The Cantatas of J.S. Bach PDF Download
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Author: Alfred Dürr
Publisher: Oxford University Press
ISBN: 0198167075
Category : Music
Languages : en
Pages : 984
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Book Description
This is the only English translation of this important book by the world's most distinguished Bach scholar.
Author: Alfred Dürr
Publisher: Oxford University Press
ISBN: 0198167075
Category : Music
Languages : en
Pages : 984
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Book Description
This is the only English translation of this important book by the world's most distinguished Bach scholar.
Author: Jonathan D. Green
Publisher: Scarecrow Press
ISBN: 9780810837331
Category : Music
Languages : en
Pages : 644
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Book Description
Focusing on the works of J. S. Bach, this invaluable guide surveys the choral-orchestral repertoire.
Author: Eric Chafe
Publisher: Oxford University Press
ISBN: 0199882975
Category : Music
Languages : en
Pages : 310
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Book Description
Bach's cantatas are among the highest achievements of Western musical art, yet studies of the individual cantatas that are both illuminating and detailed are few. In this book, noted Bach expert Eric Chafe combines theological, historical, analytical, and interpretive approaches to the cantatas to offer readers and listeners alike the richest possible experience of these works. A respected theorist of seventeenth-century music, Chafe is sensitive to the composer's intentions and to the enduring and universal qualities of the music itself. Concentrating on a small number of representative cantatas, mostly from the Leipzig cycles of 1723-24 and 1724-25, and in particular on Cantata 77, Chafe shows how Bach strove to mirror both the dogma and the mystery of religious experience in musical allegory. Analyzing Bach Cantatas offers valuable information on the theological relevance of the structure of the liturgical year for the design and content of these works, as well as a survey of the theories of modality that inform Bach's compositional style. Chafe demonstrates that, while Bach certainly employed "pictorialism" and word-painting in his compositions, his method of writing music was a more complex amalgam of theological concepts and music theory. Regarding the cantatas as musical allegories that reflect the fundamental tenets of Lutheran theology as established during Bach's lifetime, Chafe synthesizes a number of key musical and theological ideas to illuminate the essential character of these great works. This unique and insightful book offers an essential methodology for understanding one of the central bodies of work in the Western musical canon. It will prove indispensable for all students and scholars of Bach's work, musicology, and theological studies.
Author: Eric Chafe
Publisher: Oxford University Press
ISBN: 0195347552
Category : Music
Languages : en
Pages : 305
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Book Description
Bach's cantatas are among the highest achievements of Western musical art, yet studies of the individual cantatas that are both illuminating and detailed are few. In this book, noted Bach expert Eric Chafe combines theological, historical, analytical, and interpretive approaches to the cantatas to offer readers and listeners alike the richest possible experience of these works. A respected theorist of seventeenth-century music, Chafe is sensitive to the composer's intentions and to the enduring and universal qualities of the music itself. Concentrating on a small number of representative cantatas, mostly from the Leipzig cycles of 1723-24 and 1724-25, and in particular on Cantata 77, Chafe shows how Bach strove to mirror both the dogma and the mystery of religious experience in musical allegory. Analyzing Bach Cantatas offers valuable information on the theological relevance of the structure of the liturgical year for the design and content of these works, as well as a survey of the theories of modality that inform Bach's compositional style. Chafe demonstrates that, while Bach certainly employed "pictorialism" and word-painting in his compositions, his method of writing music was a more complex amalgam of theological concepts and music theory. Regarding the cantatas as musical allegories that reflect the fundamental tenets of Lutheran theology as established during Bach's lifetime, Chafe synthesizes a number of key musical and theological ideas to illuminate the essential character of these great works. This unique and insightful book offers an essential methodology for understanding one of the central bodies of work in the Western musical canon. It will prove indispensable for all students and scholars of Bach's work, musicology, and theological studies.
