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Author: Jurgis Baltrušaitis
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 202
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Book Description
Author: Jurgis Baltrušaitis
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 202
Get Book Here
Book Description
Author: Fred Leeman
Publisher:
ISBN:
Category : Anamorphic art
Languages : en
Pages : 194
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Book Description
Among the most baffling and entertaining illusions are those created by anamorphic distortion. By sophisticated application of the laws of perspective, pictures can be stretched and distorted beyond recognition, remaining 'unreadable' until they are viewed from a special angle or with the aid of a suitably shaped reflecting surface. In this book we can play the game of perspective distortion in the company of artists such as Leonardo, Holbein, Caravaggio, and Carracci, and follow its progress through the centuries ... A sheet of reflecting silver plastic is packed in each book. When rolled into a cylinder and placed on a circular picture, it unravels the many secrets -- the hidden political, religious, and erotic images -- that lie hidden in these strange and wonderful works of art.
Author: Lei Kuan I
Publisher: Lulu.com
ISBN: 136528686X
Category : Anamorphic art
Languages : en
Pages : 58
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Book Description
Contained in this coloring book are 50 mysterious drawings that are to be viewed by placing a cylindrical mirror on the book to reveal the real picture. That will be an exciting art activity for your kids. Let your kids color the deformed images and amaze them by revealing the real images! Materials needed to reveal the images: 1. Mirrored Foil or 2. Any cylinder with a diameter between 1.5 - 2 inches. (If you don't have mirrored foil, any cylinder with a reflective surface will be perfect too.) Easy Preparation: 1. Wrap the mirrored foil to make a cylindrical mirror. 2. Place the cylindrical mirror on the paper. Amazed at the images revealed!
Author: Marc Frantz
Publisher: Princeton University Press
ISBN: 140083905X
Category : Mathematics
Languages : en
Pages : 259
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Book Description
An undergraduate textbook devoted exclusively to relationships between mathematics and art, Viewpoints is ideally suited for math-for-liberal-arts courses and mathematics courses for fine arts majors. The textbook contains a wide variety of classroom-tested activities and problems, a series of essays by contemporary artists written especially for the book, and a plethora of pedagogical and learning opportunities for instructors and students. Viewpoints focuses on two mathematical areas: perspective related to drawing man-made forms and fractal geometry related to drawing natural forms. Investigating facets of the three-dimensional world in order to understand mathematical concepts behind the art, the textbook explores art topics including comic, anamorphic, and classical art, as well as photography, while presenting such mathematical ideas as proportion, ratio, self-similarity, exponents, and logarithms. Straightforward problems and rewarding solutions empower students to make accurate, sophisticated drawings. Personal essays and short biographies by contemporary artists are interspersed between chapters and are accompanied by images of their work. These fine artists--who include mathematicians and scientists--examine how mathematics influences their art. Accessible to students of all levels, Viewpoints encourages experimentation and collaboration, and captures the essence of artistic and mathematical creation and discovery. Classroom-tested activities and problem solving Accessible problems that move beyond regular art school curriculum Multiple solutions of varying difficulty and applicability Appropriate for students of all mathematics and art levels Original and exclusive essays by contemporary artists Forthcoming: Instructor's manual (available only to teachers)
Author: Stefan Pabst
Publisher: Walter Foster Publishing
ISBN: 1633223450
Category : Art
Languages : en
Pages : 128
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Book Description
Artists won't believe their eyes as they learn to draw with photorealistic detail. The Art of 3D Drawing shows artists how to transform simple pencil sketches into jaw-dropping, photorealistic masterpieces. Through a variety of step-by-step exercises and demonstrations, pencil artists learn to take their drawing skills to a whole new level, beginning with a review of the basics, including perspective, shading, rendering textures, and building dimension. Practice lessons then demonstrate how to draw a range of subjects in realistic detail, from food and candy wrappers to animals and portraits. Finally, aspiring artists learn to use color media, including pencils and airbrushing, to add even greater dimension and realism to their artwork to complete their three-dimensional masterpieces.
