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Author: Roy Grundmann
Publisher: Temple University Press
ISBN: 9781566399722
Category : Art
Languages : en
Pages : 244
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Book Description
In this ground-breaking and provocative book, Roy Grundmann contends that Andy Warhol's notorious 1964 underground film, Blow Job, serves as rich allegory as well as suggestive metaphor for post-war American society's relation to homosexuality. Arguing that Blow Job epitomizes the highly complex position of gay invisibility and visibility, Grundmann uses the film to explore the mechanisms that constructed pre-Stonewall white gay male identity in popular culture, high art, science, and ethnography. Grundmann draws on discourses of art history, film theory, queer studies, and cultural studies to situate Warhol's work at the nexus of Pop art, portrait painting, avant-garde film, and mainstream cinema. His close textual analysis of the film probes into its ambiguities and the ways in which viewers respond to what is and what is not on screen. Presenting rarely reproduced Warhol art and previously unpublished Ed Wallowitch photographs along with now iconic publicity shots of James Dean, Grundmann establishes Blow Job as a consummate example of Warhol's highly insightful engagement with a broad range of representational codes of gender and sexuality. Roy Grundmann is Assistant Professor of Film Studies at Boston University and a contributing editor of Cineaste.
Author: Roy Grundmann
Publisher: Temple University Press
ISBN: 9781566399722
Category : Art
Languages : en
Pages : 244
Get Book Here
Book Description
In this ground-breaking and provocative book, Roy Grundmann contends that Andy Warhol's notorious 1964 underground film, Blow Job, serves as rich allegory as well as suggestive metaphor for post-war American society's relation to homosexuality. Arguing that Blow Job epitomizes the highly complex position of gay invisibility and visibility, Grundmann uses the film to explore the mechanisms that constructed pre-Stonewall white gay male identity in popular culture, high art, science, and ethnography. Grundmann draws on discourses of art history, film theory, queer studies, and cultural studies to situate Warhol's work at the nexus of Pop art, portrait painting, avant-garde film, and mainstream cinema. His close textual analysis of the film probes into its ambiguities and the ways in which viewers respond to what is and what is not on screen. Presenting rarely reproduced Warhol art and previously unpublished Ed Wallowitch photographs along with now iconic publicity shots of James Dean, Grundmann establishes Blow Job as a consummate example of Warhol's highly insightful engagement with a broad range of representational codes of gender and sexuality. Roy Grundmann is Assistant Professor of Film Studies at Boston University and a contributing editor of Cineaste.
Author: Douglas Crimp
Publisher: MIT Press
ISBN: 0262017296
Category : Art
Languages : en
Pages : 197
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Book Description
Examines Warhol films, including "Blow Job," "Screen Test, No. 2," and "The Chelsea Girls," arguing that new forms of sociality are made visible and exemplify the filmmaker's inventive techniques.
Author: Peter Gidal
Publisher: Routledge
ISBN: 1317917510
Category : Performing Arts
Languages : en
Pages : 207
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Book Description
A polemical introduction to the avant-garde and experimental in film (including making and viewing), Materialist Film is a highly original, thought-provoking book. Thirty-seven short chapters work through a series of concepts which will enable the reader to deal imaginatively with the contradictory issues produced by experimental film. Each concept is explored in conjunction with specific films by Andy Warhol, Malcolm LeGrice, Lis Rhodes, Jean-Luc Goddard, Rose Lowder, Kurt Kren, and others. Peter Gidal draws on important politico-aesthetic writings, and uses some of his own previously published essays from Undercut, Screen, October, and Millennium Film Journal to undertake this concrete process of working through abstract concepts. Originally published in 1989.
Author: J. J. Murphy
Publisher:
ISBN: 9780520271883
Category :
Languages : en
Pages : 0
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Book Description
"One acclaimed filmmaker takes the measure of another! Murphy's candid and richly personal account of Andy Warhol's filmmaking is a brilliant contribution to our understanding of one of cinema's most original and prolific masters, exploring the artist's multiple forms of psychodrama with a filmmaker's insight and attention to detail. As more and more of the restored Warhol films become available, this book will remain an indispensable handbook for film historians and general moviegoers alike--especially because it is such a genuine pleasure to read."--David E. James, author of The Most Typical Avant-Garde: History and Geography of Minor Cinemas in Los Angeles. "Those of us who care about independent cinema have always struggled with Andy Warhol's massive oeuvre. At long last J.J. Murphy, who has spent a lifetime making contributions to independent cinema, has undertaken the Herculean task of helping us understand Warhol's development as a filmmaker. Murphy's precision, stamina, and passion are evident in this examination of an immense body of work--as is his ability to report what he has discovered in a readable and informative manner. The Black Hole of the Camera helps us to re-conceptualize Warhol's films not simply as mythic pranks, but as the diverse creations of a prolific and inventive film artist."--Scott MacDonald, author of A Critical Cinema: Interviews with Independent Filmmakers (5 vols.). "In his careful firsthand study of Andy Warhol's films, J. J. Murphy contributes to the ongoing revision of the enduring but misplaced perceptions of Warhol as a passive, remote, and one-dimensional artist. Murphy's discussions of authorship, the relation of content to form, the role of "dramatic conflict," and the complexity of Warhol's camera work show these perceptions to be stubborn myths. The Black Hole of the Camera offers a clear sense of the nuances of Warhol's fascinating, prolific, and influential activities in filmmaking."--Reva Wolf, author of Andy Warhol, Poetry, and Gossip in the 1960s.
