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Author: Dan O'Brien
Publisher: Dramatic Publishing
ISBN: 9781583420409
Category : Drama
Languages : en
Pages : 92
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Book Description
"Amateur actors in Cork City, Ireland, convene at their local pub-theater for the first read-through of a new "Irish play." What no one knows yet is that the play has been written by an American, and that an African-American has been cast in the lead. Over the course of the evening the newly assembled cast debates (in typically Irish fashion) the play's deficiencies and merits, who will play which part, and whether or not to do the play at all. There's Ed, a patriot and single father, whose idea it was to do the play in the first place; Martha, the stage manager; Michael, playwright and all-around lady's man; Cynthia, an aging ingenue and self-proclaimed Celtic goddess; Willie, the theater's patriarch; Joachim, an African-American just recently married into the Irish culture; and acid-tongued Declan, a young man with ambition but no direction. Irish and American cultures come into conflict, old rivalries reignite, and secrets are revealed as the group struggles toward an understanding of this enigmatic Irish play. What begins as a comedic examination of Irish theatre and identity becomes by evening's end a character drama of strong emotional force." -- Publisher website
Author: Dan O'Brien
Publisher: Dramatic Publishing
ISBN: 9781583420409
Category : Drama
Languages : en
Pages : 92
Get Book
Book Description
"Amateur actors in Cork City, Ireland, convene at their local pub-theater for the first read-through of a new "Irish play." What no one knows yet is that the play has been written by an American, and that an African-American has been cast in the lead. Over the course of the evening the newly assembled cast debates (in typically Irish fashion) the play's deficiencies and merits, who will play which part, and whether or not to do the play at all. There's Ed, a patriot and single father, whose idea it was to do the play in the first place; Martha, the stage manager; Michael, playwright and all-around lady's man; Cynthia, an aging ingenue and self-proclaimed Celtic goddess; Willie, the theater's patriarch; Joachim, an African-American just recently married into the Irish culture; and acid-tongued Declan, a young man with ambition but no direction. Irish and American cultures come into conflict, old rivalries reignite, and secrets are revealed as the group struggles toward an understanding of this enigmatic Irish play. What begins as a comedic examination of Irish theatre and identity becomes by evening's end a character drama of strong emotional force." -- Publisher website
Author: Nicholas Grene
Publisher: Oxford University Press
ISBN: 0191016349
Category : Literary Criticism
Languages : en
Pages : 688
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Book Description
The Oxford Handbook of Modern Irish Theatre provides the single most comprehensive survey of the field to be found in a single volume. Drawing on more than forty contributors from around the world, the book addresses a full range of topics relating to modern Irish theatre from the late nineteenth-century theatre to the most recent works of postdramatic devised theatre. Ireland has long had an importance in the world of theatre out of all proportion to the size of the country, and has been home to four Nobel Laureates (Yeats, Shaw, and Beckett; Seamus Heaney, while primarily a poet, also wrote for the stage). This collection begins with the influence of melodrama, looks at arguably the first modern Irish playwright, Oscar Wilde, before moving into a series of considerations of the Abbey Theatre, and Irish modernism. Arranged chronologically, it explores areas such as women in theatre, Irish-language theatre, and alternative theatres, before reaching the major writers of more recent Irish theatre, including Brian Friel and Tom Murphy, and their successors. There are also individual chapters focusing on Beckett and Shaw, as well as a series of chapters looking at design, acting and theatre architecture. The book concludes with an extended survey of the critical literature on the field. In each chapter, the author does not simply rehearse accepted wisdom; all of the authors push the boundaries of their respective fields, so that each chapter is a significant contribution to scholarship in its own right.
Author: Christopher Murray
Publisher: Syracuse University Press
ISBN: 9780815606437
Category : Literary Criticism
Languages : en
Pages : 292
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Book Description
This work provides an overview of Irish theatre, read in the light of Ireland's self-definition. Mediating between history and its relations with politics and art, it attempts to do justice to the enabling and mirroring preoccupations of Irish drama.
