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Author: Tom Stoppard
Publisher: Grove/Atlantic, Inc.
ISBN: 155584894X
Category : Drama
Languages : en
Pages : 134
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Book Description
Acclaimed as a modern dramatic masterpiece, Rosencrantz & Guildenstern are Dead is the fabulously inventive tale of Hamlet as told from the worm’s-eve view of the bewildered Rosencrantz and Guildenstern, two minor characters in Shakespeare’s play. In Tom Stoppard’s best-known work, this Shakespearean Laurel and Hardy finally get a chance to take the lead role, but do so in a world where echoes of Waiting for Godot resound, where reality and illusion intermix, and where fate leads our two heroes to a tragic but inevitable end. Tom Stoppard was catapulted into the front ranks of modem playwrights overnight when Rosencrantz and Guildenstern Are Dead opened in London in 1967. Its subsequent run in New York brought it the same enthusiastic acclaim, and the play has since been performed numerous times in the major theatrical centers of the world. It has won top honors for play and playwright in a poll of London Theater critics, and in its printed form it was chosen one of the “Notable Books of 1967” by the American Library Association.
Author: Tom Stoppard
Publisher: Grove/Atlantic, Inc.
ISBN: 155584894X
Category : Drama
Languages : en
Pages : 134
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Book Description
Acclaimed as a modern dramatic masterpiece, Rosencrantz & Guildenstern are Dead is the fabulously inventive tale of Hamlet as told from the worm’s-eve view of the bewildered Rosencrantz and Guildenstern, two minor characters in Shakespeare’s play. In Tom Stoppard’s best-known work, this Shakespearean Laurel and Hardy finally get a chance to take the lead role, but do so in a world where echoes of Waiting for Godot resound, where reality and illusion intermix, and where fate leads our two heroes to a tragic but inevitable end. Tom Stoppard was catapulted into the front ranks of modem playwrights overnight when Rosencrantz and Guildenstern Are Dead opened in London in 1967. Its subsequent run in New York brought it the same enthusiastic acclaim, and the play has since been performed numerous times in the major theatrical centers of the world. It has won top honors for play and playwright in a poll of London Theater critics, and in its printed form it was chosen one of the “Notable Books of 1967” by the American Library Association.
Author: Tom Stoppard
Publisher: Samuel French, Inc.
ISBN: 9780573614927
Category : Drama
Languages : en
Pages : 114
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Book Description
Originally published: New York: Grove Press, 1967.
Author: Tom Stoppard
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Karl Mattern
Publisher: GRIN Verlag
ISBN: 3638667588
Category : Drama
Languages : en
Pages : 52
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Book Description
Seminar paper from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of Mannheim (Lehrstuhl Anglistik II), course: Classics of 20th Century British Drama, 8 entries in the bibliography, language: English, abstract: The play Rosencrantz and Guildenstern are Dead in its present form is the result of several drafts and older versions of this play, which Tom Stoppard wrote and staged. The first one was Rosencrantz and Guildenstern meet King Lear and was performed by amateur actors at a Ford Foundation cultural picnic in Berlin, in 1964. In this form the play was a one-act comedy in verse.1 In the following years the title changed and Stoppard rewrote the play into prose. At the Edinburgh Festival in 1966 the play had its break through and soon later its script was bought and produced by the National Theatre at the Old Vic. According to the Sunday Times it was "the most important event in the British professional theatre of the last nine years."2 The reason for the enthusiastic reactions towards the play is the fact that it illustrates the confusion of mankind in the post-modern world. Today's pluralism leaves the individual all to himself. The unity, which used to be created by religion, class or moral values, has been split up in favour of countless parallel existing societies with their own moral ideals and goals. Rosencrantz and Guildenstern are Dead is a comical depiction of two friends looking for an orientation in a world, which to them has lost its orders and values. By using Rosencrantz and Guildenstern, who are the two courtiers from Elsinore, from Shakespeare's Hamlet, Stoppard shows an unknown perspective of Hamlet. It is the one of Rosencrantz and Guildenstern. Without knowing the entire plot they experience the action from their point of view and constantly try to find explanations of their roles and future in the play. The lack of orientation and the absence of reliable values in this strange world re
Author: Tom Stoppard
Publisher: Samuel French, Inc.