Author: John Giorno
Publisher: Macmillan + ORM
ISBN: 0374721866
Category : Biography & Autobiography
Languages : en
Pages : 271
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Book Description
A rollicking, sexy memoir of a young poet making his way in 1960s New York City When he graduated from Columbia in 1958, John Giorno was handsome, charismatic, ambitious, and eager to soak up as much of Manhattan's art and culture as possible. Poetry didn't pay the bills, so he worked on Wall Street, spending his nights at the happenings, underground movie premiers, art shows, and poetry readings that brought the city to life. An intense romantic relationship with Andy Warhol—not yet the global superstar he would soon become—exposed Giorno to even more of the downtown scene, but after starring in Warhol's first movie, Sleep, they drifted apart. Giorno soon found himself involved with Robert Rauschenberg and later Jasper Johns, both relationships fueling his creativity. He quickly became a renowned poet in his own right, working at the intersection of literature and technology, freely crossing genres and mediums alongside the likes of William Burroughs and Brion Gysin. Twenty-five years in the making, and completed shortly before Giorno's death in 2019, Great Demon Kings is the memoir of a singular cultural pioneer: an openly gay man at a time when many artists remained closeted and shunned gay subject matter, and a devout Buddhist whose faith acted as a rudder during a life of tremendous animation, one full of fantastic highs and frightening lows. Studded with appearances by nearly every it-boy and girl of the downtown scene (including a moving portrait of a decades-long friendship with Burroughs), this book offers a joyous, life-affirming, and sensational look at New York City during its creative peak, narrated in the unforgettable voice of one of its most singular characters.
Author: Linda Williams
Publisher: Duke University Press
ISBN: 9780822333128
Category : Business & Economics
Languages : en
Pages : 532
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Book Description
A collection of contemporary work on pornographic film and video, edited by one of the founders of the field.
Author: Tony Scherman
Publisher: Harper Collins
ISBN: 0060936630
Category : Biography & Autobiography
Languages : en
Pages : 530
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Book Description
To his critics, he was the cynical magus of a movement that debased high art and reduced it to a commodity. To his admirers, he was the most important artist since Picasso. As the quintessential Pop artist, Andy Warhol razed the barrier between high and low culture. Pop disentangles the myths of Warhol from the man he truly was, offering a vivid, entertaining, and provocative look at the legendary artist’s personal and artistic evolution during his most productive and innovative years. It is a dynamic, groundbreaking portrait of the man who changed the way we see the world.
Author: Andy Warhol
Publisher:
ISBN:
Category : Shoes in art
Languages : en
Pages : 92
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Book Description
Author: Jennifer Doyle
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 304
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Book Description
Andy Warhol was queer in more ways than one. This work explores, analyzes, and celebrates the role of Warhol's queerness in the making and reception of his film and art. It demonstrates that to ignore Warhol's queerness is to miss what is most valuable, interesting, sexy, and political about his life and work.
Author:
Publisher: Karma, New York
ISBN: 9781942607823
Category : Art criticism
Languages : en
Pages : 432
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Book Description
The latest volume of writing by influential New York-based critic and curator Bob Nickas collects his 2012-14 column for Vice magazine's Komp-laint Dept. This column unleashed the full omnivorous range of the author's interests. There are essays on musicians such as Neil Young, Sun Ra, Royal Trux and Lydia Lunch, which look at their biographies and the history of Nickas' personal relationship with their music; there are lengthy and often very funny "complaints" about, among other things, two different presidents, Jeff Koons, New York architecture, the meeting of fashion and punk, religion in general, nostalgia and the problem with contemporary graffiti. Additionally, there are meditations on filmmakers such as David Cronenberg and Nicolas Refin. The book is rounded out by perhaps the definitive (two-part) examination of how and why Richard Prince uses appropriation. Bob Nickas has worked as a critic and curator in New York since 1984. He is the author of Theft Is Vision (2007) and The Dept. of Corrections (2016).
