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Author: Dorothy Gabe Coleman
Publisher: Editions Slatkine
ISBN:
Category : Illustrated books
Languages : en
Pages : 128
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Book Description
Author: Dorothy Gabe Coleman
Publisher: Editions Slatkine
ISBN:
Category : Illustrated books
Languages : en
Pages : 128
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Book Description
Author: Michael Giordano
Publisher: University of Toronto Press
ISBN: 0802099467
Category : Literary Criticism
Languages : en
Pages : 697
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Book Description
The Art of Meditation and the French Renaissance Love Lyric examines the poetics of meditation in the French love lyric at the height of the Lyonnais Renaissance as illustrated by one of the country's most prominent writers. Maurice Scève's Délie is the first French sequence of poems devoted to a single woman in the manner of Petrarch's Rime. It is also the first Renaissance work to use emblems in a sustained work on love. At their core, most amatory lyrics involve a triple relation among lover, beloved, and the meaning of love. Whether the poet-lover is a man or woman, poetic discourse generally takes the form of an interior monologue frequently intermingled with direct and indirect address to the beloved. Though the dominant quality of this lyric is personal introspection, Michael Giordano finds Délie to be consistent with traditions of Christian meditation. He argues that the amatory lyric served as a vehicle for contests of value and paradigm change not only because it was conditioned both by sacred and profane sources, but also because it occurred at a time of religious upheaval and scientific revolution.
Author: Gordon Braden
Publisher: Yale University Press
ISBN: 9780300076219
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
The 366 lyrics of Petrarch's Canzoniere exert a unique influence in literary history. From the mid-fifteenth century to the early seventeenth, the poems are imitated in every major language of western Europe, and for a time they provide Renaissance Europe with an almost exclusive sense of what love poetry should be. In this stimulating look at the international phenomenon of Petrarch's poetry, Gordon Braden focuses on materials in languages other than English--Italian, French, and Spanish, with brief citations from Croatian and Cypriot Greek, among others. Braden closely examines Petrarch's theme of love for an impossible object of desire, a theme that captivated and inspired across centuries, societies, and languages. The book opens with a fresh interpretation of Petrarch's sequence, in which Braden defines the poet's innovations in the context of his predecessors, Dante and the troubadours. The author then examines how Petrarchan predispositions affect various strains of Renaissance literature: prose narrative, verse narrative, and, primarily, lyric poetry. In the final chapter, Braden turns to the poetry of Sor Juana Inés de la Cruz to demonstrate a sophisticated case of Petrarchism taken to one of its extremes within the walls of a convent in seventeenth-century Mexico.
Author: Angeliki Pollali
Publisher: Routledge
ISBN: 1351578790
Category : Art
Languages : en
Pages : 368
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Book Description
Studies on gender and sexuality have proliferated in the last decades, covering a wide spectrum of disciplines. This collection of essays offers a metanarrative of sexuality as it has been recently embedded in the art historical discourse of the European Renaissance. It revisits ‘canonical’ forms of visual culture, such as painting, sculpture and a number of emblematic manuscripts. The contributors focus on one image—either actual or thematic—and examine it against its historiographic assumptions. Through the use of interdisciplinary approaches, the essays propose to unmask the ideology(ies) of representation of sexuality and suggest a richer image of the ever-shifting identities of gender. The collection focuses on the Italian Renaissance, but also includes case studies from Germany and France.