ISBN: 9780573614675
Category : Critics
Languages : en
Pages : 44
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Book Description
Feuding theatre critics Moon and Birdfoot, the first a fusty philanderer and the second a pompous and vindictive second stringer, are swept into the whodunit they are viewing. In the hilarious spoof of Agatha Christie-like melodramas that follows, the body under the sofa proves to be the missing first string critic. As mists rise about isolated Muldoon Manor, Moon and Birdfoot become dangerously implicated in the lethal activities of an escaped madman.-- from publisher's website.
Author: William Shakespeare
Publisher:
ISBN: 9781616002190
Category :
Languages : en
Pages :
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Book Description
Author: Tom Stoppard
Publisher: Grove/Atlantic, Inc.
ISBN: 0802195385
Category : Drama
Languages : en
Pages : 92
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Book Description
Tom Stoppers's play "Jumpers" is both a high-spirited comedy and a serious attempt to debate the existence of a moral absolute, of metaphysical reality, of God. Michael Billington in "The Guardian" described the play succinctly: "The new Radical Liberal Party has made the ex-Minister of Agriculture Archbishop of Cantebury, British astronauts are scrapping with each other on the moon, and spritely academics steal about London by night indulging in murderous gymnastics: this is the kind of manic, futuristic, topsy-turvy world in which Stoppard's dazzling new play is set. And if I add that the influences apparently include Wittgenstein, Magritte, the Goons, Robert Dhery, Joe Orton, and The Avengers, you will have some idea of the heady brew Stoppard has here concocted." The protagonist incude an aging Professor Of Moral Philosophy -- trying to compose a lecture on "Man -- Good, Bad or Indifferent" -- while ignoring a corpse in the next room; his beautiful young wife, an ex-musical comedy Queen, lasciviously entertaining his university boss down the hall; her husband's specially trained hare, Thumpers; and a chorus of gymnasts, Jumpers.
Author: Tom Stoppard
Publisher: Grove Press
ISBN: 9780802135810
Category : Drama
Languages : en
Pages : 116
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Book Description
Poetry, scholarship, and love are entwined in Tom Stoppard's new play about A.E. Housman, which "Variety" has called "vintage Stoppard in its intelligence and wit". "Stoppard is at the top of form. . . . "The Invention of Love" does not just make you think, it also makes you feel".--"Daily Telegraph".
Author: Tom Stoppard
Publisher: Grove Press
ISBN: 9780802150899
Category : Drama
Languages : en
Pages : 100
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Book Description
Satire on politics, literature and art. James Joyce, Lenin, and Dadaist Tristan Tzara come together in the memories of an obscure English diplomat (Henry Wilfred Carr) in Zürich. (Song and dance routines. Prologue, 2 acts, 5 men, 3 women, 2 interiors).
Author: Peter Lake
Publisher: Yale University Press
ISBN: 0300247818
Category : History
Languages : en
Pages : 239
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Book Description
An illuminating account of how Shakespeare worked through the tensions of Queen Elizabeth's England in two canon-defining plays Conspiracies and revolts simmered beneath the surface of Queen Elizabeth's reign. England was riven with tensions created by religious conflict and the prospect of dynastic crisis and regime change. In this rich, incisive account, Peter Lake reveals how in Titus Andronicus and Hamlet Shakespeare worked through a range of Tudor anxieties, including concerns about the nature of justice, resistance, and salvation. In both Hamlet and Titus the princes are faced with successions forged under questionable circumstances and they each have a choice: whether or not to resort to political violence. The unfolding action, Lake argues, is best understood in terms of contemporary debates about the legitimacy of resistance and the relation between religion and politics. Relating the plays to their broader political and polemical contexts, Lake sheds light on the nature of revenge, resistance, and religion in post-Reformation England.