Author: Jonathan Stephen Harris
Publisher: Walter Foster
ISBN: 1633223558
Category : Art
Languages : en
Pages : 131
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Book Description
From impossible shapes to three-dimensional sketches and trick art, you won't believe your eyes as you learn to draw optical illusions in graphite and colored pencil. Perfect for beginning artists, The Art of Drawing Optical Illusions begins with a basic introduction to optical illusions and how they work. Jonathan Stephen Harris then guides you step-by-step in creating mind-blowing pencil drawings, starting with basic optical illusions and progressing to more difficult two- and three-dimensional trick art. Perspective and dimension are difficult to capture for both beginning and established artists, but now you can hone those skills in the most unique way possible, while also exercising your mind with these brain-boosting, unbelievable tricks!
Author: Leon Keer
Publisher: Lannoo Publishers
ISBN: 9789401470810
Category : Art
Languages : en
Pages : 256
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Book Description
* The wonderful 3D world of Leon Keer * This Dutch street artist conquers the world * Keer explains his working method and allows you a glimpse into his creative mind * With a unique 3D cover Leon Keer is the master of optical illusion. The 'Dutch JR' plays with perspectives and creates a whole new world. One in which Snow White is stuck under a door. Or a world in which you unexpectedly enter a seventies living room. This is his first monograph. He allows the reader an exclusive look into his world and imagination. How does he work? And how does a wild idea develop into a gigantic 3D artwork?
Author: Jen E. Boyle
Publisher: Routledge
ISBN: 1351958518
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
Anamorphosis in Early Modern Literature explores the prevalence of anamorphic perspective in the seventeenth and eighteenth centuries in England. Jen Boyle investigates how anamorphic media flourished in early modern England as an interactive technology and mode of affect in public interactive art, city and garden design, and as a theory and figure in literature, political theory and natural and experimental philosophy. Anamorphic mediation, Boyle brings to light, provided Milton, Margaret Cavendish, and Daniel Defoe, among others, with a powerful techno-imaginary for traversing through projective, virtual experience. Drawing on extensive archival research related to the genre of "practical perspective" in early modern Europe, Boyle offers a scholarly consideration of anamorphic perspective (its technical means, performances, and embodied practices) as an interactive aesthetics and cultural imaginary. Ultimately, Boyle demonstrates how perspective media inflected a diverse set of knowledges and performances related to embodiment, affect, and collective consciousness.
Author: Susan Foister
Publisher: National Gallery Publications Limited
ISBN: 9780300073263
Category : Art
Languages : en
Pages : 112
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Book Description
Holbein's famous life-size double portrait 'The Ambassadors' is one of the best known of his surviving works. Yet the subject matter has always presented intriguing problems. Who precisely were the two ambassadors of the title? Why did they choose to be painted together - with an array of globes, astronomical and musical instruments, books and other objects placed on shelves between them, a skull concealed in the foreground of the painting, and a crucifix partially hidden behind a curtain? The recent careful cleaning and restoration of 'The Ambassadors' has enabled an art historian, conservator, and scientist at the National Gallery in London to collaborate on a thorough study of the making and meaning of this painting.
Author: Lyle Massey
Publisher: Penn State Press
ISBN: 0271029803
Category : Art
Languages : en
Pages : 190
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Book Description
In Picturing Space, Displacing Bodies, Lyle Massey argues that we can only learn how and why certain kinds of spatial representation prevailed over others by carefully considering how Renaissance artists and theorists interpreted perspective. Combining detailed historical studies with broad theoretical and philosophical investigations, this book challenges basic assumptions about the way early modern artists and theorists represented their relationship to the visible world and how they understood these representations. By analyzing technical feats such as anamorphosis (the perspectival distortion of an object to make it viewable only from a certain angle), drawing machines, and printed diagrams, each chapter highlights the moments when perspective theorists failed to unite a singular, ideal viewpoint with the artist&’s or viewer&’s viewpoint or were unsuccessful at conjoining fictive and lived space.Showing how these &“failures&” were subsequently incorporated rather than rejected by perspective theorists, the book presents an important reassessment of the standard view of Renaissance perspective. While many scholars have maintained that perspective rationalized the relationships among optics, space, and painting, Picturing Space, Displacing Bodies asserts instead that Renaissance and early modern theorists often revealed a disjunction between geometrical ideals and practical applications. In some cases, they not only identified but also exploited these discrepancies. This discussion of perspective shows that the painter&’s geometry did not always conform to the explicitly rational, Cartesian formula that so many have assumed, nor did it historically unfold according to a standard account of scientific development.
