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Author: Andreas Feininger
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 330
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Book Description
"The camera is superior to the eye, and the photograph can, and ideally should, portray the world more graphic than reality itself." --Andreas Feininger The basic principles underlying the photographic art of Andreas Feininger are clarity, simplicity and organization. The eldest son of painter Lyonel Feininger, he was born in Paris in 1906. Upon completion of training as a cabinet-maker at the Bauhaus in Weimar in the early 1920s, he went on to study architecture in the state schools of Weimar and Zerbst. It was while working as an architectural photographer in Stockholm that he developed the sweeping vistas and fine balance for which his pictures were famous. Emigrating to New York following the outbreak of World War II, Feininger was hired as a photo-editor by Life magazine. In his own work, he captured images of urban canyons, skyscrapers, bridges and elevated railways in concentrated, atmospheric photographs that are regarded as classical works today. He applied the same enthusiasm to nature studies: his detail images of insects, flowers, shells, wood and stones imbue these forms with a sculptural character. That's Photography presents the work of this classic photographer, who died in 1999.
Author: Andreas Feininger
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 330
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Book Description
"The camera is superior to the eye, and the photograph can, and ideally should, portray the world more graphic than reality itself." --Andreas Feininger The basic principles underlying the photographic art of Andreas Feininger are clarity, simplicity and organization. The eldest son of painter Lyonel Feininger, he was born in Paris in 1906. Upon completion of training as a cabinet-maker at the Bauhaus in Weimar in the early 1920s, he went on to study architecture in the state schools of Weimar and Zerbst. It was while working as an architectural photographer in Stockholm that he developed the sweeping vistas and fine balance for which his pictures were famous. Emigrating to New York following the outbreak of World War II, Feininger was hired as a photo-editor by Life magazine. In his own work, he captured images of urban canyons, skyscrapers, bridges and elevated railways in concentrated, atmospheric photographs that are regarded as classical works today. He applied the same enthusiasm to nature studies: his detail images of insects, flowers, shells, wood and stones imbue these forms with a sculptural character. That's Photography presents the work of this classic photographer, who died in 1999.
Author:
Publisher: ABRAMS
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 242
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Book Description
Feininger has selected 199 of his finest photographs from 1928 to the present. His accompanying narrative is a personal history, covering his entire life. Especially interesting is the relation of his youthful indecision and questing. The book serves as a retrospective of his work and richly shows the variety of his art and technique. A prolific author, Feininger is well able to verbalize his feelings about his art and to write clearly about his sometimes unorthodox methods. Here, he offers a litte of his philosophy of art, and some general discussion of his technique. The quality of the prints is excellent.
Author: Andreas Feininger
Publisher: Courier Dover Publications
ISBN:
Category : Art
Languages : en
Pages : 84
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Book Description
El trains, South Side slums, Lake Shore Drive, stockyards. 60 pictures from 1941, 5 from 1948.
Author: Andreas Feininger
Publisher: Prentice Hall
ISBN:
Category : Photography
Languages : en
Pages : 192
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Book Description
Author: Andreas Feininger
Publisher: Amphoto Books
ISBN:
Category : Photography
Languages : en
Pages : 308
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Book Description
Author: Andreas Feininger
Publisher: Stern Portfolio
ISBN: 3570196895
Category : Photography
Languages : en
Pages : 94
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Book Description
Born in France, the son of renowned artist Lyonel Feininger, Andreas Feininger was educated as an architect in Germany before he became a photographer. After working in Sweden, he came to the United States at the age of 33 and in 1943, became a staff photographer at LIFE magazine, where he spent the next twenty years. He is best known for iconographic images of his adopted land, with a focus on powerful city- scapes, which are imbued with the strict sense of form and proportion developed during his architectural studies. Indeed, the city was to be the focus of much of his work: "I see the city as a living organism, dynamic, sometimes violent." The scale and dynamism of Feininger's work captured the vast scope and raw majesty of an energetic and evolving land. His precise and unorthodox vision magnified the grandeur in the everyday and the mundane. An accomplished technician and acclaimed writer, Feininger is also widely respected for his photographic textbooks.
Author: Andreas Feininger
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Andreas Feininger
Publisher:
ISBN:
Category : Business & Economics
Languages : en
Pages : 200
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Book Description
Author: John Loengard
Publisher: Arcade Publishing
ISBN:
Category : Photography
Languages : en
Pages : 120
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Book Description
Every photograph - whether family snapshot or museum masterpiece - comes to life out of the silver shadows in the negative. Yet the value and intrinsic beauty of the photographic negative have been woefully underappreciated. Auction houses disdain negatives of even the most celebrated photographs, insurance companies routinely underestimate their worth, and the general public never gets to see them. Only archivists, dealers and photographers themselves understand how priceless, unique and visually stunning negatives truly are. Celebrating the Negative rectifies matters in glorious fashion. John Loengard has tracked down and photographed the negatives of some of the most famous images ever made: Alexander Gardner's legendary portrait of Abraham Lincoln and Walker Evans' haunting portrait of Bud Fields and his family; Ansel Adams' serene Moonrise, Hernandez, N. Mex. and Robert Capa's D-day beachhead. Loengard's work literally and figuratively illuminates these negatives, revealing how the photographer has manipulated the image to produce the final print by choosing what to crop or enlarge, what to darken or lighten. The mastery of Man Ray, Yousuf Karsh, Alfred Stieglitz, Margaret Bourke-White, Alfred Eisenstaedt, Henri Cartier-Bresson, Andre Kertesz and Edward Weston, to name but some of the many photographers represented here, shows up in their negative capability.
Author: Andreas Feininger
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 372
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Book Description
