The Norton Book of Nature Writing PDF Download
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Author: Robert Finch
Publisher: W. W. Norton & Company
ISBN: 9780393027990
Category : Nature
Languages : en
Pages : 930
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Book Description
W. W. Norton is pleased to announce that The Norton Book of Nature Writing is now available in a paperback college edition.
Author: Robert Finch
Publisher: W. W. Norton & Company
ISBN: 9780393027990
Category : Nature
Languages : en
Pages : 930
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Book Description
W. W. Norton is pleased to announce that The Norton Book of Nature Writing is now available in a paperback college edition.
Author: D. Emmet
Publisher: Springer
ISBN: 1349266728
Category : Philosophy
Languages : en
Pages : 141
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Book Description
Building on the philosophies of the social sciences and of religion, the book is concerned with the interplay between the inner powers of individuals and the structures of their societies and also with how these inner powers affect how they see outer realities. Dorothy Emmet looks at persons in a world of impersonal processes. She is critical of the notion of a personal God, but sees the emergence of personal activities as constrained but also sustained through 'an enabling universe'.
Author: Samuel Taylor Coleridge
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 272
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Book Description
"Anima poetae" by Samuel Taylor Coleridge is a collection of hitherto unpublished aphorisms, reflections, confessions, and soliloquies. The aim of the present work, however imperfectly accomplished, has been to present in a compendious shape a collection of unpublished aphorisms and sentences, and at the same time to enable the reader to form some estimate of those strange self-communings to which Coleridge devoted so much of his intellectual energies, and by means of which he hoped to pass through the mists and shadows of words and thoughts to a steadier contemplation, to the apprehension if not the comprehension of the mysteries of Truth and Being. Excerpt: "Love that soothes misfortune and buoys up to virtue—the pillow of sorrows, the wings of virtue. Disappointed love not uncommonly causes misogyny, even as extreme thirst is supposed to be the cause of hydrophobia. Love transforms the soul into a conformity"
Author: Alethea Hayter
Publisher: Faber & Faber
ISBN: 0571306012
Category : History
Languages : en
Pages : 279
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Book Description
Does the habit of taking drugs make authors write better, or worse, or differently? Does it alter the quality of their consciousness, shape their imagery, influence their technique? For the Romantic writers of the nineteenth century, many of whom experimented with opium and some of whom were addicted to it, this was an important question, but it has never been fully answered. In this study Alethea Hayter examines the work of five writers - Crabbe, Coleridge, De Quincey, Wilkie Collins and Francis Thompson - who were opium addicts for many years, and of several other writers - notably Keats, Edgar Allan Poe and Baudelaire, but also Walter Scott, Dickens, Mrs Browning, James Thomson and others - who are known to have taken opium at times. The work of these writers is discussed in the context of nineteenth-century opinion about the uses and dangers of opium, and of Romantic ideas on the creative imagination, on dreams and hypnagogic visions, and on imagery, so that the idiosyncrasies of opium-influenced writing can be isolated from their general literary background. The examination reveals a strange and miserable region of the mind in which some of the greatest poetic imaginations of the nineteenth century were imprisoned.
Author: Edward Thomas
Publisher: Oxford University Press
ISBN: 0198784341
Category : Poets, English
Languages : en
Pages : 806
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Book Description
Edward Thomas can be seen as the most important poetry critic in the early twentieth century. Thomas was a prose-writer before he was a poet. The Selected Edition of his prose, and especially this volume, shows that he was also a critic before he was a poet. His unusual literary career opens up key questions about the relation between poetry and criticism, as well as between poetry and prose. Thomas wrote books about poetry, but his criticism mainly took the form of reviews. He reviewed collections, editions, and studies of poetry, most regularly, for the Daily Chronicle and the Morning Post. These reviews amount to a unique commentary on the state of poetry and of poetry criticism after 1900. Since reviewing provided Thomas's main income, he also reviewed other kinds of book. Hence the sheer mass of his reviews, the stress he suffered as a literary journalist. Yet his criticism maintains an astonishingly high standard. Thomas's response to contemporary poetry intersects with his readings of older poetry. No critic or poet of the time was so deeply acquainted with the traditions of English-language poetry or so alert to new poetic movements in Ireland and America. Edward Thomas's writings on poetry have a double importance. Besides suggesting the hidden evolution of his own aesthetic, they constitute a lost history and critique of poetry before the Great War. They change our assumptions about that period. Thomas's perspectives on poets such as Yeats, Hardy, Frost, Lawrence, and Pound illuminate the making of modern poetry.
Author: Nicholas McGuinn
Publisher: Routledge
ISBN: 1136520171
Category : Education
Languages : en
Pages : 242
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Book Description
The English Teacher’s Drama Handbook is a rich, thought-provoking introduction to teaching drama within the English classroom. Divided into two sections, the first part of the book explores deological influences that have shaped drama's relationship with English over the past 250 years and aims to help you locate your own practice within a theoretical and historical context. Starting with Rousseau's seminal text Emile, it considers the theories of key thinkers and practitioners and a range of complex issues including the construction of ‘childhood’, children’s play, the teacher and student relationship, the implications of linking drama and English and the impact of national curricula on drama and English teaching. The second half of the book offers a collection of comprehensive, practical schemes of work to inspire and support you and your students to realise the power of drama in bringing English language and literature vividly to life. Suitable for a range of ages and abilities, each activity makes explicit links to the key thinkers and issues explored in the first part of the book and explores a particular aspect of work in English - from grammar and spelling to poetry and play texts. Together with guidance on how to begin and progress the activities, each sequence includes ideas for exploring issues further in the English classroom. Written for English teachers at any stage of their career, The English Teacher’s Drama Handbook offers new ways of looking at drama and English that will ensure meaningful and enjoyable teaching and learning.
