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Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 470
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 470
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Book Description
Author: Paul Carus
Publisher:
ISBN:
Category : Religion
Languages : en
Pages : 828
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Book Description
Author:
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ISBN:
Category : Art
Languages : en
Pages : 364
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Book Description
Author:
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ISBN:
Category : Science
Languages : en
Pages : 482
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Book Description
Author:
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ISBN:
Category : Asia
Languages : en
Pages : 690
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Book Description
Beginning in 1895, includes the Proceedings of the East India Association.
Author:
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ISBN:
Category : Asia
Languages : en
Pages : 700
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Book Description
Author: Demetrius Charles Boulger
Publisher:
ISBN:
Category : Asia
Languages : en
Pages : 708
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Book Description
Beginning in 1895, includes the Proceedings of the East India Association.
Author: Denman Waldo Ross
Publisher:
ISBN:
Category : Design
Languages : en
Pages : 238
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Book Description
Author: Michelle Ying Ling Huang
Publisher: Cambridge Scholars Publishing
ISBN: 1443868558
Category : Art
Languages : en
Pages : 355
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Book Description
The Reception of Chinese Art Across Cultures is a collection of essays examining the ways in which Chinese art has been circulated, collected, exhibited and perceived in Japan, Europe and America from the fourteenth century to the twenty-first. Scholars and curators from East Asia, Europe and North America jointly present cutting-edge research on cultural integration and aesthetic hybridisation in relation to the collecting, display, making and interpretation of Chinese art and material culture. Stimulating examples within this volume emphasise the Western understanding of Chinese pictorial art, while addressing issues concerning the consumption of Chinese art and Chinese-inspired artistic productions from early times to the contemporary period; the roles of collector, curator, museum and auction house in shaping the taste, meaning and conception of art; and the art and cultural identity of the Chinese diaspora in a global context. This book espouses a multiplicity of aesthetic, philosophical, socio-cultural, economic and political perspectives, and encourages academics, students, art and museum practitioners to re-think their encounters with the objects, practices, people and institutions surrounding the study of Chinese art and culture in the past and the present.
Author: Zhaoming Qian
Publisher: University of Virginia Press
ISBN: 0813940680
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
In East-West Exchange and Late Modernism, Zhaoming Qian examines the nature and extent of Asian influence on some of the literary masterpieces of Western late modernism. Focusing on the poets William Carlos Williams, Marianne Moore, and Ezra Pound, Qian relates captivating stories about their interactions with Chinese artists and scholars and shows how these cross-cultural encounters helped ignite a return to their early experimental modes. Qian’s sinuous readings of the three modernists’ last books of verse—Williams’s Pictures from Brueghel (1962), Moore’s Tell Me, Tell Me (1966), and Pound’s Drafts and Fragments of Cantos CX-CXVII (1969)—expand our understanding of late modernism by bringing into focus its heightened attention to meaning in space, its obsession with imaginative sensibility, and its increased respect for harmony between humanity and nature.
