Author: Aelfric Bata
Publisher: Boydell & Brewer
ISBN: 9780851156996
Category : Drama
Languages : en
Pages : 252
Book Description
Translation (and text) of colloquies gives vivid picture of Anglo-Saxon monastic education. The monk Aelfric Bata is the only identifiable graduate of the school of Aelfric `Grammaticus', the tenth-century Anglo-Saxon homilist whose Grammar, Glossary and Colloquyformed part of an educational plan for English boys. Bata's Colloquies, Latin conversations set in a monastic school, open a door into the world of Anglo-Saxon monasticism, revealing the details of daily activities: rising and dressing, studying the day's lesson, eating, bathing and tonsuring. Oblates ask a master's help in reading, bargain for a manuscript-copying job, obtain help in sharpening a pen. One colloquy depicts a flyting between master and student, who exchange graphic scatologicalinsults. Combining the spare diction of his teacher Aelfric with the ornate glossematic vocabulary of Aldhelm, Aelfric Bata creates a cloistered world where comedy, invective, sermon and poetic recitation mix. The Colloquiesare presented with an English translation, glosses and full notes. Dr SCOTT GWARA teaches in the Department of English at the University of South Carolina: Professor DAVID PORTER teaches in the Department of English at SouthernUniversity, Baton Rouge.
Anglo-Saxon Conversations
Author: Aelfric Bata
Publisher: Boydell & Brewer
ISBN: 9780851156996
Category : Drama
Languages : en
Pages : 252
Book Description
Translation (and text) of colloquies gives vivid picture of Anglo-Saxon monastic education. The monk Aelfric Bata is the only identifiable graduate of the school of Aelfric `Grammaticus', the tenth-century Anglo-Saxon homilist whose Grammar, Glossary and Colloquyformed part of an educational plan for English boys. Bata's Colloquies, Latin conversations set in a monastic school, open a door into the world of Anglo-Saxon monasticism, revealing the details of daily activities: rising and dressing, studying the day's lesson, eating, bathing and tonsuring. Oblates ask a master's help in reading, bargain for a manuscript-copying job, obtain help in sharpening a pen. One colloquy depicts a flyting between master and student, who exchange graphic scatologicalinsults. Combining the spare diction of his teacher Aelfric with the ornate glossematic vocabulary of Aldhelm, Aelfric Bata creates a cloistered world where comedy, invective, sermon and poetic recitation mix. The Colloquiesare presented with an English translation, glosses and full notes. Dr SCOTT GWARA teaches in the Department of English at the University of South Carolina: Professor DAVID PORTER teaches in the Department of English at SouthernUniversity, Baton Rouge.
Publisher: Boydell & Brewer
ISBN: 9780851156996
Category : Drama
Languages : en
Pages : 252
Book Description
Translation (and text) of colloquies gives vivid picture of Anglo-Saxon monastic education. The monk Aelfric Bata is the only identifiable graduate of the school of Aelfric `Grammaticus', the tenth-century Anglo-Saxon homilist whose Grammar, Glossary and Colloquyformed part of an educational plan for English boys. Bata's Colloquies, Latin conversations set in a monastic school, open a door into the world of Anglo-Saxon monasticism, revealing the details of daily activities: rising and dressing, studying the day's lesson, eating, bathing and tonsuring. Oblates ask a master's help in reading, bargain for a manuscript-copying job, obtain help in sharpening a pen. One colloquy depicts a flyting between master and student, who exchange graphic scatologicalinsults. Combining the spare diction of his teacher Aelfric with the ornate glossematic vocabulary of Aldhelm, Aelfric Bata creates a cloistered world where comedy, invective, sermon and poetic recitation mix. The Colloquiesare presented with an English translation, glosses and full notes. Dr SCOTT GWARA teaches in the Department of English at the University of South Carolina: Professor DAVID PORTER teaches in the Department of English at SouthernUniversity, Baton Rouge.
