An Introduction to the Experimental Psychology of Beauty PDF Download
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Author: Charles Wilfred Valentine
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 136
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Author: Charles Wilfred Valentine
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 136
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Book Description
Author: C.W. Valentine
Publisher: Routledge
ISBN: 1317480384
Category : Psychology
Languages : en
Pages : 457
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Book Description
Originally published in 1962, the experimental study of aesthetics was a field particularly associated with the name of C.W. Valentine, who in this book provided a critical review of research carried out since the end of the nineteenth century principally by British and American psychologists. The investigations described, many of them conducted by the author, are concerned with individual responses to what is commonly regarded as beautiful in painting, music, and poetry, an important distinction being made between the perception of objects as ‘beautiful’ as opposed to ‘pleasing’. The reactions of children and adults, and of people having different ethnic and social backgrounds, are explored in a variety of experiments dealing with specific elements, including colour, form, and balance in painting; musical intervals, discord, harmony, melody, and tempo; and rhythm, metre, imagery, and associations in classical and romantic poetry. Other experiments seek to disclose the temperamental and attitudinal factors underlying individual differences in the judgement and appreciation of specific works of art. Of particular interest are the studies of responses to modern paintings, poems and musical compositions. The findings throw light on the development of discrimination and taste and suggest the possibility of some common factor in the appreciation of these three arts. It was felt that critics as well as psychologists and aestheticians would find much to encourage reflection and to stimulate further research.
Author: Charles Wilfred Valentine
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 214
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Author: Charles Wilfred Valentine
Publisher:
ISBN:
Category : Educational psychology
Languages : en
Pages : 304
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Author:
Publisher:
ISBN:
Category : Educational psychology
Languages : en
Pages : 492
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Author:
Publisher: Kotobarabia.com
ISBN:
Category :
Languages : en
Pages : 237
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Author: Wilhelm Max Wundt
Publisher:
ISBN:
Category : Educational psychology
Languages : en
Pages : 246
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Author: Laura Marcus
Publisher: OUP Oxford
ISBN: 0191615412
Category : Literary Criticism
Languages : en
Pages : 584
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Book Description
The Tenth Muse explores writings on the cinema in the first decades of the twentieth century. Laura Marcus examines the impact of cinema on early twentieth-century literary and, more broadly, aesthetic and cultural consciousness, by bringing together the study of the terms and strategies of early writings about film with literary engagement with cinema in the same period. She gives a new understanding of the ways in which early writers about film - reviewers, critics, theorists - developed aesthetic categories to define and accommodate what was called 'the seventh art' or 'the tenth muse' and found discursive strategies adequate to the representation of the new art and technology of cinema, with its unprecedented powers of movement. In examining the writings of early film critics and commentators in tandem with those of more specifically literary figures, including H.G.Wells and Virginia Woolf, and in bringing literary texts into this field, Laura Marcus provides a new account of relationships between cinema and literature. Intertwining two major strands of research - the exploration of early film criticism and theory and cinema's presence in literary texts - The Tenth Muse shows how issues central to an understanding of cinema (including questions of time, repetition, movement, vision, sound and silence) are threaded through both kinds of writing, and the ways in which discursive and fictional writings overlapped. The movement that defined cinema was also perceived as a more fragile and unstable ephemerality that inhered at every level, from the fleeting nature of the projected images to the vagaries of cinematic exhibition. It was the anxiety over the mutability of the medium and its exhibition which, from the 1920s onwards, led to the establishment of such institutional spaces for cinema as the London-based Film Society, the new film journals, and, in the 1930s, the first film archives. The Tenth Muse explores the continuities between these sites of cinematic culture and the conceptual, literary and philosophical understandings of the filmic medium.
Author: University of St. Andrews
Publisher:
ISBN:
Category : Classified catalogs (Dewey decimal)
Languages : en
Pages : 578
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Book Description
Author: University of St. Andrews. Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 580
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Book Description