Author:
Publisher: University of Toronto Press
ISBN: 1487537751
Category : Literary Criticism
Languages : en
Pages : 735
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Book Description
The widespread opinion is that Northrop Frye’s influence reached its zenith in the 1960s and 1970s, after which point he became obsolete, his work buried in obscurity. This almost universal opinion is summed up in Terry Eagleton’s 1983 rhetorical question, "Who now reads Frye?" In The Reception of Northrop Frye, Robert D. Denham catalogues what has been written about Frye – books, articles, translations, dissertations and theses, and reviews – in order to demonstrate that the attention Frye’s work has received from the beginning has progressed at a geomantic rate. Denham also explores what we can discover once we have a fairly complete record of Frye’s reception in front of us – such as Hayden White’s theory of emplotments applied to historical writing and Byron Almén’s theory of musical narrative. The sheer quantity of what has been written about Frye reveals that the only valid response to Eagleton’s rhetorical question is "a very large and growing number," the growth being not incremental but exponential.
Author: Avery T. Sharp
Publisher: Routledge
ISBN: 0415994195
Category : Music
Languages : en
Pages : 389
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Book Description
This is an annotated bibliography to books, recordings, videos, and websites on choral music. This book will serve as an excellent tool for librarians, researchers, and scholars in sorting through the massive amount of new material that has appeared since publication of the previous edition.
Author: University of California (1868-1952)
Publisher:
ISBN:
Category : Universities and colleges
Languages : en
Pages : 1430
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Book Description
Author: Daniel R. Melamed
Publisher: Oxford University Press
ISBN: 0195122313
Category : Music
Languages : en
Pages : 202
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Book Description
Subjects covered include bibliographic tools of Bach research and sources of literature; Bach's family; Bach biographies; places Bach lived and worked; Bach's teaching; the liturgy; Bach source studies and the transmission of his music; repertory and editions; genres and individual vocal and instrumental works; performance practice; the reception and analysis of Bach's music; and many others.
Author: Eric Thomas Chafe
Publisher: Berkeley : University of California Press
ISBN: 9780520058569
Category : Music
Languages : en
Pages : 449
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Book Description
"It is truly exciting and vastly stimulating to read an author who is a fine musicologist and at the same time one who is immersed in Lutheranism, for the coming together of Luther's theology and Bach's vocal music is of extraordinary historical importance. . . . This book establishes absolutely original insights into the workings of this great genius of musical composition."--George Buelow, Indiana University "It is truly exciting and vastly stimulating to read an author who is a fine musicologist and at the same time one who is immersed in Lutheranism, for the coming together of Luther's theology and Bach's vocal music is of extraordinary historical importance. . . . This book establishes absolutely original insights into the workings of this great genius of musical composition."--George Buelow, Indiana University
Author: Mark A. Peters
Publisher: Rowman & Littlefield
ISBN: 1498554962
Category : Music
Languages : en
Pages : 355
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Book Description
Compositional Choices and Meaning in the Vocal Music of J. S. Bach collects seventeen essays by leading Bach scholars. The authors each address in some way such questions of meaning in J. S. Bach’s vocal compositions—including his Passions, Masses, Magnificat, and cantatas—with particular attention to how such meaning arises out of the intentionality of Bach’s own compositional choices or (in Part IV in particular) how meaning is discovered, and created, through the reception of Bach’s vocal works. And the authors do not consider such compositional choices in a vacuum, but rather discuss Bach’s artistic intentions within the framework of broader cultural trends—social, historical, theological, musical, etc. Such questions of compositional choice and meaning frame the four primary approaches to Bach’s vocal music taken by the authors in this volume, as seen across the book’s four parts: Part I: How might the study of historical theology inform our understanding of Bach’s compositional choices in his music for the church (cantatas, Passions, masses)? Part II: How can we apply traditional analytical tools to understand better how Bach’s compositions were created and how they might have been heard by his contemporaries? Part III: What we can understand anew through the study of Bach’s self-borrowing (i.e., parody), which always changed the earlier meaning of a composition through changes in textual content, compositional characteristics, the work’s context within a larger composition, and often the performance context (from court to church, for example)? Part IV: What can the study of reception teach us about a work’s meaning(s) in Bach’s time, during the time of his immediate successors, and at various points since then (including our present)? The chapters in this volume thus reflect the breadth of current Bach research in its attention not only to source study and analysis, but also to meanings and contexts for understanding Bach’s compositions.