Anglo-Saxon Attitudes
Author: Angus Wilson
Publisher: Faber & Faber
ISBN: 0571280862
Category : Fiction
Languages : en
Pages : 402
Book Description
'Angus Wilson is one of the most enjoyable novelists of the 20th century... Anglo-Saxon Attitudes (1956) analyses a wide range of British society in a complicated plot that offers all the pleasures of detective fiction combined with a steady and humane insight.' Margaret Drabble First published in 1956, Anglo-Saxon Attitudes draws upon perhaps the most famous archaeological hoax in history: the 'Piltdown Man', finally exposed in 1953. The novel's protagonist is Gerald Middleton, professor of early medieval history and taciturn creature of habit. Separated from his Swedish wife, Gerald is increasingly conscious of his failings. Moreover, some years ago he was involved in an excavation that led to the discovery of a grotesque idol in the tomb of Bishop Eorpwald. The sole survivor of the original excavation party, Gerald harbours a potentially ruinous secret...
Publisher: Faber & Faber
ISBN: 0571280862
Category : Fiction
Languages : en
Pages : 402
Book Description
'Angus Wilson is one of the most enjoyable novelists of the 20th century... Anglo-Saxon Attitudes (1956) analyses a wide range of British society in a complicated plot that offers all the pleasures of detective fiction combined with a steady and humane insight.' Margaret Drabble First published in 1956, Anglo-Saxon Attitudes draws upon perhaps the most famous archaeological hoax in history: the 'Piltdown Man', finally exposed in 1953. The novel's protagonist is Gerald Middleton, professor of early medieval history and taciturn creature of habit. Separated from his Swedish wife, Gerald is increasingly conscious of his failings. Moreover, some years ago he was involved in an excavation that led to the discovery of a grotesque idol in the tomb of Bishop Eorpwald. The sole survivor of the original excavation party, Gerald harbours a potentially ruinous secret...
Land and Book
Author: Scott Thompson Smith
Publisher: University of Toronto Press
ISBN: 1442644869
Category : Literary Criticism
Languages : en
Pages : 305
Book Description
Land and Book places a variety of texts in a dynamic conversation with the procedures and documents of land tenure, showing how its social practice led to innovation across written genres in both Latin and Old English.
Publisher: University of Toronto Press
ISBN: 1442644869
Category : Literary Criticism
Languages : en
Pages : 305
Book Description
Land and Book places a variety of texts in a dynamic conversation with the procedures and documents of land tenure, showing how its social practice led to innovation across written genres in both Latin and Old English.
Anglo-Saxon Art
Author: Leslie Webster
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 260
Book Description
The seven centuries of the Anglo-Saxon period in England, roughly AD 400-1100, were a time of extraordinary and profound transformation in almost every aspect of its culture, culminating in a dramatic shift from a barbarian society to a recognizably medieval civilization. This book traces the changing nature of that art, the different roles it played in Anglo-Saxon culture, and the various ways it both reflected and influenced the changing context in which it was created.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 260
Book Description
The seven centuries of the Anglo-Saxon period in England, roughly AD 400-1100, were a time of extraordinary and profound transformation in almost every aspect of its culture, culminating in a dramatic shift from a barbarian society to a recognizably medieval civilization. This book traces the changing nature of that art, the different roles it played in Anglo-Saxon culture, and the various ways it both reflected and influenced the changing context in which it was created.
A Handbook of Anglo-Saxon Food
Author: Ann Hagen
Publisher:
ISBN:
Category : Cooking
Languages : en
Pages : 202
Book Description
For the first time information from various sources has been brought together in order to build up a picture of how food was grown, conserved, prepared and eaten during the period from the beginning of the 5th century to the 11th century. No specialist knowledge of the Anglo-Saxon period or language is needed, and many people will find it fascinating for the views it gives of an important aspect of Anglo-Saxon life and culture. In addition to Anglo-Saxon England the Celtic west of Britain is also covered.
Publisher:
ISBN:
Category : Cooking
Languages : en
Pages : 202
Book Description
For the first time information from various sources has been brought together in order to build up a picture of how food was grown, conserved, prepared and eaten during the period from the beginning of the 5th century to the 11th century. No specialist knowledge of the Anglo-Saxon period or language is needed, and many people will find it fascinating for the views it gives of an important aspect of Anglo-Saxon life and culture. In addition to Anglo-Saxon England the Celtic west of Britain is also covered.