Author: Francesco Petrarch
Publisher: Rarebooksclub.com
ISBN: 9781230060187
Category :
Languages : en
Pages : 56
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Book Description
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1915 edition. Excerpt: ...in vain '-1 And yet, through all the vicissitudes of this story of his love, there is still a certain underlying unity in the Canzoniere. Petrarch's passion became greatly exalted and purified by the tender, yet reserved and virtuous behaviour of his mistress. While Laura is far more a daughter of earth than Dante's Beatrice, she still appears in his songs as a noble and gracious, as well as a very lovable, character, not at all the 'heartless coquette' that Macaulay calls her. If there was apparent coquetry in her conduct, 1 Piumati, 38. it would seem to be due to pity and perhaps affection for her lover struggling with duty rather than to pleasure in inflicting pain. In the poems written after her death, when she had become glorified in his recollection and imagination, she approached more closely to the type of Beatrice, and in some of these poems Dante's influence (which Petrarch avoided in his earlier productions) is distinctly traceable. In the words of Cochin1 the Canzoniere describes 'a passion ardent and carnal at the outset, but restrained by the honour and virtue of the lady whom he loved, and which, purified by sorrow at her death, was raised to an ideal love, and this too finally transformed into the love of God '. From the first passionate sestine to the noble 'Hymn to the Virgin' at the end, this is the history recorded in Petrarch's love songs. His moods change from day to day, but through the long years we can trace the progress of a gradual spiritual development. And this brings us to consider another senti-His ment which powerfully influenced the poet, at JfJjP' least during the later portion of his career, namely, his deep religious feeling. It appears that he had this even in his early life, and he represents St....
Author: Jessica Devos
Publisher: Yale University Press
ISBN: 0300235992
Category : France
Languages : en
Pages : 208
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Book Description
This new volume of Yale French Studies both honors and adds to Edwin M. Duval's scholarship on the history and development of French Renaissance literature. Edwin (Ned) M. Duval's scholarship focuses on teasing out hidden structures and symmetries in the poetry and prose of the French Renaissance, a period when literature underwent radical changes. In honor of Duval's literary "sleuthing," the contributors in this issue explore the symmetries, as well as the dissymmetries, the fragility, ambiguities, and contradictions of French Renaissance literary production. This volume addresses evolving literary practices, innovations in genre, and intellectual developments in sixteenth-century France.
Author: Francesco Petrarca
Publisher:
ISBN: 9781899293124
Category : Italian poetry
Languages : en
Pages : 267
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Book Description
Author: Lawrence D. Kritzman
Publisher: Cambridge University Press
ISBN: 9780521356244
Category : History
Languages : en
Pages : 296
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Book Description
This 1991 book examines the relationship between psychoanalytic theory and the literature of the French Renaissance by exploring the issues of gender, the body, and repression in many of the key literary texts of the period, including Scève, Rabelais, Marguerite de Navarre, Ronsard, and Montaigne.
Author: Dorothy Gabe Coleman
Publisher: Cambridge University Press
ISBN: 9780521154727
Category : Literary Criticism
Languages : en
Pages : 226
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Book Description
A study of Maurice Scève's sequence of love poems, the Délie - the first French canzoniere. There are two main themes: Scève's rendering of the intensity and complexity of the human experience of love, and secondly, his exploitation of the European tradition of love poetry. Dr Coleman tackles broad issues concerning appreciation of poetry, and more particularly, difficult poetry. Comparing individual poems by Horace, Scève and Mallarmé, she pinpoints the task of a serious reader: to experience sensitively and intellectually human emotions couched in artistic form. The book does not offer doctrines about Scève's love. instead, it looks at the contextual linguistic formulae which create love within the poems themselves: the allusiveness, the intellectual rigour, the tautness, the juxtaposition of words, combine with the voluptuousness and simplicity of the images, rhythm and sound, to make out of the poems a timeless an intensely personal experience.
Author: Alison Baird Lovell
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501513591
Category : History
Languages : en
Pages : 283
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Book Description
This book presents an interpretation of Maurice Scève’s lyric sequence Délie, object de plus haulte vertu (Lyon, 1544) in literary relation to the Vita nuova, Commedia, and other works of Dante Alighieri. Dante’s subtle influence on Scève is elucidated in depth for the first time, augmenting the allusions in Délie to the Canzoniere of Petrarch (Francesco Petrarca). Scève’s sequence of dense, epigrammatic dizains is considered to be an early example, prior to the Pléiade poets, of French Renaissance imitation of Petrarch’s vernacular poetry, in a time when imitatio was an established literary practice, signifying the poet’s participation in a tradition. While the Canzoniere is an important source for Scève’s Délie, both works are part of a poetic lineage that includes Occitan troubadours, Guinizzelli, Cavalcanti, and Dante. The book situates Dante as a relevant predecessor and source for Scève, and examines anew the Petrarchan label for Délie. Compelling poetic affinities emerge between Dante and Scève that do not correlate with Petrarch.
