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Author: Yelyzaveta Babenko
Publisher: GRIN Verlag
ISBN: 3640912853
Category : Performing Arts
Languages : en
Pages : 89
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Book Description
Pre-University Paper from the year 2010 in the subject Film Science, grade: 14,0, course: technological progress and ethics, language: English, abstract: Is is only in the last decades of the twentieth century that technology gained an important place in western society, and its development is flourishing up to the present day. Due to the rapid progress of high-tech computers and information technology the standard of living improved, and full scope can be given to our creativity, for mechanical tasks are now fulfiled by the machines. The Technological Revolution has aroused several expectations and fantasies. The seemingly utopistic idea of artificial intelligence which has moved human beings since the antiquity appeared by the midth of the twentieth century more than ever realistic. Such a promising future vision has otherwise led to anxiety and fear. What if we will, striving after power, lose it completely and get ourselves into bondage? These thoughts gave birth to anti-utopian fiction where the worst of the fears are brought into reality - intelligent machines created by human beings have made people to their slaves and rule on Earth.
Author: Yelyzaveta Babenko
Publisher: GRIN Verlag
ISBN: 3640912853
Category : Performing Arts
Languages : en
Pages : 89
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Book Description
Pre-University Paper from the year 2010 in the subject Film Science, grade: 14,0, course: technological progress and ethics, language: English, abstract: Is is only in the last decades of the twentieth century that technology gained an important place in western society, and its development is flourishing up to the present day. Due to the rapid progress of high-tech computers and information technology the standard of living improved, and full scope can be given to our creativity, for mechanical tasks are now fulfiled by the machines. The Technological Revolution has aroused several expectations and fantasies. The seemingly utopistic idea of artificial intelligence which has moved human beings since the antiquity appeared by the midth of the twentieth century more than ever realistic. Such a promising future vision has otherwise led to anxiety and fear. What if we will, striving after power, lose it completely and get ourselves into bondage? These thoughts gave birth to anti-utopian fiction where the worst of the fears are brought into reality - intelligent machines created by human beings have made people to their slaves and rule on Earth.
Author: Joshua Clover
Publisher: Bloomsbury Publishing
ISBN: 1839022663
Category : Performing Arts
Languages : en
Pages : 113
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Book Description
The Matrix (1999), directed by the Wachowski sisters and produced by Joel Silver, was a true end-of-the-millennium movie, a statement of the American zeitgeist, and, as the original film in a blockbusting franchise, a prognosis for the future of big-budget Hollywood film-making. Starring Keanu Reeves as Neo, a computer programmer transformed into a messianic freedom fighter, The Matrix blends science fiction with conspiracy thriller conventions and outlandish martial arts created with groundbreaking digital techniques. A box-office triumph, the film was no populist confection: its blatant allusions to highbrow contemporary philosophy added to its appeal as a mystery to be decoded. In this compelling study, Joshua Clover undertakes the task of decoding the film. Examining The Matrix's digital effects and how they were achieved, he shows how the film represents a melding of cinema and video games (the greatest commercial threat to have faced Hollywood since the advent of television) and achieves a hybrid kind of immersive entertainment. He also unpacks the movie's references to philosophy, showing how The Matrix ultimately expresses the crisis American culture faced at the end of the 1990s.
Author: Monique Bre
Publisher: GRIN Verlag
ISBN: 3638427854
Category : Literary Collections
Languages : en
Pages : 22
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Book Description
Seminar paper from the year 2005 in the subject American Studies - Literature, grade: 1,3, Dresden Technical University (Institut Amerikanistik), course: American Noir, language: English, abstract: When the movie The Matrix commences, the audience has the impression to have stepped back into the late 1930s or 1940s. With its very conventional beginning of a noir narrative, The Matrix, which was directed by the brothers Andy and Larry Wachowski in 1999, provides the viewer with all the characteristics of a typical film noir: the setting of this first sequence is shot at night; it is dark and gloomy. We see a group of police officers in uniforms storming a building in order to arrest one woman. Not until that very ‘fugitive on the run’ fights back and escapes by implementing some rather incredulous astonishing fighting, we realize that this movie is not going to be in the past but in the future. The Matrix is often referred to as a futuristic, film noir, utopian science-fiction movie – a movie, which is innovative in its design and its special digital techniques. Containing plenty of characteristics of the classical film noir, which I am going to describe in the course of this seminar paper, the recipients witness in The Matrix a revival of the themes of the classical film noir. For that reason, it will be of interest in which way elements and motifs of film noir have changed to neo film noir, and to what extend we will find old and new noirish features in The Matrix. Additionally, I am going to analyze the plot as well as the character development of the main protagonists, their relationship to each other and their meaning for the film’s progress. Not only do I want to examine the film’s plot points in terms of their significance for the movie’s development, but also will I focus on misé-en-scene and the technical devices, which definitely set milestones in the history of film making.