How the Anglo-Saxons Read Their Poems
Author: Daniel Donoghue
Publisher: University of Pennsylvania Press
ISBN: 0812294882
Category : Literary Criticism
Languages : en
Pages : 245
Book Description
The scribes of early medieval England wrote out their vernacular poems using a format that looks primitive to our eyes because it lacks the familiar visual cues of verse lineation, marks of punctuation, and capital letters. The paradox is that scribes had those tools at their disposal, which they deployed in other kinds of writing, but when it came to their vernacular poems they turned to a sparser presentation. How could they afford to be so indifferent? The answer lies in the expertise that Anglo-Saxon readers brought to the task. From a lifelong immersion in a tradition of oral poetics they acquired a sophisticated yet intuitive understanding of verse conventions, such that when their eyes scanned the lines written out margin-to-margin, they could pinpoint with ease such features as alliteration, metrical units, and clause boundaries, because those features are interwoven in the poetic text itself. Such holistic reading practices find a surprising source of support in present-day eye-movement studies, which track the complex choreography between eye and brain and show, for example, how the minimal punctuation in manuscripts snaps into focus when viewed as part of a comprehensive system. How the Anglo-Saxons Read Their Poems uncovers a sophisticated collaboration between scribes and the earliest readers of poems like Beowulf, The Wanderer, and The Dream of the Rood. In addressing a basic question that no previous study has adequately answered, it pursues an ambitious synthesis of a number of fields usually kept separate: oral theory, paleography, syntax, and prosody. To these philological topics Daniel Donoghue adds insights from the growing field of cognitive psychology. According to Donoghue, the earliest readers of Old English poems deployed a unique set of skills that enabled them to navigate a daunting task with apparent ease. For them reading was both a matter of technical proficiency and a social practice.
Publisher: University of Pennsylvania Press
ISBN: 0812294882
Category : Literary Criticism
Languages : en
Pages : 245
Book Description
The scribes of early medieval England wrote out their vernacular poems using a format that looks primitive to our eyes because it lacks the familiar visual cues of verse lineation, marks of punctuation, and capital letters. The paradox is that scribes had those tools at their disposal, which they deployed in other kinds of writing, but when it came to their vernacular poems they turned to a sparser presentation. How could they afford to be so indifferent? The answer lies in the expertise that Anglo-Saxon readers brought to the task. From a lifelong immersion in a tradition of oral poetics they acquired a sophisticated yet intuitive understanding of verse conventions, such that when their eyes scanned the lines written out margin-to-margin, they could pinpoint with ease such features as alliteration, metrical units, and clause boundaries, because those features are interwoven in the poetic text itself. Such holistic reading practices find a surprising source of support in present-day eye-movement studies, which track the complex choreography between eye and brain and show, for example, how the minimal punctuation in manuscripts snaps into focus when viewed as part of a comprehensive system. How the Anglo-Saxons Read Their Poems uncovers a sophisticated collaboration between scribes and the earliest readers of poems like Beowulf, The Wanderer, and The Dream of the Rood. In addressing a basic question that no previous study has adequately answered, it pursues an ambitious synthesis of a number of fields usually kept separate: oral theory, paleography, syntax, and prosody. To these philological topics Daniel Donoghue adds insights from the growing field of cognitive psychology. According to Donoghue, the earliest readers of Old English poems deployed a unique set of skills that enabled them to navigate a daunting task with apparent ease. For them reading was both a matter of technical proficiency and a social practice.
The popular encyclopedia; or, 'Conversations Lexicon': [ed. by A. Whitelaw from the Encyclopedia Americana].
