Author: William E. Reaves
Publisher: Texas A&M University Press
ISBN: 1623496667
Category : Art
Languages : en
Pages : 162
Book Description
A significant collection of Texas paintings and prints hangs humbly and inconspicuously throughout the offices, conference rooms, and hallways of Texas A&M University Press. These works comprise the Frank H. Wardlaw Collection of Texas Art, named in honor of the Press’s founding director, who was one of the genuine publishing icons of his day. Established in 1983 at the dedication of the new headquarters of Texas A&M University Press on the campus of Texas A&M, the collection began with twenty inaugural contributions that came as gifts from respected Texas artists whose art appeared in the books Wardlaw had shepherded to publication at the Press. Since then, the collection—which continues to be linked to artists published by the Press—has grown to house more than one hundred paintings, photographs, and illustrations. Among the noted artists featured in the collection are E. M. (Buck) Schiwetz, Otis Dozier, Michael Frary, Everett Spruce, Emily Guthrie Smith, Jerry Bywaters, and, among more recent additions, Dorothy Hood and Richard Stout. Through interviews with longtime staff and research into the Press’s book files and correspondence, William and Linda Reaves have uncovered the captivating history of this unlikely collection. In A Book Maker’s Art, they present the freshly assembled story of the Wardlaw collection, from its modest yet unique beginning to its present-day status as one of the university’s excellent collections of Texas art, reflecting the exceptional bond of arts and letters that has come to distinguish Texas A&M University Press.
A Book Maker's Art
Author: William E. Reaves
Publisher: Texas A&M University Press
ISBN: 1623496667
Category : Art
Languages : en
Pages : 162
Book Description
A significant collection of Texas paintings and prints hangs humbly and inconspicuously throughout the offices, conference rooms, and hallways of Texas A&M University Press. These works comprise the Frank H. Wardlaw Collection of Texas Art, named in honor of the Press’s founding director, who was one of the genuine publishing icons of his day. Established in 1983 at the dedication of the new headquarters of Texas A&M University Press on the campus of Texas A&M, the collection began with twenty inaugural contributions that came as gifts from respected Texas artists whose art appeared in the books Wardlaw had shepherded to publication at the Press. Since then, the collection—which continues to be linked to artists published by the Press—has grown to house more than one hundred paintings, photographs, and illustrations. Among the noted artists featured in the collection are E. M. (Buck) Schiwetz, Otis Dozier, Michael Frary, Everett Spruce, Emily Guthrie Smith, Jerry Bywaters, and, among more recent additions, Dorothy Hood and Richard Stout. Through interviews with longtime staff and research into the Press’s book files and correspondence, William and Linda Reaves have uncovered the captivating history of this unlikely collection. In A Book Maker’s Art, they present the freshly assembled story of the Wardlaw collection, from its modest yet unique beginning to its present-day status as one of the university’s excellent collections of Texas art, reflecting the exceptional bond of arts and letters that has come to distinguish Texas A&M University Press.
Publisher: Texas A&M University Press
ISBN: 1623496667
Category : Art
Languages : en
Pages : 162
Book Description
A significant collection of Texas paintings and prints hangs humbly and inconspicuously throughout the offices, conference rooms, and hallways of Texas A&M University Press. These works comprise the Frank H. Wardlaw Collection of Texas Art, named in honor of the Press’s founding director, who was one of the genuine publishing icons of his day. Established in 1983 at the dedication of the new headquarters of Texas A&M University Press on the campus of Texas A&M, the collection began with twenty inaugural contributions that came as gifts from respected Texas artists whose art appeared in the books Wardlaw had shepherded to publication at the Press. Since then, the collection—which continues to be linked to artists published by the Press—has grown to house more than one hundred paintings, photographs, and illustrations. Among the noted artists featured in the collection are E. M. (Buck) Schiwetz, Otis Dozier, Michael Frary, Everett Spruce, Emily Guthrie Smith, Jerry Bywaters, and, among more recent additions, Dorothy Hood and Richard Stout. Through interviews with longtime staff and research into the Press’s book files and correspondence, William and Linda Reaves have uncovered the captivating history of this unlikely collection. In A Book Maker’s Art, they present the freshly assembled story of the Wardlaw collection, from its modest yet unique beginning to its present-day status as one of the university’s excellent collections of Texas art, reflecting the exceptional bond of arts and letters that has come to distinguish Texas A&M University Press.