Author: William Butler Yeats
Publisher:
ISBN:
Category : Dramatists, Irish
Languages : en
Pages : 262
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Book Description
Author: Eglantina Remport
Publisher: Springer
ISBN: 3319766112
Category : Performing Arts
Languages : en
Pages : 237
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Book Description
This book is the first comprehensive critical assessment of the aesthetic and social ideals of Lady Augusta Gregory, founder, patron, director, and dramatist of the Abbey Theatre in Dublin. It elaborates on her distinctive vision of the social role of a National Theatre in Ireland, especially in relation to the various reform movements of her age: the Pre-Raphaelite Movement, the Co-operative Movement, and the Home Industries Movement. It illustrates the impact of John Ruskin on the aesthetic and social ideals of Lady Gregory and her circle that included Horace Plunkett, George Russell, John Millington Synge, William Butler Yeats, and George Bernard Shaw. All of these friends visited the celebrated Gregory residence of Coole Park in Country Galway, most famously Yeats. The study thus provides a pioneering evaluation of Ruskin’s immense influence on artistic, social, and political discourse in Ireland in the late nineteenth and early twentieth century.
Author: Anthony Roche
Publisher: Palgrave Macmillan
ISBN: 9780312123260
Category : Literary Criticism
Languages : en
Pages : 321
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Book Description
Author: John P. Harrington
Publisher: University Press of Kentucky
ISBN: 0813187486
Category : History
Languages : en
Pages : 282
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Book Description
Over the years American—especially New York—audiences have evolved a consistent set of expectations for the "Irish play." Traditionally the term implied a specific subject matter, invariably rural and Catholic, and embodied a reductive notion of Irish drama and society. This view continues to influence the types of Irish drama produced in the United States today. By examining seven different opening nights in New York theaters over the course of the last century, John Harrington considers the reception of Irish drama on the American stage and explores the complex interplay between drama and audience expectations. All of these productions provoked some form of public disagreement when they were first staged in New York, ranging from the confrontation between Shaw and the Society for the Suppression of Vice to the intellectual outcry provoked by billing Waiting for Godot as "the laugh sensation of two continents." The inaugural volume in the series Irish Literature, History, and Culture, The Irish Play on the New York Stage explores the New York premieres of The Shaughraun (1874), Mrs. Warren's Profession (1905), The Playboy of the Western World (1911), Exiles (1925), Within the Gates (1934), Waiting for Godot (1956), and Philadelphia, Here I Come! (1966).
Author: Lady Gregory
Publisher:
ISBN:
Category : Authors, Irish
Languages : en
Pages : 346
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Book Description
Author: Conor McPherson
Publisher: Dramatists Play Service, Inc.
ISBN: 0822230860
Category : Performing Arts
Languages : en
Pages : 60
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Book Description
Tommy's not a bad man; he's getting by. Renting a run-down room in his Uncle Maurice's house, just about keeping his ex-wife and kids at arm's length, and rolling from one get-rich-quick scheme to the other with his pal Doc. Then one day he comes to the aid of Aimee, who's not had it easy herself, struggling through life the only way she knows how. Their past won't let go easily, but together there's a glimmer of hope that they could make something more of their lives. Something extraordinary. Perhaps. With inimitable warmth, style and craft, Conor McPherson's THE NIGHT ALIVE deftly mines the humanity to be found in the most unlikely of situations.
Author: Patrick Lonergan
Publisher: Bloomsbury Publishing
ISBN: 147426266X
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
Drawing on major new archival discoveries and recent research, Patrick Lonergan presents an innovative account of Irish drama and theatre, spanning the past seventy years. Rather than offering a linear narrative, the volume traces key themes to illustrate the relationship between theatre and changes in society. In considering internationalization, the Troubles in Northern Ireland, the Celtic Tiger period, feminism, and the changing status of the Catholic Church in Ireland, Lonergan asserts the power of theatre to act as an agent of change and uncovers the contribution of individual artists, plays and productions in challenging societal norms. Irish Drama and Theatre since 1950 provides a wide-ranging account of major developments, combined with case studies of the premiere or revival of major plays, the establishment of new companies and the influence of international work and artists, including Tennessee Williams, Chekhov and Brecht. While bringing to the fore some of the untold stories and overlooked playwrights following the declaration of the Irish Republic, Lonergan weaves into his account the many Irish theatre-makers who have achieved international prominence in the period: Samuel Beckett, Siobhán McKenna and Brendan Behan in the 1950s, continuing with Brian Friel and Tom Murphy, and concluding with the playwrights who emerged in the late 1990s, including Martin McDonagh, Enda Walsh, Conor McPherson, Marie Jones and Marina Carr. The contribution of major Irish companies to world theatre is also examined, including both the Abbey and Gate theatres, as well as Druid, Field Day and Charabanc. Through its engaging analysis of seventy years of Irish theatre, this volume charts the acts of gradual but revolutionary change that are the story of Irish theatre and drama and of its social and cultural contexts.
