An Oxford Tragedy PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download An Oxford Tragedy PDF full book. Access full book title An Oxford Tragedy by J.C. Masterman. Download full books in PDF and EPUB format.
Author: J.C. Masterman
Publisher: A&C Black
ISBN: 1448214289
Category : Fiction
Languages : en
Pages : 189
Get Book Here
Book Description
Francis Wheatley Winn, Senior Tutor at St Thomas' s College, is ready for a cosy night of dining, port, and pleasant company. Ernst Brendel, Viennese lawyer and crime specialist, has come to Oxford to lecture in Law, and the regular residents of St Thomas's are pleased to have such an interesting guest to liven up their after dinner chat. Talk soon turns to murder, and Winn finds the subject altogether unpalatable, even if his colleagues seem to relish the details of past cases Brendel has worked on. But then real Murder breaks the cosy calm of the evening, shocking the inhabitants out of their frivolous talk. Now Winn must overcome his distaste to work with Brendel in uncovering the perpetrator of this terrible crime. First published in 1933, An Oxford Tragedy is a classic murder mystery, with Brendel at its centre as a master of hypothesis and deduction.
Author: J.C. Masterman
Publisher: A&C Black
ISBN: 1448214289
Category : Fiction
Languages : en
Pages : 189
Get Book Here
Book Description
Francis Wheatley Winn, Senior Tutor at St Thomas' s College, is ready for a cosy night of dining, port, and pleasant company. Ernst Brendel, Viennese lawyer and crime specialist, has come to Oxford to lecture in Law, and the regular residents of St Thomas's are pleased to have such an interesting guest to liven up their after dinner chat. Talk soon turns to murder, and Winn finds the subject altogether unpalatable, even if his colleagues seem to relish the details of past cases Brendel has worked on. But then real Murder breaks the cosy calm of the evening, shocking the inhabitants out of their frivolous talk. Now Winn must overcome his distaste to work with Brendel in uncovering the perpetrator of this terrible crime. First published in 1933, An Oxford Tragedy is a classic murder mystery, with Brendel at its centre as a master of hypothesis and deduction.
Author: Erich Segal
Publisher: Oxford University Press, USA
ISBN:
Category : Drama
Languages : en
Pages : 472
Get Book Here
Book Description
Greek tragedy, the fountainhead of all western drama, is widely read by students in a variety of disciplines. Segal here presents twenty-nine of the finest modern essays on the plays of Aeschylus, Sophocles, and Euripides. All Greek has been translated, but the original footnotes have been retained. Contributors include Anne Burnett, E.R. Dodds, Bernard M.W. Knox, Hugh Lloyd-Jones, Karl Reinhardt, Jacqueline de Romilly, Bruno Snell, Jean-Pierre Vernant and Cedric Whitman.
Author: Adrian Poole
Publisher: Oxford University Press, USA
ISBN: 0192802356
Category : Drama
Languages : en
Pages : 161
Get Book Here
Book Description
What has tragedy been made to mean by dramatists, story-tellers, critics, philosophers, politicians, and journalists? This work shows the relevance of tragedy to the modern world, and extends beyond drama and literature into visual art and everyday experience.
Author: N. J. Sewell-Rutter
Publisher: OUP Oxford
ISBN: 019161548X
Category : Drama
Languages : en
Pages : 224
Get Book Here
Book Description
Blighted and accursed families are an inescapable feature of Greek tragedy, and many scholars have treated questions of inherited guilt, curses, and divine causation. N.J. Sewell-Rutter gives these familiar issues a fresh appraisal, arguing that tragedy is a medium that fuses the conceptual with the provoking and exciting of emotion, neither of which can be ignored if the texts are to be fully understood. He pays particular attention to Aeschylus' Seven against Thebes and the Phoenician Women of Euripides, both of which dramatize the sorrows of the later generations of the House of Oedipus, but in very different, and perhaps complementary, ways. All Greek quotations are translated, making his study thoroughly accessible to the non-specialist reader.
Author: William Allan
Publisher: Oxford University Press on Demand
ISBN: 9780199265763
Category : Drama
Languages : en
Pages : 310
Get Book Here
Book Description
The Andromache has long been disparaged despite being a brilliant piece of theatre. In this book Dr Allan draws attention to the neglected artistry of this very impressive and intriguing text. Through careful analysis the Andromache emerges as a play that poses fundamental questions, especially about the polarity of Greek and barbarian, and the morality of the gods. Dr Allan shows how the play also challenges revenge as a motive for action, and explores the role of women as wives, mothers, and victims of war, be they Greek or Trojan, victorious or defeated. These are among the central concerns that make the Andromache a moving and thought-provoking tragedy, full of suffering, suspense, and moral interest. This book contributes both to an appreciation of the Andromache in its own right, and to a wider understanding of the variety and quality of Euripides' oeuvre.
