the midst of the climate crisis and the threat of the sixth extinction, we can no longer claim to be the masters of nature. Rather, we need to unlearn our species’ arrogance for the sake of all animals, human and non-human. Rethinking our being-in-the-world as Homo sapiens, this monograph argues, starts precisely from the way we relate to our closer companion species. The authors gathered here endeavour to find multiple exit strategies from the anthropocentric paradigms that have bound the human and social sciences. Part I investigates the unexplored margins of human history by re-reading historical events, literary texts, and scientific findings from an animal’s perspective, rather than a human’s. Part II explores different forms of human-animal relationships, putting the emphasis on the institutions, spaces, and discourses that frame our interactions with animals. Part III engages with processes of "translation" that aim to render animals’ experience and perception into human words and visual language.
Author: Keith Moser
Publisher: BRILL
ISBN: 9004436359
Category : Philosophy
Languages : en
Pages : 810
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Book Description
This transdisciplinary project represents the most comprehensive study of imagination to date. The eclectic group of international scholars who comprise this volume propose bold and innovative theoretical frameworks for (re-) conceptualizing imagination in all of its divergent forms. Imagination and Art: Explorations in Contemporary Theory explores the complex nuances, paradoxes, and aporias related to the plethora of artistic mediums in which the human imagination manifests itself. As a fundamental attribute of our species, which other organisms also seem to possess with varying degrees of sophistication, imagination is the very fabric of what it means to be human into which everything is woven. This edited collection demonstrates that imagination is the resin that binds human civilization together for better or worse.
