Author: Saint John (of Damascus)
Publisher: St Vladimir's Seminary Press
ISBN: 9780881412451
Category : Art
Languages : en
Pages : 192
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Book Description
In AD 726, the Byzantine emperor ordered the destruction of all icons, or religious images, throughout the empire, and icons were subject to an imperial ban that was to last, with a brief remission, until AD 843. A defender of icons, St John of Damascus wrote three treatises against "those who attack the holy images." He differentiates between the veneration of icons, which is a matter of expressing honor, and idolatry, which is offering worship to something other than God.
Author: Guido T. Poppe
Publisher:
ISBN: 9783925919275
Category :
Languages : en
Pages :
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Book Description
Author: George Kordis
Publisher:
ISBN: 9781935317098
Category : Icon painting
Languages : en
Pages : 102
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Book Description
Author: Pamela Sachant
Publisher: Good Press
ISBN:
Category : Art
Languages : en
Pages : 614
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Book Description
Introduction to Art: Design, Context, and Meaning offers a deep insight and comprehension of the world of Art. Contents: What is Art? The Structure of Art Significance of Materials Used in Art Describing Art - Formal Analysis, Types, and Styles of Art Meaning in Art - Socio-Cultural Contexts, Symbolism, and Iconography Connecting Art to Our Lives Form in Architecture Art and Identity Art and Power Art and Ritual Life - Symbolism of Space and Ritual Objects, Mortality, and Immortality Art and Ethics
Author: Art History Specialist at the Index of Medieval Art Henry D Schilb
Publisher: Penn State University Press
ISBN: 9780271086217
Category :
Languages : en
Pages : 232
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Book Description
What does the study of iconography entail for scholars active today? How does it intersect with the broad array of methodological and theoretical approaches now at the disposal of art historians? Should we still dare to use the term "iconography" to describe such work? The seven essays collected here argue that we should. Their authors set out to evaluate the continuing relevance of iconographic studies to current art-historical scholarship by exploring the fluidity of iconography itself over broad spans of time, place, and culture. These wide-ranging case studies take a diversity of approaches as they track the transformation of medieval images and their meanings along their respective paths, exploring how medieval iconographies remained stable or changed; how images were reconceived in response to new contexts, ideas, or viewerships; and how modern thinking about medieval images--including the application or rejection of traditional methodologies--has shaped our understanding of what they signify. These essays demonstrate that iconographic work still holds a critical place within the rapidly evolving discipline of art history as well as within the many other disciplines that increasingly prioritize the study of images. This inaugural volume in the series Signa: Papers of the Index of Medieval Art at Princeton University demonstrates the importance of keeping matters of image and meaning--regardless of whether we use the word "iconography"--at the center of modern inquiry into medieval visual literature. In addition to the editors, the contributors to this volume are Kirk Ambrose, Charles Barber, Catherine Fernandez, Elina Gertsman, Jacqueline E. Jung, Dale Kinney, and D. Fairchild Ruggles.
Author: Othmar Keel
Publisher: Eisenbrauns
ISBN: 9781575060149
Category : History
Languages : en
Pages : 454
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Book Description
When Othmar Keel's book first appeared in Germany in 1972, it was a pioneering study, the first to compare systematically the conceptual world of a biblical book with that of ancient Near Eastern iconography. First translated into English in 1978, the book has proven its lasting value for exegesis of the Psalms, the comparative study of the Bible and its world, and the study of ancient Near Eastern art and iconography.
Author: Helene E. Roberts
Publisher: Routledge
ISBN: 1136787933
Category : Art
Languages : en
Pages : 1072
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Book Description
First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Robert Venturi
Publisher: Mit Press
ISBN: 9780262720298
Category : Architecture
Languages : en
Pages : 374
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Book Description
This new collection of writings in a variety of genres argues for a genericarchitecture defined by iconography and electronics, an architecture whose elemental qualitiesbecome shelter and symbol.
Author: Francisco Pacheco
Publisher:
ISBN: 9780916101893
Category : Painting
Languages : en
Pages : 0
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Book Description
An introduction to Pacheco's writings on the decorum of religious painting -- Of the order, decency and decorum that invention ought to follow -- In which the matter of decorum is continued -- In which the approval of the painting of the Last Judgment and the subject of decorum is concluded -- Important counsels on a number of sacred histories, regarding the truth and correctness with which they should be painted in accordance with the Divine Scriptures and the Holy Doctors -- In which counsels on the painting of sacred histoiries are continued -- In which the counsels on sacred paintings are continued -- On the truthful paintings of some of the best known of the saints -- In favor of painting the four nails with which Christ our Redeemer was crucified -- In which the thought and approval of these two letters is given be learned men that examined and approved them
Author: Pamela A. Patton
Publisher: Penn State Press
ISBN: 0271093013
Category : Art
Languages : en
Pages : 241
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Book Description
This volume assesses how current approaches to iconology and iconography break new ground in understanding the signification and reception of medieval images, both in their own time and in the modern world. Framed by critical essays that apply explicitly historiographical and sociopolitical perspectives to key moments in the evolution of the field, the volume’s case studies focus on how iconographic meaning is shaped by factors such as medieval modes of dialectical thought, the problem of representing time, the movement of the viewer in space, the fragmentation and injury of both image and subject, and the complex strategy of comparing distant cultural paradigms. The contributions are linked by a commitment to understanding how medieval images made meaning; to highlighting the heuristic value of new perspectives and methods in exploring the work of the image in both the Middle Ages and our own time; and to recognizing how subtle entanglements between scholarship and society can provoke mutual and unexpected transformations in both. Collectively, the essays demonstrate the expansiveness, flexibility, and dynamism of iconographic studies as a scholarly field that is still heartily engaged in the challenge of its own remaking. Along with the volume editors, the contributors include Madeline H. Caviness, Beatrice Kitzinger, Aden Kumler, Christopher R. Lakey, Glenn Peers, Jennifer Purtle, and Elizabeth Sears.