Author: Samuel Taylor Coleridge
Publisher: Good Press
ISBN:
Category : Literary Collections
Languages : en
Pages : 6031
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Book Description
The Complete Works of Samuel Taylor Coleridge: Poetry, Plays, Literary Essays, Lectures, Autobiography and Letters (Classic Illustrated Edition) captures the essence of Coleridge's prolific literary career in one comprehensive volume. This collection showcases the vast range of his talents, from his iconic poems like 'The Rime of the Ancient Mariner' to his insightful literary essays and thought-provoking lectures. Coleridge's unique blend of imagination and intellect is evident throughout his works, making this book an essential read for those interested in Romantic literature. The rich language and depth of themes in his poetry and plays set him apart as a master of the craft, influencing generations of writers to come.Samuel Taylor Coleridges profound understanding of human emotions and the natural world is reflected in his extensive body of work. His personal struggles and spiritual journey are intricately woven into his writings, offering readers a glimpse into the mind of a complex and visionary poet. The inclusion of his autobiography and letters provides further insights into the man behind the words, adding layers of depth to his already compelling literary legacy.I highly recommend The Complete Works of Samuel Taylor Coleridge to anyone passionate about poetry, literature, and Romanticism. This collection not only showcases Coleridge's genius but also serves as a timeless reminder of the power of words to resonate with the human soul. Dive into this classic edition to immerse yourself in the world of one of the greatest poets of the Romantic era.
Author: S. Coleridge
Publisher: Springer
ISBN: 0230501311
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
Of all the wide-ranging interests Coleridge showed in his career, religion was the deepest and most long lasting, and Beer demonstrates in this book how none of this work can be fully understood without taking this into account. Beer also reveals how Coleridge was preoccupied by the life of the mind and how closely this subject was intertwined with religion in his thinking.
Author: Herbert W. Simons
Publisher: Univ of Wisconsin Press
ISBN: 9780299118341
Category : Literary Criticism
Languages : en
Pages : 348
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Book Description
Capturing the lively modernist milieu of Kenneth Burke's early career in Greenwich Village, where Burke arrived in 1915 fresh from high school in Pittsburgh, this book discovers him as an intellectual apprentice conversing with "the moderns." Burke found himself in the midst of an avant-garde peopled by Malcolm Cowley, Marianne Moore, Jean Toomer, Katherine Anne Porter, William Carlos Williams, Allen Tate, Hart Crane, Alfred Stieglitz, and a host of other fascinating figures. Burke himself, who died in 1993 at the age of 96, has been hailed as America's most brilliant and suggestive critic and the most significant theorist of rhetoric since Cicero. Many schools of thought have claimed him as their own, but Burke has defied classification and indeed has often been considered a solitary, eccentric genius immune to intellectual fashions. But Burke's formative work of the 1920s, when he first defined himself and his work in the context of the modernist conversation, has gone relatively unexamined. Here we see Burke living and working with the crowd of poets, painters, and dramatists affiliated with Others magazine, Stieglitz's "291" gallery, and Eugene O'Neill's Provincetown Players; the leftists associated with the magazines The Masses and Seven Arts; the Dadaists; and the modernist writers working on literary journals like The Dial, where Burke in his capacity as an associate editor saw T. S. Eliot's "The Wasteland" into print for the first time and provided other editorial services for Thomas Mann, e.e. cummings, Ezra Pound, and many other writers of note. Burke also met the iconoclasts of the older generation represented by Theodore Dreiser and H. L. Mencken, the New Humanists, and the literary nationalists who founded Contact and The New Republic. Jack Selzer shows how Burke's own early poems, fiction, and essays emerged from and contributed to the modernist conversation in Greenwich Village. He draws on a wonderfully rich array of letters between Burke and his modernist friends and on the memoirs of his associates to create a vibrant portrait of the young Burke's transformation from aesthete to social critic.
Author: Humberto Garcia
Publisher: JHU Press
ISBN: 1421403536
Category : Literary Criticism
Languages : en
Pages : 367
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Book Description
A corrective addendum to Edward Said’s Orientalism, this book examines how sympathetic representations of Islam contributed significantly to Protestant Britain’s national and imperial identity in the eighteenth century. Taking a historical view, Humberto Garcia combines a rereading of eighteenth-century and Romantic-era British literature with original research on Anglo-Islamic relations. He finds that far from being considered foreign by the era’s thinkers, Islamic republicanism played a defining role in Radical Enlightenment debates, most significantly during the Glorious Revolution, French Revolution, and other moments of acute constitutional crisis, as well as in national and political debates about England and its overseas empire. Garcia shows that writers such as Edmund Burke, Lady Mary Wortley Montagu, Samuel Taylor Coleridge, Robert Southey, and Percy and Mary Shelley not only were influenced by international events in the Muslim world but also saw in that world and its history a viable path to interrogate, contest, and redefine British concepts of liberty. This deft exploration of the forgotten moment in early modern history when intercultural exchange between the Muslim world and Christian West was common resituates English literary and intellectual history in the wider context of the global eighteenth century. The direct challenge it poses to the idea of an exclusionary Judeo-Christian Enlightenment serves as an important revision to post-9/11 narratives about a historical clash between Western democratic values and Islam.
