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Author: Thomas MacLean
Publisher:
ISBN:
Category : Caricatures and cartoons
Languages : en
Pages : 474
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Book Description
Author: Thomas MacLean
Publisher:
ISBN:
Category : Caricatures and cartoons
Languages : en
Pages : 474
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Book Description
Author: Thomas McLean
Publisher:
ISBN:
Category : Caricatures and cartoons
Languages : en
Pages : 0
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Book Description
Author: Elizabeth Amann
Publisher: Springer Nature
ISBN: 3031187083
Category : Literary Criticism
Languages : en
Pages : 376
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Book Description
The introduction of omnibus services in the late 1820s revolutionised urban life in Paris, London and many other cities. As the first form of mass transportation—in principle, they were ‘for everyone’—they offered large swaths of the population new ways of seeing both the urban space and one another. This study examines how the omnibus gave rise to a vast body of cultural representations that probed the unique social experience of urban transit. These representations took many forms—from stories, plays and poems to songs, caricatures and paintings—and include works by many well-known artists and authors such as Picasso and Pissarro and Charles Dickens, Wilkie Collins and Guy de Maupassant. Analysing this corpus, the book explores how the omnibus and horse-drawn tram functioned in the cultural imagination of the nineteenth century and looks at the types of stories and values that were projected upon them. The study is comparative in approach and considers issues of gender, class and politics, as well as genre and narrative technique.
Author:
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ISBN:
Category : Electronic journals
Languages : en
Pages : 558
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Book Description
Author: Cambridge University Library
Publisher:
ISBN:
Category : Catalogs
Languages : en
Pages : 494
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Book Description
Author: National Art Library (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 664
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Author: National Art Library (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 666
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Book Description
Author: Ellis (Firm)
Publisher:
ISBN:
Category :
Languages : en
Pages : 94
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Book Description
Author: Dominic Janes
Publisher: University of Chicago Press
ISBN: 022639655X
Category : Literary Criticism
Languages : en
Pages : 294
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Book Description
“I do not say you are it, but you look it, and you pose at it, which is just as bad,” Lord Queensbury challenged Oscar Wilde in the courtroom—which erupted in laughter—accusing Wilde of posing as a sodomite. What was so terrible about posing as a sodomite, and why was Queensbury’s horror greeted with such amusement? In Oscar Wilde Prefigured, Dominic Janes suggests that what divided the two sides in this case was not so much the question of whether Wilde was or was not a sodomite, but whether or not it mattered that people could appear to be sodomites. For many, intimations of sodomy were simply a part of the amusing spectacle of sophisticated life. Oscar Wilde Prefigured is a study of the prehistory of this “queer moment” in 1895. Janes explores the complex ways in which men who desired sex with men in Britain had expressed such interests through clothing, style, and deportment since the mid-eighteenth century. He supplements the well-established narrative of the inscription of sodomitical acts into a homosexual label and identity at the end of the nineteenth century by teasing out the means by which same-sex desires could be signaled through visual display in Georgian and Victorian Britain. Wilde, it turns out, is not the starting point for public queer figuration. He is the pivot by which Georgian figures and twentieth-century camp stereotypes meet. Drawing on the mutually reinforcing phenomena of dandyism and caricature of alleged effeminates, Janes examines a wide range of images drawn from theater, fashion, and the popular press to reveal new dimensions of identity politics, gender performance, and queer culture.
Author: Matthew Roberts
Publisher: Manchester University Press
ISBN: 1526137062
Category : History
Languages : en
Pages : 399
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Book Description
This book challenges the assumption – just as alive today as it was in the nineteenth century – that the political sphere was an arena of reason in which feelings had no part to play. It shows that feelings were a central, albeit contested, aspect of the political culture of the period. Radical leaders were accused of inflaming the passions; the state and its propertied supporters were charged with callousness; radicals grounded their claims to citizenship in the universalist assumption that workers had the same capacity for feeling as their social betters (denied at this time). It sheds new light on the relationship between protest movements and the state by showing how one of the central issues at stake in the conflict between radicals and their oppressors was the feelings of the propertied classes.