Collision
Author: Pete Gershon
Publisher: Texas A&M University Press
ISBN: 1623496322
Category : Art
Languages : en
Pages : 482
Book Description
Winner, 2019 Ron Tyler Award for Best Illustrated Book, sponsored by the Texas State Historical Association (TSHA) In this expansive and vigorous survey of the Houston art scene of the 1970s and 1980s, author Pete Gershon describes the city’s emergence as a locus for the arts, fueled by a boom in oil prices and by the arrival of several catalyzing figures, including museum director James Harithas and sculptor James Surls. Harithas was a fierce champion for Texan artists during his tenure as the director of the Contemporary Arts Museum–Houston (CAM). He put Texas artists on the map, but his renegade style proved too confrontational for the museum’s benefactors, and after four years, he wore out his welcome. After Harithas’s departure from the CAM, the chainsaw-wielding Surls established the Lawndale Annex as a largely unsupervised outpost of the University of Houston art department. Inside this dirty, cavernous warehouse, a new generation of Houston artists discovered their identities and began to flourish. Both the CAM and the Lawndale Annex set the scene for the emergence of small, downtown, artist-run spaces, including Studio One, the Center for Art and Performance, Midtown Arts Center, and DiverseWorks. Finally, in 1985, the Museum of Fine Arts presented Fresh Paint: The Houston School, a nationally publicized survey of work by Houston painters. The exhibition capped an era of intensive artistic development and suggested that the city was about to be recognized, along with New York and Los Angeles, as a major center for art-making activity. Drawing upon primary archival materials, contemporary newspaper and magazine accounts, and over sixty interviews with significant figures, Gershon presents a narrative that preserves and interweaves the stories and insights of those who transformed the Houston art scene into the vibrant community that it is today.
Publisher: Texas A&M University Press
ISBN: 1623496322
Category : Art
Languages : en
Pages : 482
Book Description
Winner, 2019 Ron Tyler Award for Best Illustrated Book, sponsored by the Texas State Historical Association (TSHA) In this expansive and vigorous survey of the Houston art scene of the 1970s and 1980s, author Pete Gershon describes the city’s emergence as a locus for the arts, fueled by a boom in oil prices and by the arrival of several catalyzing figures, including museum director James Harithas and sculptor James Surls. Harithas was a fierce champion for Texan artists during his tenure as the director of the Contemporary Arts Museum–Houston (CAM). He put Texas artists on the map, but his renegade style proved too confrontational for the museum’s benefactors, and after four years, he wore out his welcome. After Harithas’s departure from the CAM, the chainsaw-wielding Surls established the Lawndale Annex as a largely unsupervised outpost of the University of Houston art department. Inside this dirty, cavernous warehouse, a new generation of Houston artists discovered their identities and began to flourish. Both the CAM and the Lawndale Annex set the scene for the emergence of small, downtown, artist-run spaces, including Studio One, the Center for Art and Performance, Midtown Arts Center, and DiverseWorks. Finally, in 1985, the Museum of Fine Arts presented Fresh Paint: The Houston School, a nationally publicized survey of work by Houston painters. The exhibition capped an era of intensive artistic development and suggested that the city was about to be recognized, along with New York and Los Angeles, as a major center for art-making activity. Drawing upon primary archival materials, contemporary newspaper and magazine accounts, and over sixty interviews with significant figures, Gershon presents a narrative that preserves and interweaves the stories and insights of those who transformed the Houston art scene into the vibrant community that it is today.
A Bookmark
Author: Henry C. Dethloff
Publisher: Texas A&M University Press
ISBN: 9780890968789
Category : Education
Languages : en
Pages : 204
Book Description
Given in memory of Bob Akers by Phyllis Dozier.
Publisher: Texas A&M University Press
ISBN: 9780890968789
Category : Education
Languages : en
Pages : 204
Book Description
Given in memory of Bob Akers by Phyllis Dozier.
Catalog of Copyright Entries. Third Series
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1642
Book Description
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1642
Book Description
Catalogue of Title-entries of Books and Other Articles Entered in the Office of the Librarian of Congress, at Washington, Under the Copyright Law ... Wherein the Copyright Has Been Completed by the Deposit of Two Copies in the Office
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 1926
Book Description
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 1926
Book Description
Books and Pamphlets, Including Serials and Contributions to Periodicals
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1892
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1892
Book Description
Art in America
Author: Frank Jewett Mather
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1146
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1146
Book Description
Diddy Waw Diddy
Author: Bill Porterfield
Publisher: HarperCollins Publishers
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 464
Book Description
Quirky and beloved journalist Porterfield writes about growing up during the Depression and World War II, chasing the flow of Texas oil, and searching for "Diddy Waw Diddy", a place he would never have to leave. Photos.
Publisher: HarperCollins Publishers
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 464
Book Description
Quirky and beloved journalist Porterfield writes about growing up during the Depression and World War II, chasing the flow of Texas oil, and searching for "Diddy Waw Diddy", a place he would never have to leave. Photos.
Western American Literature
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 796
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 796
Book Description
Journal of the Archives of American Art
Author:
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 188
Book Description
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 188
Book Description