Author: William Shakespeare
Publisher: CUP Archive
ISBN: 9780521075299
Category : Drama
Languages : en
Pages : 344
Get Book Here
Book Description
John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.
Author: Simon Goldhill
Publisher: Oxford University Press
ISBN: 0199978824
Category : Literary Collections
Languages : en
Pages : 303
Get Book Here
Book Description
Written by one of the best-known interpreters of classical literature today, Sophocles and the Language of Tragedy presents a revolutionary take on the work of this great classical playwright and on how our understanding of tragedy has been shaped by our literary past. Simon Goldhill sheds new light on Sophocles' distinctive brilliance as a dramatist, illuminating such aspects of his work as his manipulation of irony, his construction of dialogue, and his deployment of the actors and the chorus. Goldhill also investigates how nineteenth-century critics like Hegel, Nietzsche, and Wagner developed a specific understanding of tragedy, one that has shaped our current approach to the genre. Finally, Goldhill addresses one of the foundational questions of literary criticism: how historically self-conscious should a reading of Greek tragedy be? The result is an invigorating and exciting new interpretation of the most canonical of Western authors.
Author: Adrian Poole
Publisher: Wiley-Blackwell
ISBN:
Category : Comparative literature
Languages : en
Pages : 288
Get Book Here
Book Description
How and why does tragedy matter? This book approaches this question through a close reading of Greek tragedies that is designed both for readers with Greek and those with none. It explores Greek plays alongside three of Shakespeare's tragedies: "Macbeth", "Hamlet" and "King Lear".
Author: A. D. Nuttall
Publisher: OUP Oxford
ISBN: 0191037249
Category : Literary Criticism
Languages : en
Pages : 120
Get Book Here
Book Description
Why does tragedy give pleasure? Why do people who are neither wicked nor depraved enjoy watching plays about suffering or death? Is it because we see horrific matter controlled by majestic art? Or because tragedy actually reaches out to the dark side of human nature? A. D. Nuttall's wide-ranging, lively and engaging book offers a new answer to this perennial question. The 'classical' answer to the question is rooted in Aristotle and rests on the unreality of the tragic presentation: no one really dies; we are free to enjoy watching potentially horrible events controlled and disposed in majestic sequence by art. In the nineteenth century, Nietzsche dared to suggest that Greek tragedy is involved with darkness and unreason and Freud asserted that we are all, at the unconscious level, quite wicked enough to rejoice in death. But the problem persists: how can the conscious mind assent to such enjoyment? Strenuous bodily exercise is pleasurable. Could we, when we respond to a tragedy, be exercising our emotions, preparing for real grief and fear? King Lear actually destroys an expected majestic sequence. Might the pleasure of tragedy have more to do with possible truth than with 'splendid evasion'?
Author: Blair Hoxby
Publisher: Oxford University Press
ISBN: 0191065994
Category : Literary Criticism
Languages : en
Pages : 377
Get Book Here
Book Description
Twentieth century critics have definite ideas about tragedy. They maintain that in a true tragedy, fate must feel the resistance of the tragic hero's moral freedom before finally crushing him, thus generating our ambivalent sense of terrible waste coupled with spiritual consolation. Yet far from being a timeless truth, this account of tragedy only emerged in the wake of the French Revolution. What Was Tragedy? demonstrates that this account of the tragic, which has been hegemonic from the early nineteenth century to the present despite all the twists and turns of critical fashion in the twentieth century, obscured an earlier poetics of tragedy that evolved from 1515 to 1795. By reconstructing that poetics, Blair Hoxby makes sense of plays that are "merely pathetic, not truly tragic," of operas with happy endings, of Christian tragedies, and of other plays that advertised themselves as tragedies to early modern audiences and yet have subsequently been denied the palm of tragedy by critics. In doing so, Hoxby not only illuminates masterpieces by Shakespeare, Calderón, Corneille, Racine, Milton, and Mozart, he also revivifies a vast repertoire of tragic drama and opera that has been relegated to obscurity by critical developments since 1800. He suggests how many of these plays might be reclaimed as living works of theater. And by reconstructing a lost conception of tragedy both ancient and modern, he illuminates the hidden assumptions and peculiar blind-spots of the idealist critical tradition that runs from Schelling, Schlegel, and Hegel, through Wagner, Nietzsche, and Freud, up to modern post-structuralism.