Author: Popular encyclopedia
Publisher:
ISBN:
Category :
Languages : en
Pages : 574
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 574
Book Description
Romantic Dialogues: Anglo-American Continuities, 1776-1862
Author: Richard Gravil
Publisher: Humanities-Ebooks
ISBN: 1847603491
Category : Literary Criticism
Languages : en
Pages : 384
Book Description
Romantic Dialogues, first published in 2000, contributed to the modern recovery of a transatlantic dimension in literary studies. Part 1 of the book reassesses the events of 1776 as a painful amputation, severing one part of a close-knit republican community from the other. It looks at English visions of America, from Blake’s America, to Barbauld’s Eighteen Hundred and Eleven, and at Romantic Americans such Samuel Williams, William Ellery Channing, Gilbert Imlay and Estwick Evans, who absorbed England’s Romantic revolution long before America’s literary awakening took place. It considers, also, the periodical wars that followed the War of 1812, America’s aspiration to an intellectual emancipation to match its political independence; and the kinds of continuing relationship with ‘the old home’ to be found in James Fenimore Cooper, Ralph Waldo Emerson and Elizabeth Palmer Peabody.Part 2 explores numerous barely recognised transactions between English Romantic poets and the canonical writers of the ‘American Renaissance’. Starting with Cooper’s struggle with Edmund Burke in The Pioneers, it places Emerson’s Nature, Thoreau’s Walden, the romances of Poe and Hawthorne, Melville’s Moby-Dick and Whitman’s ‘Song of Myself’, in an Atlantic context. These writers still had English ears: inheriting the blissful dawn that took place in England between Blake’s Songs and Wordsworth’s Prelude, they amplified the English poets’ celebration of nature, liberty and imagination—and ‘human nature seeming born again’—but, equally Romantically, they came to mourn the fatal compromises in America’s experimental polity. Diverging somewhat from these themes, this edition includes a new chapter on William Cullen Bryant and an Epilogue on how the prosody of Whitman and Dickinson responded to the music of Tennyson, whose songs, Whitman memorably said, entered into the American character ‘inland and far West, out in Missouri, in Kansas, and away in Oregon, in farmer’s house and miner’s cabin’. Reviews:‘How this study is received will say as much about the recovery of serious interest in literary history as about the work’s quality. Learned, rigorous in testing its assertions, mordant and spirited in its expression, Romantic Dialogues makes an important claim: that American Literature of the nineteenth century knowingly attempted to fulfill the visionary promises of British Romanticism… What was reborn in the American Renaissance he writes, was ‘as much Romanticism as America’. It is as if in the works of Whitman and Melville the ghosts of Blake, Wordsworth and Coleridge were posing a British alternative to Victorian conservatisms.… He makes one wonder how one ever read the American text at all without the British context. …. An extraordinary achievement…This is real work’ —Robert Weisbuch, New England Quarterly:‘Challenging the conventional notion that American literature emerged from Emerson’s early essays, Gravil positions Blake, Wordsworth and Coleridge as its true progentitors: just as Locke’s libertarian political writings bore their greatest fruit in Jefferson’s famous manifesto, so the English romantics’ most characteristic notions of liberty and selfhood were fulfilled in the United States and its literature. … Gravil’s deft and learned application of key texts in British Romanticism to works by Thoreau, Melville, Dickinson, Whitman and Hawthorne powerfully challenge the easy presumption of an autochtonous American writing.’ —Kurt Eisen, American Literature‘ ... a major study, alert to and at home with textual nuance and larger questions … persuasively proving and describing a series of intricate, intertextual relationships: Gravil allows for uniqueness and difference; there is no ‘Englishing’ of his American authors, but a brimmingly revelatory stream of suggested connections. Romantic Dialogues is a ground-breaking study which bears witness to a generous, vigilant, and witty critical intelligence.’ —Michael O’Neill , Symbiosis
Publisher: Humanities-Ebooks
ISBN: 1847603491
Category : Literary Criticism
Languages : en
Pages : 384
Book Description
