An Introduction to Roman History, Literature and Antiquities PDF Download
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Author: Alexander Petrie
Publisher:
ISBN:
Category : Latin language
Languages : en
Pages : 570
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Book Description
Author: Alexander Petrie
Publisher:
ISBN:
Category : Latin literature
Languages : en
Pages : 133
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Book Description
Author: Alexander Petrie
Publisher:
ISBN:
Category : Latin language
Languages : en
Pages : 570
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Book Description
Author: John Scheid
Publisher: Indiana University Press
ISBN: 9780253216601
Category : History
Languages : en
Pages : 244
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Book Description
"An Introduction to Roman Religion" offers students of ancient Rome and classical civilization entry into a distant world in which the state, the social life of the city, and religion were inextricably bound. Professor Scheid draws on the latest findings in archaeology and history to explain the meanings of rituals, rites, auspices, and oracles, to describe the uses of temples and sacred ground, and to evoke the daily patterns of religious life and observance within the city of Rome and its environs. "An Introduction to Roman Religion" includes a wealth of quotations from primary sources, a chronology of religious and historical events from 750 BC to AD 494, a full glossary and an annotated guide to further reading. -- From publisher's description.
Author: Dionysius (of Halicarnassus.)
Publisher: Cambridge, Mass. : Harvard University Press
ISBN:
Category : Classical literature
Languages : en
Pages : 474
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Book Description
DIONYSIUS OF HALICARNASSUS migrated to Rome in 300 B.C., where he lived until his death some time after 8 B.C., writing his Roman Antiquities in twenty books and teaching the art of rhetoric and literary composition to a small group of upper-class Romans. His purpose, both in his own work and in his teaching, was to re-establish the classical Attic standards of purity, invention and taste in order to reassert the primacy of Greek as the literary language of the Mediterranean world. The essays in the present volume display the full range of Dionysius' critical expertise. In the treatise On Literary Composition, his finest and most original work, discussion of the effects produced by the arrangement of words involves minute analysis of phonetics and metre in addition to more general aspects of literary aesthetics such as the difference between poetry and prose, and the tripartite classification of the types of arrangement. The other four essays are on a less ambitious scale. The Dinarchus is primarily a study of authenticity in which Dionysius attempts to identify the genuine speeches of the latest Attic orator from the list of those ascribed to him by the librarians. The three literary letters are all concerned with possible models. In the Letter to Pompeius, Dionysius gives his reasons for criticizing Plato on stylistic and also moral grounds, and appends critiques of Herodotus, whom he greatly admired, and three other historians -- Xenophon, Philistus and Theopompus. Of the two Letters to Ammaeus, the second may be read as an appendix to the Thucydides, but the first concerns literary history, and investigates the question of whether Demosthenes could have learnt his oratorical skills from Aristotle's Rhetoric. Volume I contains the essays On the Ancient Orators, Lysias, Isocrates, Isaeus, Demosthenes, and Thucydides.
Author: Kathleen Wren Christian
Publisher:
ISBN: 9780300154214
Category : Architecture
Languages : en
Pages : 440
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Book Description
In the early fifteenth century, when Romans discovered ancient marble sculptures and inscriptions in the ruins, they often melted them into mortar. A hundred years later, however, antique marbles had assumed their familiar role as works of art displayed in private collections. Many of these collections, especially the Vatican Belvedere, are well known to art historians and archaeologists. Yet discussions of antiquities collecting in Rome too often begin with the Belvedere, that is, only after it was a widespread practice. In this important book, the author steps back to examine the "long" fifteenth century, a critical period in the history of antiquities collecting that has received scant attention. Kathleen Wren Christian examines shifts in the response of artists and writers to spectacular archaeological discoveries and the new role of collecting antiquities in the public life of Roman elites.
Author: Jean-Marie Blas de Roblès
Publisher: Society for Libyan Studies
ISBN: 1900971585
Category : Social Science
Languages : en
Pages : 328
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Book Description
Algeria is a large country, rich in visual remains of its long and complex history. The monuments of the Roman period are particularly impressive. This is partly because they are well-preserved, but also because the French, who colonized the region in the nineteenth century and ruled it until 1962, carried out extensive excavations and restorations. Algeria is not yet in the grip of the mass tourism which is engulfing better known destinations; now is therefore the time to explore its beautiful landscapes and rich cultural heritage. The Roman sites rank among the most impressive anywhere in the Mediterranean and represent an important aspect of the nation’s past. This guidebook will take you to all the sites, with an historical introduction, a detailed gazetteer of the principal museums and Roman sites and lavish provision of maps, plans and photographs.
Author: Charles Knapp Dillaway
Publisher:
ISBN:
Category : Mythology, Classical
Languages : en
Pages : 192
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Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 392
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Book Description
Author: Carl S. Ehrlich
Publisher: Rowman & Littlefield
ISBN: 074254334X
Category : Middle Eastern literature
Languages : en
Pages : 523
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Book Description
Sumerian literature / Gonzalo Rubio -- Egyptian literature / Susan Tower Hollis -- Akkadian literature / Benjamin R. Foster -- Hittite literature / Gary Beckman -- Canaanite literature / Wayne T. Pitard -- Hebrew/Israelite literature / Carl S. Ehrlich -- Aramaic literature / Ingo Kottsieper.
Author: Caroline Vout
Publisher: Princeton University Press
ISBN: 1400890276
Category : Art
Languages : en
Pages : 375
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Book Description
How did the statues of ancient Greece wind up dictating art history in the West? How did the material culture of the Greeks and Romans come to be seen as "classical" and as "art"? What does "classical art" mean across time and place? In this ambitious, richly illustrated book, art historian and classicist Caroline Vout provides an original history of how classical art has been continuously redefined over the millennia as it has found itself in new contexts and cultures. All of this raises the question of classical art's future. What we call classical art did not simply appear in ancient Rome, or in the Renaissance, or in the eighteenth-century Academy. Endlessly repackaged and revered or rebuked, Greek and Roman artifacts have gathered an amazing array of values, both positive and negative, in each new historical period, even as these objects themselves have reshaped their surroundings. Vout shows how this process began in antiquity, as Greeks of the Hellenistic period transformed the art of fifth-century Greece, and continued through the Roman empire, Constantinople, European court societies, the neoclassical English country house, and the nineteenth century, up to the modern museum. A unique exploration of how each period of Western culture has transformed Greek and Roman antiquities and in turn been transformed by them, this book revolutionizes our understanding of what classical art has meant and continues to mean.
