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Author: Robin Wagner-Pacifici
Publisher: University of Chicago Press
ISBN: 022643978X
Category : History
Languages : en
Pages : 250
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Book Description
Even though September 11 hovers over this mesmerizing look into the nature of eventsit was the fall of the Twin Towers that inspired Robin Wagner-Pacifici initiallythe richly evocative and thoughtful story she tells scales up to the level of major historical events and it scales down to the micro-level of ruptures in individual lives. Wagner-Pacifici moves back and forth between events experienced with all their vivid, pulsating, and demanding realities, and events understood systematically and conceptually. It is an astonishing achievement: a book that works with events, and a book that builds a model for analyzing them. She makes contact with specific eventful ruptures and turning-points; she analyzes how events erupt and take off from the ground of ongoing, everyday life, and how they move across time and landscapes. What Is an Event gives us a crystalline condensation of idea, image, analysis, and act, teasing out multiple possibilities for conceiving of events in series, in ruptures, in causal mechanisms, in short and long duration, and in their reception by the public. Wagner-Pacifici peppers each chapter with brilliant, vivifying examples: from 9/11 (four air hijackings, with multiple target sites, propelling the event from rupture, to accident, to incident, to attack, to war in rapid fashion, and on to the trial of Khalid Sheikh Mohammed and the memorial museum at ground zero, and so much else) to the shooting in Camus s The Stranger to the shooting of Trayvon Martin. There is much in between. These examples take on the form of exemplars, models, paradigms. They show the productive pathways that keep events alive and coherent, and uncover the mechanisms by which forces and agents attempt to shape and move events. This book changes the conversation about how history is made."
Author: Robin Wagner-Pacifici
Publisher: University of Chicago Press
ISBN: 022643978X
Category : History
Languages : en
Pages : 250
Get Book Here
Book Description
Even though September 11 hovers over this mesmerizing look into the nature of eventsit was the fall of the Twin Towers that inspired Robin Wagner-Pacifici initiallythe richly evocative and thoughtful story she tells scales up to the level of major historical events and it scales down to the micro-level of ruptures in individual lives. Wagner-Pacifici moves back and forth between events experienced with all their vivid, pulsating, and demanding realities, and events understood systematically and conceptually. It is an astonishing achievement: a book that works with events, and a book that builds a model for analyzing them. She makes contact with specific eventful ruptures and turning-points; she analyzes how events erupt and take off from the ground of ongoing, everyday life, and how they move across time and landscapes. What Is an Event gives us a crystalline condensation of idea, image, analysis, and act, teasing out multiple possibilities for conceiving of events in series, in ruptures, in causal mechanisms, in short and long duration, and in their reception by the public. Wagner-Pacifici peppers each chapter with brilliant, vivifying examples: from 9/11 (four air hijackings, with multiple target sites, propelling the event from rupture, to accident, to incident, to attack, to war in rapid fashion, and on to the trial of Khalid Sheikh Mohammed and the memorial museum at ground zero, and so much else) to the shooting in Camus s The Stranger to the shooting of Trayvon Martin. There is much in between. These examples take on the form of exemplars, models, paradigms. They show the productive pathways that keep events alive and coherent, and uncover the mechanisms by which forces and agents attempt to shape and move events. This book changes the conversation about how history is made."
Author: R.A. Goodrich
Publisher: Cambridge Scholars Publishing
ISBN: 1443879924
Category : Art
Languages : en
Pages : 240
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Book Description
Partly guided by Alain Badiou's controversial Century and its interpretation of the events and art of the last century, this book opens debates about these for the twenty-first century. This book examines the extent to which such debates can be applied to the first decades of the twenty-first century and the extent to which analyses of events and subjectivities in the twentieth century can be re-thought from the perspective of this century. This book is also partly guided by Gilles Deleuze's ...
Author:
Publisher: Oswaal Books
ISBN: 9362393077
Category :
Languages : en
Pages : 233
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Book Description
Author: Keith Devlin
Publisher:
ISBN: 0465018963
Category : Mathematics
Languages : en
Pages : 210
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Book Description
Before the mid-seventeenth century, scholars generally agreed that it was impossible to predict something by calculating mathematical outcomes. One simply could not put a numerical value on the likelihood that a particular event would occur. Even the outcome of something as simple as a dice roll or the likelihood of showers instead of sunshine was thought to lie in the realm of pure, unknowable chance. The issue remained intractable until Blaise Pascal wrote to Pierre de Fermat in 1654, outlining a solution to the "unfinished game" problem: how do you divide the pot when players are forced to.