Romantic Dialogues, first published in 2000, contributed to the modern recovery of a transatlantic dimension in literary studies. Part 1 of the book reassesses the events of 1776 as a painful amputation, severing one part of a close-knit republican community from the other. It looks at English visions of America, from Blake’s America, to Barbauld’s Eighteen Hundred and Eleven, and at Romantic Americans such Samuel Williams, William Ellery Channing, Gilbert Imlay and Estwick Evans, who absorbed England’s Romantic revolution long before America’s literary awakening took place. It considers, also, the periodical wars that followed the War of 1812, America’s aspiration to an intellectual emancipation to match its political independence; and the kinds of continuing relationship with ‘the old home’ to be found in James Fenimore Cooper, Ralph Waldo Emerson and Elizabeth Palmer Peabody.Part 2 explores numerous barely recognised transactions between English Romantic poets and the canonical writers of the ‘American Renaissance’. Starting with Cooper’s struggle with Edmund Burke in The Pioneers, it places Emerson’s Nature, Thoreau’s Walden, the romances of Poe and Hawthorne, Melville’s Moby-Dick and Whitman’s ‘Song of Myself’, in an Atlantic context. These writers still had English ears: inheriting the blissful dawn that took place in England between Blake’s Songs and Wordsworth’s Prelude, they amplified the English poets’ celebration of nature, liberty and imagination—and ‘human nature seeming born again’—but, equally Romantically, they came to mourn the fatal compromises in America’s experimental polity. Diverging somewhat from these themes, this edition includes a new chapter on William Cullen Bryant and an Epilogue on how the prosody of Whitman and Dickinson responded to the music of Tennyson, whose songs, Whitman memorably said, entered into the American character ‘inland and far West, out in Missouri, in Kansas, and away in Oregon, in farmer’s house and miner’s cabin’. Reviews:‘How this study is received will say as much about the recovery of serious interest in literary history as about the work’s quality. Learned, rigorous in testing its assertions, mordant and spirited in its expression, Romantic Dialogues makes an important claim: that American Literature of the nineteenth century knowingly attempted to fulfill the visionary promises of British Romanticism… What was reborn in the American Renaissance he writes, was ‘as much Romanticism as America’. It is as if in the works of Whitman and Melville the ghosts of Blake, Wordsworth and Coleridge were posing a British alternative to Victorian conservatisms.… He makes one wonder how one ever read the American text at all without the British context. …. An extraordinary achievement…This is real work’ —Robert Weisbuch, New England Quarterly:‘Challenging the conventional notion that American literature emerged from Emerson’s early essays, Gravil positions Blake, Wordsworth and Coleridge as its true progentitors: just as Locke’s libertarian political writings bore their greatest fruit in Jefferson’s famous manifesto, so the English romantics’ most characteristic notions of liberty and selfhood were fulfilled in the United States and its literature. … Gravil’s deft and learned application of key texts in British Romanticism to works by Thoreau, Melville, Dickinson, Whitman and Hawthorne powerfully challenge the easy presumption of an autochtonous American writing.’ —Kurt Eisen, American Literature‘ ... a major study, alert to and at home with textual nuance and larger questions … persuasively proving and describing a series of intricate, intertextual relationships: Gravil allows for uniqueness and difference; there is no ‘Englishing’ of his American authors, but a brimmingly revelatory stream of suggested connections. Romantic Dialogues is a ground-breaking study which bears witness to a generous, vigilant, and witty critical intelligence.’ —Michael O’Neill , Symbiosis
The Anglo-Saxon Library
Author: Michael Lapidge
Publisher: Oxford University Press, USA
ISBN: 0199267227
Category : Antiques & Collectibles
Languages : en
Pages : 422
Book Description
This invaluable study sets out the evidence for the nature and holdings of libraries in Anglo-Saxon England, from the sixth century to the eleventh. It is furnished with appendices which include editions of all surviving Anglo-Saxon book inventories, lists of those manuscripts exported from and imported into Anglo-Saxon England, and a catalogue of all classical and patristic works cited by Anglo-Saxon authors. The volume is concluded by a comprehensive index (combining the evidence of inventories, surviving manuscripts, and citations) of all classical and patristic writings known in England before 1100.
Publisher: Oxford University Press, USA
ISBN: 0199267227
Category : Antiques & Collectibles
Languages : en
Pages : 422
Book Description
This invaluable study sets out the evidence for the nature and holdings of libraries in Anglo-Saxon England, from the sixth century to the eleventh. It is furnished with appendices which include editions of all surviving Anglo-Saxon book inventories, lists of those manuscripts exported from and imported into Anglo-Saxon England, and a catalogue of all classical and patristic works cited by Anglo-Saxon authors. The volume is concluded by a comprehensive index (combining the evidence of inventories, surviving manuscripts, and citations) of all classical and patristic writings known in England before 1100.
The Popular Encyclopedia; Or, "Conversations Lexicon"
Author: Encyclopaedias
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 516
Book Description
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 516
Book Description