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Author: Daniel R. Melamed
Publisher: Oxford University Press
ISBN: 0198028555
Category : Music
Languages : en
Pages : 202
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Book Description
This volume is a guide to the resources and materials of Bach scholarship, both for the non specialist wondering where to begin in the enormous literature on J. S. Bach, and for the Bach specialist looking for a convenient and up to date survey of the field. It describes the tools of Bach research and how to use them, and suggests how to get started in Bach research by describing the principal areas of research and citing the essential literature on each piece and topic. The authors emphasize the issues that have engaged Bach scholars for generations, focusing on particularly important writings; on recent literature; on overviews, collections of essays and handbooks; and on writings in English. Subjects covered include bibliographic tools of Bach research and sources of literature; Bach's family; Bach biographies; places Bach lived and worked; Bach's teaching; the liturgy; Bach source studies and the transmission of his music; repertory and editions; genres and individual vocal and instrumental works; performance practice; the reception and analysis of Bach's music; and many others. The book also offers explanations of important and potentially confusing topics in Bach research, such as the organization of the annual cantata cycles, pitch standards, the history of the Berlin libraries, the structure of the critical commentary volumes in the Neue Bach Ausgabe, and so on. This book opens up the rich world of Bach scholarship to students, teachers, performers, and listeners.
Author: Daniel R. Melamed
Publisher: Oxford University Press
ISBN: 0198028555
Category : Music
Languages : en
Pages : 202
Get Book Here
Book Description
This volume is a guide to the resources and materials of Bach scholarship, both for the non specialist wondering where to begin in the enormous literature on J. S. Bach, and for the Bach specialist looking for a convenient and up to date survey of the field. It describes the tools of Bach research and how to use them, and suggests how to get started in Bach research by describing the principal areas of research and citing the essential literature on each piece and topic. The authors emphasize the issues that have engaged Bach scholars for generations, focusing on particularly important writings; on recent literature; on overviews, collections of essays and handbooks; and on writings in English. Subjects covered include bibliographic tools of Bach research and sources of literature; Bach's family; Bach biographies; places Bach lived and worked; Bach's teaching; the liturgy; Bach source studies and the transmission of his music; repertory and editions; genres and individual vocal and instrumental works; performance practice; the reception and analysis of Bach's music; and many others. The book also offers explanations of important and potentially confusing topics in Bach research, such as the organization of the annual cantata cycles, pitch standards, the history of the Berlin libraries, the structure of the critical commentary volumes in the Neue Bach Ausgabe, and so on. This book opens up the rich world of Bach scholarship to students, teachers, performers, and listeners.
Author: Daniel R. Melamed
Publisher: Oxford University Press
ISBN: 0195122313
Category : Music
Languages : en
Pages : 202
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Book Description
Subjects covered include bibliographic tools of Bach research and sources of literature; Bach's family; Bach biographies; places Bach lived and worked; Bach's teaching; the liturgy; Bach source studies and the transmission of his music; repertory and editions; genres and individual vocal and instrumental works; performance practice; the reception and analysis of Bach's music; and many others.
Author: Robin Leaver
Publisher: Taylor & Francis
ISBN: 1315452804
Category : Art
Languages : en
Pages : 593
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Book Description
The Ashgate Research Companion to Johann Sebastian Bach provides an indispensable introduction to the Bach research of the past thirty-fifty years. It is not a lexicon providing information on all the major aspects of Bach's life and work, such as the Oxford Composer Companion: J. S. Bach. Nor is it an entry-level research tool aimed at those making a beginning of such studies. The valuable essays presented here are designed for the next level of Bach research and are aimed at masters and doctoral students, as well as others interested in coming to terms with the current state of Bach research. Each author covers three aspects within their specific subject area; firstly, to describe the results of research over the past thirty-fifty years, concentrating on the most significant and controversial, such as: the debate over Smend's NBA edition of the B minor Mass; Blume's conclusions with regard to Bach's religion in the wake of the 'new' chronology; Rifkin's one-to-a-vocal-part interpretation; the rediscovery of the Berlin Singakademie manuscripts in Kiev; the discovery of hitherto unknown manuscripts and documents and the re-evaluation of previously known sources. Secondly, each author provides a critical analysis of current research being undertaken that is exploring new aspects, reinterpreting earlier assumptions, and/or opening-up new methodologies. For example, Martin W. B. Jarvis has suggested that Anna Magdalena Bach composed the cello suites and contributed to other works of her husband - another controversial hypothesis, whose newly proposed forensic methodology requires investigation. On the other hand, research into Bach's knowledge of the Lutheran chorale tradition is currently underway, which is likely to shed more light on the composer's choices and usage of this tradition. Thirdly, each author identifies areas that are still in need of investigation and research.
Author: Michael Marissen
Publisher: Oxford University Press
ISBN: 0190606967
Category : Music
Languages : en
Pages : 289
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Book Description
Bach & God explores the religious character of Bach's vocal and instrumental music in seven interrelated essays. Noted musicologist Michael Marissen offers wide-ranging interpretive insights from careful biblical and theological scrutiny of the librettos. Yet he also shows how Bach's pitches, rhythms, and tone colors can make contributions to a work's plausible meanings that go beyond setting texts in an aesthetically satisfying manner. In some of Bach's vocal repertory, the music puts a "spin" on the words in a way that turns out to be explainable as orthodox Lutheran in its orientation. In a few of Bach's vocal works, his otherwise puzzlingly fierce musical settings serve to underscore now unrecognized or unacknowledged verbal polemics, most unsettlingly so in the case of his church cantatas that express contempt for Jews and Judaism. Finally, even Bach's secular instrumental music, particularly the late collections of "abstract" learned counterpoint, can powerfully project certain elements of traditional Lutheran theology. Bach's music is inexhaustible, and Bach & God suggests that through close contextual study there is always more to discover and learn.