Author: William D. Melaney
Publisher: State University of New York Press
ISBN: 0791490661
Category : Philosophy
Languages : en
Pages : 274
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Book Description
After Ontology identifies the uniquely postmodern elements in hermeneutics and deconstruction in order to re-read many of the central texts in modernist literature. In a comparative study that illuminates points of contact between the philosophical positions of Gadamer and Derrida, William D. Melaney discusses Heidegger's influence on both Gadamer's ontological approach to the work of art and Derrida's transformative approach to the cultural text as implicitly postmodern. The difference between these two approaches is presented through a mutual critique of modern aesthetics that demonstrates how deconstruction can contribute to postmodern criticism. The poetry of Eliot, Pound, and Yeats is examined within this framework, while the crucial example of Joyce is taken up in terms of the production and reception of Ulysses as a seminal influence. The study concludes by emphasizing how Derrida provides an ethical version of hermeneutics that departs from Gadamerian models but can be reconciled with both postmodern insights and historical research.
Author: Anthony C. Thiselton
Publisher: Wm. B. Eerdmans Publishing
ISBN: 0802872328
Category : Religion
Languages : en
Pages : 884
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Book Description
Covering everything from Abba to Zwingli, The Thiselton Companion to Christian Theology offers a comprehensive account of a wide sweep of topics and thinkers in Christian theology. Written entirely by eminent scholar Anthony Thiselton, the book features a coherence lacking in most multiauthored volumes. Drawing on his encyclopedic knowledge, gained from fifty-plus years of study and teaching, Thiselton provides some six hundred articles on various aspects of theology throughout the centuries. The entries comprise both short descriptive surveys and longer essays of original assessment on central theological topics -- such as atonement, Christology, God, and Holy Spirit -- and on such theologians as Aquinas, Augustine, Barth, Calvin, Kng, Luther, Moltmann, and Pannenberg. The book also includes a helpful time chart dating all of the theologians discussed and highlighting key events in Christian history; select reading suggestions conclude each of the longer entries. Equally valuable for research and teaching, The Thiselton Companion to Christian Theology will be a go-to reference for pastors, students, teachers, and theologians everywhere.
Author: Pippa Drummond
Publisher: Routledge
ISBN: 1317018753
Category : History
Languages : en
Pages : 353
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Book Description
A history of the English music festival is long overdue. Dr Pippa Drummond argues that these festivals represented the most significant cultural events in provincial England during the nineteenth century and emphasizes their particular importance in the promotion and commissioning of new music. Drawing on material from surviving accounts, committee records, programmes, contemporary pamphlets and reviews, Drummond shows how the festivals responded to and reflected the changing social and economic conditions of their day. Coverage includes a chronological overview documenting the history of individual festivals followed by a detailed exploration of such topics as performers and performance practice, logistics and finance, programmes and commissioning, together with information concerning the composition and provenance of festival choirs and orchestras. Also discussed are the effects of improved transport and new technologies on the festivals, sacred and secular conflicts, gender issues, the role of philanthropy, the nature of patronage and the changing social status of festival audiences. The book will also be of interest to social, economic and local historians.
Author: Jim Davies
Publisher: Springer
ISBN: 3642198295
Category : Computers
Languages : en
Pages : 299
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Book Description
This book constitutes the thoroughly refereed post-conference proceedings of the 13th Brazilian Symposium on Formal Methods, SBMF 2010, held in Natal, Brazil, in November 2010. The 18 revised full papers were carefully reviewed and selected from 55 submissions. The papers presented cover a broad range of foundational and methodological issues in formal methods for the design and analysis of software and hardware systems as well as applications in various domains.
Author: Polona Tratnik
Publisher: Rowman & Littlefield
ISBN: 1538154234
Category : Philosophy
Languages : en
Pages : 199
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Book Description
In global terms, creative industries are on the rise, as are new media investigations in art and initiatives that encourage innovation in the arts, for end-use in the economy. However, there is a significant lack of critical reflection on this form of creative production. This important book points out the dangers and downfalls that accompany such a boom of the creative industries and the subordination of art to the economy and politics. Specifically, it shows that art, as a mode of social and aesthetic practice, is losing the very thing which it has striven for so desperately in the course of modernity: its independence from other spheres of human activity.
Author: Allan C. Hutchinson
Publisher: Cambridge University Press
ISBN: 9781139444934
Category : Law
Languages : en
Pages : 314
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Book Description
This book offers a radical challenge to accounts of the common law's development. Contrary to received jurisprudential wisdom, it maintains there is no grand theory which will explain satisfactorily the dynamic interactions of change and stability in the common law's history. Offering original readings of Charles Darwin's and Hans-Georg Gadamer's works, the book shows that law is a rhetorical activity that can only be properly appreciated in its historical and political context; tradition and transformation are locked in a mutually reinforcing but thoroughly contingent embrace. In contrast to the dewy-eyed offerings of much contemporary work, it demonstrates that, like life, law is an organic process (i.e., events are the products of functional and localized causes) rather than a miraculous one (i.e., events are the result of some grand plan or intervention). In short, common law is a perpetual work-in-progress - evanescent, dynamic, messy, productive, tantalising, and bottom-up.
