Author: Edward C. Iungerich
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 6

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Book Description

Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 780

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Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712

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Author: Don Ryan
Publisher: McLean & Smithers
ISBN:
Category : Los Angeles (Calif.)
Languages : en
Pages : 302

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Book Description
"Los Angeles as seen by a cynical journalist." Cf. Hanna, A. Mirror for the nation

Author: Annette Evalyn Swain
Publisher: iUniverse
ISBN: 1469732394
Category : Fiction
Languages : en
Pages : 285

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Book Description
"Annie soon learns of the darkness in the world. She learns that bullying is not confined to playgrounds and schools: bullying happens to adults, too, especially in the guise of sexual harassment"--Page 4 of cover.

Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 578

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Author:
Publisher:
ISBN:
Category : Costume
Languages : en
Pages : 920

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Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 424

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Author: Jennifer Homans
Publisher: Random House
ISBN: 0679603905
Category : Performing Arts
Languages : en
Pages : 640

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Book Description
NEW YORK TIMES BESTSELLER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW, LOS ANGELES TIMES, SAN FRANCISCO CHRONICLE, AND PUBLISHERS WEEKLY For more than four hundred years, the art of ballet has stood at the center of Western civilization. Its traditions serve as a record of our past. Lavishly illustrated and beautifully told, Apollo’s Angels—the first cultural history of ballet ever written—is a groundbreaking work. From ballet’s origins in the Renaissance and the codification of its basic steps and positions under France’s Louis XIV (himself an avid dancer), the art form wound its way through the courts of Europe, from Paris and Milan to Vienna and St. Petersburg. In the twentieth century, émigré dancers taught their art to a generation in the United States and in Western Europe, setting off a new and radical transformation of dance. Jennifer Homans, a historian, critic, and former professional ballerina, wields a knowledge of dance born of dedicated practice. Her admiration and love for the ballet, as Entertainment Weekly notes, brings “a dancer’s grace and sure-footed agility to the page.”

Author: David Michael Hertz
Publisher: SIU Press
ISBN: 9780809317462
Category : Architecture
Languages : en
Pages : 392

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Book Description
In this exciting new book, David Michael Hertz demonstrates how three major artists - Frank Lloyd Wright, Wallace Stevens, and Charles Ives - were influenced by Emerson's nineteenth-century transcendentalism. By focusing on the relative statements of the artists themselves, Hertz shows that Emerson's belief that all things are in flux, including matter and spirit, had direct bearing on the form and content of their works. Hertz writes the book as a meditation on the condition of the artist in America, including biographical and historical information as well as his own interpretations of the three artists' works. In Part 1 he examines the emerging creative mind of the architect, poet, and composer, citing Emerson as the central figure who, through his essays, influenced each of them. By tracing their development as powerful and original thinkers, Hertz examines the processes that enabled them to become unique. In Part 2 he connects Emerson, Wright, Stevens, and Ives through a shared ideology, evident both in their critical statements and in their creative work. He shows how all three artists had specific documented knowledge of Emerson's major works. Their pragmatism, their preoccupation with the primacy of the senses, their predilection for analogy and loose metaphor, their dedication to individuality and self-reliance, and their eclecticism and conception of originality were shared traits and beliefs gleaned from Emerson. Hertz is the first writer to bring these four major American figures together in a single work. He makes it clear that Emersonianism reaches far into twentieth-century American culture and into the realms of art and music as well as literature. This book willinterest not only Emerson, Wright, Stevens, and Ives scholars but other individuals involved in the arts, the humanities, and interdisciplinary studies as well.