Author: Larry Wachowski
Publisher:
ISBN:
Category : Matrix (Motion picture)
Languages : en
Pages : 166
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Book Description
Author: Yelyzaveta Babenko
Publisher: GRIN Verlag
ISBN: 3640914023
Category : Performing Arts
Languages : en
Pages : 43
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Book Description
Pre-University Paper from the year 2010 in the subject Film Science, grade: 14,0, , course: technological progress and ethics, language: English, abstract: Is is only in the last decades of the twentieth century that technology gained an important place in western society, and its development is flourishing up to the present day. Due to the rapid progress of high-tech computers and information technology the standard of living improved, and full scope can be given to our creativity, for mechanical tasks are now fulfiled by the machines. The Technological Revolution has aroused several expectations and fantasies. The seemingly utopistic idea of artificial intelligence which has moved human beings since the antiquity appeared by the midth of the twentieth century more than ever realistic. Such a promising future vision has otherwise led to anxiety and fear. What if we will, striving after power, lose it completely and get ourselves into bondage? These thoughts gave birth to anti-utopian fiction where the worst of the fears are brought into reality – intelligent machines created by human beings have made people to their slaves and rule on Earth.
Author: William Irwin
Publisher: Open Court Publishing
ISBN: 9780812695014
Category : Performing Arts
Languages : en
Pages : 300
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Book Description
Presents essays exploring the philosophical themes of the motion picture "The Matrix," which portrays a false world created from nothing but perceptions.
Author: Brendan O'Halloran
Publisher: Createspace Independent Publishing Platform
ISBN: 9781539685258
Category :
Languages : en
Pages : 34
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Book Description
A thorough analysis of the movie blockbuster, The Matrix'
Author: Marius Gerschau
Publisher: GRIN Verlag
ISBN: 3656409773
Category : Foreign Language Study
Languages : en
Pages : 21
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Book Description
Pre-University Paper from the year 2012 in the subject Didactics for the subject English - Literature, Works, grade: 1,00, , language: English, abstract: Take a trip down memory lane and find yourself in the year 1999. This year marked the birth of a film that would eventually become one of the most praised science fiction films of all time. Not only being received positively by critics and having a worldwide gross profit of over 463 million dollars with a budget of 63 million dollars, The Matrix by the Wachowski Brothers quickly gained a cult following for it’s highly professional fighting scenes, revolutionary special effects and steampunk atmosphere. It spawned two even more successful and anticipated sequels four years later, three video games, comic books and an anime spin-off. But what really made The Matrix a mentionable film was not it’s focus on action scenes, but it’s complex storyline and a wide range of possible Interpretation and Intertextuality. This seminar paper will give you a glimpse of how far those two points can reach. It will summarize the plot of The Matrix first, then it will interpret the points in the movie, that seem unclear and confusing to the viewer and last but not least explain the most notable references and the Intertextuality to works, that inspired the movie. It will, however, only treat the first and original movie The Matrix and not it’s sequels Matrix Reloaded and Matrix Revolutions and other media from the franchise.
Author: Matthew Kapell
Publisher: A&C Black
ISBN: 9780826415875
Category : Social Science
Languages : en
Pages : 240
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Book Description
There have already been several very successful books devoted to the original film in the Matrix trilogy. This entirely new collection of essays is the first book to examine the trilogy as a whole - as well as related products such as The Animatrix and the computer game. Contributors tackle these subjects from a range of perspectives: religion, philosophy, gender, race, film studies, and science, providing a comprehensive view of everything Matrix-related.Reviewing the cultural and religious implications of the trilogy, authors look at:* American Religion, Community and Revitilization: Why The Matrix Resonates* Religion and Salvation, the Optiate of The Matrix Franchise* Gimme that Bullet Time Religion, or, The Dream of Spiritually Perfect Violence* Ultimate Reality: Buddhist and Gnostic Constructions of BlissAlso covered are theories of cyberworlds, issues of gender and race and the games and ethics of simulation.
Author: Patricia Pisters
Publisher: Stanford University Press
ISBN: 0804740283
Category : Performing Arts
Languages : en
Pages : 317
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Book Description
This book explores Gilles Deleuze's contribution to film theory. According to Deleuze, we have come to live in a universe that could be described as metacinematic. His conception of images implies a new kind of camera consciousness, one that determines our perceptions and sense of selves: aspects of our subjectivities are formed in, for instance, action-images, affection-images and time-images. We live in a matrix of visual culture that is always moving and changing. Each image is always connected to an assemblage of affects and forces. This book presents a model, as well as many concrete examples, of how to work with Deleuze in film theory. It asks questions about the universe as metacinema, subjectivity, violence, feminism, monstrosity, and music. Among the contemporary films it discusses within a Deleuzian framework are Strange Days, Fight Club, and Dancer in the Dark.