Author: Daniel R. Melamed
Publisher: Oxford University Press
ISBN: 0199883467
Category : Music
Languages : en
Pages : 250
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Book Description
Johann Sebastian Bach's two surviving passions--St. John and St. Matthew--are an essential part of the modern repertory, performed regularly both by professional ensembles and amateur groups. These large, complex pieces are well loved, but due to our distance from the original context in which they were performed, questions and problems emerge. Bach scholar Daniel Melamed examines the issues we encounter when we hear the passions performed today, and offers unique insight into Bach's passion settings. Rather than providing a movement-by-movement analysis, Melamed uses the Bach repertory to introduce readers to some of the intriguing issues in the study and performance of older music, and explores what it means to listen to this music today. For instance, Bach wrote the passions for a particular liturgical event at a specific time and place; we hear them hundreds of years later, often a world away and usually in concert performances. They were performed with vocal and instrumental forces deployed according to early 18th-century conceptions; we usually hear them now as the pinnacle of the choral/orchestral repertory, adapted to modern forces and conventions. In Bach's time, passion settings were revised, altered, and tampered with both by their composers and by other musicians who used them; today we tend to regard them as having fixed texts to be treated mith respect. Their music was sometimes recycled from other compositions or reused itself for other purposes; we have trouble imagining the familiar material of Bach's passion settings in any other guise. Melamed takes on these issues, exploring everything from the sources that transmit Bach's passion settings today to the issues surrounding performance practice (including the question of the size of Bach's ensemble). He delves into the passions as dramatic music, examines the problem of multiple versions of a work and the reconstruction of lost pieces, explores the other passions in Bach's performing repertory, and sifts through the puzzle of authorship. Highly accessible to the non-specialist, the book assumes no technical musical knowledge and does not rely on printed musical examples. Based on the most recent scholarship and using lucid prose, the book opens up the debates surrounding this repertory to music lovers, choral singers, church musicians, and students of Bach's music.
Author: Don O. Franklin
Publisher: Cambridge University Press
ISBN: 9780521088329
Category : Music
Languages : en
Pages : 388
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Book Description
This volume of essays reflects the breadth and scope of Bach research.
Author: Yo Tomita
Publisher: Routledge
ISBN: 1351574906
Category : History
Languages : en
Pages : 613
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Book Description
For nearly two centuries Johann Sebastian Bach has been regarded as a cornerstone of Western musical culture. His music inspired subsequent generations of composers and philosophers alike, and continues to capture our imaginations in many ways. Bach studies is part of this picture, often seen as providing excellent examples of musicological scholarship. The volume editor has chosen thirty-one published articles which, in his view, not only represent a broad spectrum of the scholarly discussions on Bach's life and works, but will also facilitate the on-going study of Bach's creative genius. The articles have been selected to ensure that this volume will be considered useful for not only those students who are currently engaging in Bach studies at universities but also for more seasoned Bach scholars as they consider the future direction of Bach studies.
Author: Michael Marissen
Publisher: Oxford University Press
ISBN: 0195344340
Category : Music
Languages : en
Pages : 124
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Book Description
Bach's St. John Passion is surely one of the monuments of Western music, yet performances of it are inevitably controversial. In large part, this is because of the combination of the powerful and highly emotional music and a text that includes passages from a gospel marked by vehement anti-Judaic sentiments. What did this masterpiece mean in Bach's day and what does it mean today? Although bibliographies on Bach and Judaism have grown enormously since World War II, there has been very little work on the relationship between the two areas. This is hardly surprising; Judaica scholars and culture critics focusing on issues of anti-Semitism commonly lack musical training and are, in any event, quite reasonably interested in even more pressing social and political issues. Bach scholars, on the other hand, have mostly concentrated on narrowly defined musical topics. Strangely, therefore, almost no scholarly attention has been given to relationships between Lutheranism and the religion of Judaism as they affect Bach's most controversial work, the St. John Passion. Through a reappraisal of Bach's work and its contexts, Marissen confronts Bach and Judaism directly, providing interpretive commentary that could serve as a basis for a more informed and sensitive discussion of this troubling work. Consisting of a long interpretive essay, followed by an annotated literal translation of the libretto, a guide to recorded examples, and a detailed bibliography, this concise text provides the reader with the tools to assess the work on its own terms and in the appropriate context.
Author: Annette Richards
Publisher: Cambridge University Press
ISBN: 0521836298
Category : Music
Languages : en
Pages : 260
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Book Description
A collection of the latest work by distinguished scholars on C. P. E. Bach.
Author: Gregory G. Butler
Publisher: University of Illinois Press
ISBN: 0252090691
Category : Music
Languages : en
Pages : 234
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Book Description
That Johann Sebastian Bach is a pivotal figure in the history of Western music is hardly news, and the magnitude of his achievement is so immense that it can be difficult to grasp. In About Bach, fifteen scholars show that Bach's importance extends from choral to orchestral music, from sacred music to musical parodies, and also to his scribes and students, his predecessors and successors. Further, the contributors demonstrate a diversity of musicological approaches, ranging from close studies of Bach's choices of musical form and libretto to wider analyses of the historical and cultural backgrounds that impinged upon his creations and their lasting influence. This volume makes significant contributions to Bach biography, interpretation, pedagogy, and performance. Contributors are Gregory G. Butler, Jen-Yen Chen, Alexander J. Fisher, Mary Dalton Greer, Robert Hill, Ton Koopman, Daniel R. Melamed, Michael Ochs, Mark Risinger, William H. Scheide, Hans-Joachim Schulze, Douglass Seaton, George B. Stauffer, Andrew Talle, and Kathryn Welter.
